℗ 2021 ECM Records
| Released | November 26, 2021 |
| Duration | 1h 07m 35s |
| Record Label | ECM New Series |
| Genre | Classical |
Leoš Janáček: On An Overgrown Path
Maia Brami, Camerata Zürich, Igor Karsko
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
Meditation on the Old Czech Chorale 'St. Wenceslas', Op. 35a
|
|||||
|
1.1
|
Adagio, ma con moto
Josef Suk; Camerata Zürich; Igor Karsko |
6:23 | |||
|
On An Overgrown Path (Po zarostlém chodnicku), JW 8/17 - Arr. Rumler for String Orchestra / Book I
|
|||||
|
1.2
|
1. Our Evenings
Leoš Janáček; Daniel Rumler; Camerata Zürich; Igor Karsko |
2:38 | |||
|
1.3
|
2. A Blown-Away Leaf
Leoš Janáček; Daniel Rumler; Camerata Zürich; Igor Karsko |
2:15 | |||
|
1.4
|
3. Come With Us!
Leoš Janáček; Daniel Rumler; Camerata Zürich; Igor Karsko |
1:00 | |||
|
1.5
|
4. The Madonna of Frydek
Leoš Janáček; Daniel Rumler; Camerata Zürich; Igor Karsko |
3:07 | |||
|
1.6
|
5. They Chattered Like Swallows
Leoš Janáček; Daniel Rumler; Camerata Zürich; Igor Karsko |
1:36 | |||
|
1.7
|
6. Words Fail!
Leoš Janáček; Daniel Rumler; Camerata Zürich; Igor Karsko |
1:42 | |||
|
1.8
|
7. Good Night!
Leoš Janáček; Daniel Rumler; Camerata Zürich; Igor Karsko |
2:59 | |||
|
1.9
|
8. Unutterable Anguish
Leoš Janáček; Daniel Rumler; Camerata Zürich; Igor Karsko |
3:08 | |||
|
1.10
|
9. In Tears
Leoš Janáček; Daniel Rumler; Camerata Zürich; Igor Karsko |
2:28 | |||
|
1.11
|
10. The Barn Owl Has Flown Away!
Leoš Janáček; Daniel Rumler; Camerata Zürich; Igor Karsko |
3:19 | |||
|
Sur un sentier recouvert
|
|||||
|
1.12
|
I. Il était une fois
Maia Brami; Maia Brami |
1:17 | |||
|
1.13
|
II. Tiens! Une feuille morte
Maia Brami; Maia Brami |
1:26 | |||
|
1.14
|
III. Nous danserons
Maia Brami; Maia Brami |
0:52 | |||
|
1.15
|
IV. Boum, boum
Maia Brami; Maia Brami |
2:04 | |||
|
1.16
|
V. Combien de fois depuis
Maia Brami; Maia Brami |
1:27 | |||
|
1.17
|
VI. Les ombres. C’est l’heure
Maia Brami; Maia Brami |
1:19 | |||
|
1.18
|
VII. Cette berceuse du fond
Maia Brami; Maia Brami |
1:04 | |||
|
1.19
|
VIII. Des langues de feu
Maia Brami; Maia Brami |
1:21 | |||
|
1.20
|
IX. Je l’entends qui sanglote
Maia Brami; Maia Brami |
1:59 | |||
|
1.21
|
X. Entends-tu hibou
Maia Brami; Maia Brami |
1:53 | |||
|
On An Overgrown Path (Po zarostlém chodnicku), JW 8/17 - Arr. Rumler for String Orchestra / Book II
|
|||||
|
1.22
|
11. Andante
Leoš Janáček; Daniel Rumler; Camerata Zürich; Igor Karsko |
2:47 | |||
|
1.23
|
12. Allegretto – Presto
Leoš Janáček; Daniel Rumler; Camerata Zürich; Igor Karsko |
3:27 | |||
|
On An Overgrown Path (Po zarostlém chodnicku), JW 8/17 - Arr. Rumler for String Orchestra / Paralipomena
|
|||||
|
1.24
|
13. Più mosso
Leoš Janáček; Daniel Rumler; Camerata Zürich; Igor Karsko |
2:54 | |||
|
1.25
|
14. Vivo
Leoš Janáček; Daniel Rumler; Camerata Zürich; Igor Karsko |
2:39 | |||
|
1.26
|
15. Allegro
Leoš Janáček; Daniel Rumler; Camerata Zürich; Igor Karsko |
4:22 | |||
|
Nocturne in B Major, Op.40
|
|||||
|
1.27
|
Molto adagio
Antonín Dvořák; Camerata Zürich; Igor Karsko |
6:09 | |||
|
Digital Booklet
|
|||||
On An Overgrown Path, Leoš Janáček’s 15 pieces-spanning piano cycle, is here presented in a reshaped guise, arranged for string orchestra and interpreted by the Camerata Zürich under lead violinist Igor Karsko’s direction. This is the premiere recording of the orchestral adaption. In this programme, Janáček’s cycle is bookended by Josef Suk’s Meditation on the Old Czech Chorale St. Wenceslas and Antonín Dvořák’s Notturno – pieces that are thematically connected to the folkloric elements found in Janáček’s composition. French writer Maïa Brami wrote poems to accompany the new arrangement of On An Overgrown Path, and their recorded versions, spoken by the writer herself, are included on the album, contextualizing the cycle with inventive analogies to Janáček’s life.
