℗ 2006 BIS Records
 

Beethoven: Piano Works (Complete), Vol. 3: Sonatas Nos. 4-7

Ronald Brautigam

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Piano Sonata No. 4 in E Flat Major, Op. 7  
1.1
I. Allegro molto e con brio
Ludwig van Beethoven; Ronald Brautigam
8:26
1.2
II. Largo con gran espressione
Ludwig van Beethoven; Ronald Brautigam
8:18
1.3
III. Allegro
Ludwig van Beethoven; Ronald Brautigam
5:12
1.4
IV. Rondo. Poco Allegretto e grazioso
Ludwig van Beethoven; Ronald Brautigam
6:37
Piano Sonata No. 5 in C Minor, Op. 10 No. 1  
1.5
I. Allegro molto e con brio
Ludwig van Beethoven; Ronald Brautigam
5:19
1.6
II. Adagio molto
Ludwig van Beethoven; Ronald Brautigam
7:12
1.7
III. Finale. Prestissimo
Ludwig van Beethoven; Ronald Brautigam
4:28
Piano Sonata No. 6 in F Major, Op. 10 No. 2  
1.8
I. Allegro
Ludwig van Beethoven; Ronald Brautigam
5:54
1.9
II. Allegretto
Ludwig van Beethoven; Ronald Brautigam
3:21
1.10
III. Presto
Ludwig van Beethoven; Ronald Brautigam
2:14
Piano Sonata No. 7 in D Major, Op. 10 No. 3  
1.11
I. Presto
Ludwig van Beethoven; Ronald Brautigam
7:13
1.12
II. Largo e mesto
Ludwig van Beethoven; Ronald Brautigam
8:43
1.13
III. Menuetto. Allegro
Ludwig van Beethoven; Ronald Brautigam
2:40
1.14
IV. Rondo. Allegro
Ludwig van Beethoven; Ronald Brautigam
3:44
Digital Booklet
Total Playing Time    79:21
“Beethoven the revolutionary comes closer than ever in Brautigam's fiery interpretations.” - The Times “Ronald Brautigam's warm-toned piano… serves him particularly well in the lyrical concluding rondo of the Sonata Op. 7, with the figuration of its stormy central episode returning in a mollified form to bring the work to a hauntingly beautiful close… if you've been following Brautigam's cycle you won't be disappointed by this latest instalment.” - BBC Music Magazine “these absorbing, freshly considered Beethoven interpretations deserve serious consideration. BIS's gorgeous engineering… and unusually generous playing time sweeten the ante.” - Gramophone Magazine Ronal Brautigam's survey of Beethoven's solo keyboard works as performed on fortepiano present these pieces in a whole new light and are truly revolutionary contributions to the field of Beethoven recording. This third volume sees Brautigam tackle four sonatas written between 1796 and 1788, including No. 4 in E Flat Major, Op. 7, nicknamed “Die Verliebte” due to the belief that Beethoven may have been in love with the woman to whom it was dedicated, his pupil Countess Barbara Keglevics.
88.2 kHz / 24-bit PCM – BIS Studio Masters

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