℗ 2016 Delphian Records
| Released | August 26, 2016 |
| Duration | 59m 46s |
| Record Label | Delphian Records |
| Catalogue No. | DCD34164 |
| Genre | Classical (Choral) |
|
Mass
|
|||||
|
1.1
|
Kyrie
Igor Stravinsky; Choir of St Mary's Cathedral, Edinburgh | Scottish Chamber Orchestra Soloists | Duncan Ferguson |
2:44 | |||
|
1.2
|
Gloria
Igor Stravinsky; Choir of St Mary's Cathedral, Edinburgh | Scottish Chamber Orchestra Soloists | Duncan Ferguson |
3:38 | |||
|
1.3
|
Credo
Igor Stravinsky; Choir of St Mary's Cathedral, Edinburgh | Scottish Chamber Orchestra Soloists | Duncan Ferguson |
4:22 | |||
|
1.4
|
Sanctus
Igor Stravinsky; Choir of St Mary's Cathedral, Edinburgh | Scottish Chamber Orchestra Soloists | Duncan Ferguson |
3:36 | |||
|
1.5
|
Agnus Dei
Igor Stravinsky; Choir of St Mary's Cathedral, Edinburgh | Scottish Chamber Orchestra Soloists | Duncan Ferguson |
2:46 | |||
|
1.6
|
Ave Maria
Igor Stravinsky; Choir of St Mary's Cathedral, Edinburgh | Duncan Ferguson |
1:41 | |||
|
1.7
|
Pater noster
Igor Stravinsky; Choir of St Mary's Cathedral, Edinburgh | Duncan Ferguson |
1:55 | |||
|
1.8
|
Credo
Igor Stravinsky; Choir of St Mary's Cathedral, Edinburgh | Duncan Ferguson |
3:36 | |||
|
Cantata
|
|||||
|
1.9
|
A Lyke-wake Dirge. Versus I (Prelude)
Igor Stravinsky; Choir of St Mary's Cathedral, Edinburgh | Scottish Chamber Orchestra Soloists | Duncan Ferguson |
1:45 | |||
|
1.10
|
Ricercar I "The Maidens Came"
Igor Stravinsky; Ruby Hughes | Scottish Chamber Orchestra Soloists | Duncan Ferguson |
4:19 | |||
|
1.11
|
A Lyke-wake Dirge. Versus II (Interlude No. 1)
Igor Stravinsky; Choir of St Mary's Cathedral, Edinburgh | Scottish Chamber Orchestra Soloists | Duncan Ferguson |
1:45 | |||
|
1.12
|
Ricercar II. Sacred History "Tomorrow Shall Be"
Igor Stravinsky; Nicholas Mulroy | Scottish Chamber Orchestra Soloists | Duncan Ferguson |
11:28 | |||
|
1.13
|
A Lyke-wake Dirge. Versus III (Interlude No. 2)
Igor Stravinsky; Choir of St Mary's Cathedral, Edinburgh | Scottish Chamber Orchestra Soloists | Duncan Ferguson |
1:43 | |||
|
1.14
|
Westron Wind
Igor Stravinsky; Ruby Hughes | Scottish Chamber Orchestra Soloists | Duncan Ferguson |
2:11 | |||
|
1.15
|
A Lyke-wake Dirge. Versus IV (Postlude)
Igor Stravinsky; Choir of St Mary's Cathedral, Edinburgh | Scottish Chamber Orchestra Soloists | Duncan Ferguson |
2:34 | |||
|
Tres Sacrae Cantiones (Completed by Stravinsky)
|
|||||
|
1.16
|
I. Da pacem Domine
Carlo Gesualdo; Igor Stravinsky; Choir of St Mary's Cathedral, Edinburgh | Duncan Ferguson |
2:50 | |||
|
1.17
|
II. Assumpta est Maria
Carlo Gesualdo; Igor Stravinsky; Choir of St Mary's Cathedral, Edinburgh | Duncan Ferguson |
2:45 | |||
|
1.18
|
III. Illumina nos
Carlo Gesualdo; Igor Stravinsky; Choir of St Mary's Cathedral, Edinburgh | Duncan Ferguson |
4:08 | |||
|
Digital Booklet
|
|||||
Duncan Ferguson leads the Choir of St. Mary's Cathedral, Edinburgh on his most ambitious project to date, a collection of choral works by Stravinsky. Although the composer's Mass is one of the most popular pieces ever written for choir, the St. Mary's Cathedral Choir rarely has an opportunity to perform its full version with wind instruments and enjoyed recording it with soloists from the Scottish Chamber Orchestra for this release. Acclaimed soprano Ruby Hughes and tenor Nicholas Mulroy are also featured on the programme. Stravinsky's contrapuntal twists and turns are relished by the intelligent and committed choir and provide a stark contrast to the austere simplicity of Stravinsky's own short, sacred choruses.
48 kHz / 24-bit PCM – Delphian Records Studio Masters
Recorded on 9-11 and 29 February and 1-2 March 2016 in Greyfriars Kirk, Edinburgh Producer/Engineer: Paul Baxter 24-bit digital editing: Adam Binks 24-bit digital mastering: Paul Baxter Design: John Christ Booklet editor: Henry Howard Cover image: JT Vintage / Bridgeman Images Photography © Susan Torkington
Recorded on 9-11 and 29 February and 1-2 March 2016 in Greyfriars Kirk, Edinburgh Producer/Engineer: Paul Baxter 24-bit digital editing: Adam Binks 24-bit digital mastering: Paul Baxter Design: John Christ Booklet editor: Henry Howard Cover image: JT Vintage / Bridgeman Images Photography © Susan Torkington
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -8.09 -12.80 to -1.51 | -28.07 -31.73 to -22.52 | -24.27 -28.30 to -17.70 | 12 11 to 14 | |
| 1 | Kyrie | -12.24 | -29.68 | -26.3 | 11 |
| 2 | Gloria | -11.09 | -31.73 | -28.3 | 13 |
| 3 | Credo | -5.71 | -25.93 | -22.5 | 12 |
| 4 | Sanctus | -1.51 | -22.52 | -17.7 | 13 |
| 5 | Agnus Dei | -10.43 | -29.08 | -25.6 | 11 |
| 6 | Ave Maria | -12.64 | -31.12 | -27.5 | 11 |
| 7 | Pater noster | -12.80 | -31.61 | -27.9 | 11 |
| 8 | Credo | -8.45 | -28.39 | -24.7 | 12 |
| 9 | A Lyke-wake Dirge. Versus I (Prelude) | -6.42 | -25.99 | -22.0 | 12 |
| 10 | Ricercar I "The Maidens Came" | -7.56 | -30.04 | -26.2 | 13 |
| 11 | A Lyke-wake Dirge. Versus II (Interlude No. 1) | -5.86 | -26.40 | -22.6 | 12 |
| 12 | Ricercar II. Sacred History "Tomorrow Shall Be" | -8.21 | -29.66 | -25.1 | 14 |
| 13 | A Lyke-wake Dirge. Versus III (Interlude No. 2) | -7.03 | -25.99 | -22.0 | 11 |
| 14 | Westron Wind | -4.81 | -26.43 | -22.0 | 14 |
| 15 | A Lyke-wake Dirge. Versus IV (Postlude) | -7.34 | -26.98 | -23.0 | 12 |
| 16 | I. Da pacem Domine | -8.49 | -29.45 | -26.2 | 13 |
| 17 | II. Assumpta est Maria | -8.58 | -27.68 | -24.2 | 11 |
| 18 | III. Illumina nos | -6.40 | -26.52 | -23.0 | 12 |