96 kHz / 24-bit PCM – ECM New Series Studio Masters
Tracks 12-21 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 12-21 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.41 -14.17 to -1.02 | -30.02 -40.51 to -22.96 | -24.16 -32.10 to -17.90 | 14 11 to 18 | |
| 1 | Adagio, ma con moto | -1.03 | -22.96 | -17.9 | 13 |
| 2 | 1. Our Evenings | -2.64 | -26.53 | -23.2 | 15 |
| 3 | 2. A Blown-Away Leaf | -2.72 | -26.31 | -22.5 | 14 |
| 4 | 3. Come With Us! | -4.72 | -28.01 | -24.5 | 13 |
| 5 | 4. The Madonna of Frydek | -3.14 | -26.36 | -19.3 | 12 |
| 6 | 5. They Chattered Like Swallows | -8.03 | -28.39 | -25.1 | 13 |
| 7 | 6. Words Fail! | -4.37 | -29.79 | -25.0 | 13 |
| 8 | 7. Good Night! | -4.16 | -25.07 | -19.7 | 11 |
| 9 | 8. Unutterable Anguish | -2.02 | -25.35 | -19.8 | 12 |
| 10 | 9. In Tears | -14.17 | -34.51 | -31.2 | 12 |
| 11 | 10. The Barn Owl Has Flown Away! | -4.94 | -25.78 | -20.4 | 12 |
| 12 | I. Il était une fois | -6.55 | -31.33 | -23.9 | 15 |
| 13 | II. Tiens! Une feuille morte | -1.57 | -31.52 | -23.6 | 18 |
| 14 | III. Nous danserons | -1.02 | -30.24 | -21.9 | 15 |
| 15 | IV. Boum, boum | -6.39 | -35.20 | -26.8 | 17 |
| 16 | V. Combien de fois depuis | -9.94 | -35.87 | -27.6 | 14 |
| 17 | VI. Les ombres. C’est l’heure | -10.14 | -37.27 | -28.6 | 15 |
| 18 | VII. Cette berceuse du fond | -12.00 | -38.67 | -30.0 | 16 |
| 19 | VIII. Des langues de feu | -7.68 | -31.38 | -24.1 | 15 |
| 20 | IX. Je l’entends qui sanglote | -10.05 | -40.51 | -32.1 | 16 |
| 21 | X. Entends-tu hibou | -2.40 | -34.27 | -25.5 | 15 |
| 22 | 11. Andante | -5.97 | -30.55 | -26.2 | 14 |
| 23 | 12. Allegretto – Presto | -1.35 | -26.21 | -21.9 | 15 |
| 24 | 13. Più mosso | -5.76 | -26.85 | -23.2 | 13 |
| 25 | 14. Vivo | -3.62 | -25.34 | -20.8 | 12 |
| 26 | 15. Allegro | -4.36 | -26.94 | -21.9 | 13 |
| 27 | Molto adagio | -5.38 | -29.48 | -25.6 | 13 |