℗ 2021 TACET Musikproduktion
Released | November 19, 2021 |
Duration | 1h 44m 58s |
Record Label | TACET Musikproduktion |
Catalogue No. | TACET244 |
Genre | Classical (Piano) |
The Welte Mignon Mystery, Vol. 23
Ferrucio Busoni
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
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Now Rejoice, Dear Christians, BV B 27 No. 4 (After Bach's BWV 734)
Ferruccio Busoni; Ferruccio Busoni |
2:13 | |||
1.2
|
Polonaise in A-Flat Major, Op. 53, B. 147
Frédéric Chopin; Ferruccio Busoni |
6:53 | |||
Nocturnes, Op. 15
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1.3
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No. 2 in F-Sharp Major, B. 55
Frédéric Chopin; Ferruccio Busoni |
3:29 | |||
1.4
|
Valse à capriccio, S. 401 (After Donizetti)
Franz Liszt; Ferruccio Busoni |
8:18 | |||
1.5
|
Adelaide, S. 466 (After Beethoven's Op. 46)
Franz Liszt; Ferruccio Busoni |
9:43 | |||
Études d'exécution transcendante d'après Paganini, S. 140
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1.6
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No. 3, Campanella
Franz Liszt; Ferruccio Busoni |
4:18 | |||
1.7
|
Paraphrase de concert sur Rigoletto, S. 434
Franz Liszt; Ferruccio Busoni |
6:51 | |||
1.8
|
Mélodies hongroises d'après Franz Schubert, S. 425
Franz Liszt; Ferruccio Busoni |
4:47 | |||
24 Préludes, Op. 28
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2.1
|
No. 15 in D-Flat Major, B. 107 "Raindrop"
Frédéric Chopin; Ferruccio Busoni |
5:32 | |||
Polonaises, S. 223
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2.2
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No. 2 in E Major
Franz Liszt; Ferruccio Busoni |
10:35 | |||
2.3
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Réminiscences de Norma, S. 394
Franz Liszt; Ferruccio Busoni |
14:32 | |||
2.4
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Fantasie über Motive aus Beethovens Ruinen von Athen, S. 122
Franz Liszt; Ferruccio Busoni |
12:47 | |||
2.5
|
Réminiscences de Don Juan, S. 418
Franz Liszt; Ferruccio Busoni |
15:00 | |||
Digital Booklet
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For the last time, we dive deep into the 19th century as part of the benchmark collection of Welte recordings. Born in 1866, pianist and composer Ferruccio Busoni was recommended by Johannes Brahms as a student and was acquainted with countless musicians from Grieg to Tchaikovsky. Today he is best known for his arrangements or interpretations of Bach, Chopin and Liszt. All of Busoni's Welte recordings can be found on this double album. This concludes the TACET series "The Welte Mignon Mystery."
96 kHz / 24-bit PCM – TACET Musikproduktion Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.36 -6.73 to -0.65 | -24.61 -29.31 to -22.31 | -21.61 -26.50 to -19.20 | 13 12 to 16 | |
1.1 | Now Rejoice, Dear Christians, BV B 27 No. 4 (After Bach's BWV 734) | -6.73 | -26.83 | -24.4 | 12 |
1.2 | Polonaise in A-Flat Major, Op. 53, B. 147 | -3.13 | -22.31 | -19.3 | 12 |
1.3 | No. 2 in F-Sharp Major, B. 55 | -5.13 | -29.31 | -26.5 | 16 |
1.4 | Valse à capriccio, S. 401 (After Donizetti) | -3.14 | -23.83 | -20.9 | 13 |
1.5 | Adelaide, S. 466 (After Beethoven's Op. 46) | -3.16 | -24.57 | -21.7 | 13 |
1.6 | No. 3, Campanella | -3.45 | -25.57 | -22.4 | 13 |
1.7 | Paraphrase de concert sur Rigoletto, S. 434 | -3.02 | -24.48 | -21.1 | 13 |
1.8 | Mélodies hongroises d'après Franz Schubert, S. 425 | -2.98 | -22.45 | -19.4 | 12 |
2.1 | No. 15 in D-Flat Major, B. 107 "Raindrop" | -5.21 | -27.37 | -24.8 | 13 |
2.2 | No. 2 in E Major | -3.08 | -23.64 | -20.4 | 13 |
2.3 | Réminiscences de Norma, S. 394 | -2.31 | -22.55 | -19.2 | 12 |
2.4 | Fantasie über Motive aus Beethovens Ruinen von Athen, S. 122 | -1.71 | -23.40 | -20.2 | 13 |
2.5 | Réminiscences de Don Juan, S. 418 | -0.65 | -23.68 | -20.6 | 13 |