℗ ℗ 2014 Reference Recordings
 

Respighi: Belkis, Queen of Sheba Suite - Dance of the Gnomes - The Pines of Rome

Minnesota Orchestra, Eiji Oue

Available in 176.4 kHz / 24-bit, 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats

  • Select Format
    • AIFF 88.2 kHz | 24-bit
    • AIFF 176.4 kHz | 24-bit
    • FLAC 88.2 kHz | 24-bit
    • FLAC 176.4 kHz | 24-bit
Add to cart
discounted price
 
1.1
Belkis, Queen of Sheba Suite, P. 177
Ottorino Respighi; Minnesota Orchestra; Eiji Oue
24:04
1.2
Ballata delle gnomidi, Op. 124
Ottorino Respighi; Minnesota Orchestra; Eiji Oue
15:47
1.3
Pini di Roma (Pines of Rome), P. 141
Ottorino Respighi; Minnesota Orchestra; Eiji Oue
22:40
Digital Booklet
Total Playing Time    62:31
"Colorful, thrilling performances of Belkis, as Respighi would have preferred, delivered in superb sound ... a compulsory purchase for every Respighi devotee."
- Fanfare

"Oue plays each piece to the hilt; I cannot imagine more precise, more lovingly conducted performances. As for the recording, I’m running out of superlatives: it is brilliant and weighty, with tremendous undistorted dynamics."
- The Audio Critic

Eiji Oue and the Minnesota Orchestra released this highly-praised, Grammy nominated recording of Belkis, Queen of Sheba in 2000. Belkis was conceived by composer Ottorino Respighi as an evening-long ballet with singing whose lavishness has kept it from view since its La Scala premiere. This is only the second recording of a suite prepared by the composer, for the first time with the tenor solo (sung by Chad Shelton), and with the movements in the correct order. The music's oriental perfumes and barbaric splendor guarantee the enthusiasm of anyone who hears it. Dance of the Gnomes is a little known but characteristically dramatic and colorful tone poem. Respighi’s greatest hit The Pines of Rome (with extra brass and organ) bring this unusual, inventive programme to a dazzling conclusion. This album earned a Grammy nomination for Best Engineered Album, Classical in 2002.

"The sound stands up very favorably with the music. It’s wonderful. The bass foundation is full and deep, offering just the right balance for the orchestra. The strings sing sweetly, the drums boom appropriately, and the piano, when used, is sized as you would hear it live. Add in a soundstage that is both wide and deep and you have a recording with very little to find fault with."
- SoundStage!
176.4 kHz / 24-bit, 88.2 kHz / 24-bit PCM – Reference Recordings Studio Masters

Recorded : May 28–29, 2001, at Orchestra Hall, Minneapolis MN

Producer: J. Tamblyn Henderson, Jr.
Associate Producer: Giancarlo Guerrero, Associate Conductor, Minnesota Orchestra
Recording Engineer: Keith O. Johnson
Executive Producers: Marcia Martin, JTH
Editing / Mastering: Paul Stubblebine, JTH
Design: Bill Roarty, JTH
Cover Image: “Queen of Sheba” by Edmund Dulac, 1882-1953
Archivo Iconografico/Corbis
Special thanks to Edward Johnson for sharing his comprehensive material on Belkis, Queen of Sheba. - RF
Studio Reference Monitors designed by Neil Patel and Keith Johnson, built by Avalon Acoustics, Boulder, Colorado

For Your Consideration | More ▸

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions