℗ 2021 Naxos
Released | December 3, 2021 |
Duration | 1h 06m 25s |
Record Label | Naxos |
Catalogue No. | 8.574098 |
Genre | Classical (Solo Instrumental) |
Muffat: Suites for Harpsichord, Vol. 3
Naoko Akutagawa
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Keyboard Suite in A Major, MC B36
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1.1
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I. Prélude
Gottlieb Muffat; Naoko Akutagawa |
1:32 | |||
1.2
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II. Allemande
Gottlieb Muffat; Naoko Akutagawa |
2:42 | |||
1.3
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III. Courante
Gottlieb Muffat; Naoko Akutagawa |
1:48 | |||
1.4
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IV. Menuet anglais
Gottlieb Muffat; Naoko Akutagawa |
0:45 | |||
1.5
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V. Sarabande
Gottlieb Muffat; Naoko Akutagawa |
2:10 | |||
1.6
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VI. Gavotte
Gottlieb Muffat; Naoko Akutagawa |
0:38 | |||
1.7
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VII. Air en menuet
Gottlieb Muffat; Naoko Akutagawa |
0:45 | |||
1.8
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VIII. Gigue anglaise
Gottlieb Muffat; Naoko Akutagawa |
1:56 | |||
Keyboard Suite in G Minor, MC B6
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1.9
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I. Prélude
Gottlieb Muffat; Naoko Akutagawa |
1:43 | |||
1.10
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II. Le bastard
Gottlieb Muffat; Naoko Akutagawa |
1:16 | |||
1.11
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III. Aria
Gottlieb Muffat; Naoko Akutagawa |
2:08 | |||
1.12
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IV. Bourrée
Gottlieb Muffat; Naoko Akutagawa |
0:55 | |||
1.13
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V. Menuet
Gottlieb Muffat; Naoko Akutagawa |
2:05 | |||
1.14
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VI. La jalousie
Gottlieb Muffat; Naoko Akutagawa |
1:35 | |||
1.15
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VII. Gigue
Gottlieb Muffat; Naoko Akutagawa |
1:13 | |||
1.16
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VIII. Harlequinade
Gottlieb Muffat; Naoko Akutagawa |
1:48 | |||
Keyboard Suite in D Major, MC B7
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1.17
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I. Fantaisie
Gottlieb Muffat; Naoko Akutagawa |
1:50 | |||
1.18
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II. Allemande
Gottlieb Muffat; Naoko Akutagawa |
2:43 | |||
1.19
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III. Courante
Gottlieb Muffat; Naoko Akutagawa |
1:40 | |||
1.20
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IV. Sarabande
Gottlieb Muffat; Naoko Akutagawa |
2:02 | |||
1.21
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V. Rigaudon
Gottlieb Muffat; Naoko Akutagawa |
1:09 | |||
1.22
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VI. Menuet
Gottlieb Muffat; Naoko Akutagawa |
1:57 | |||
1.23
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VII. Gigue
Gottlieb Muffat; Naoko Akutagawa |
2:02 | |||
1.24
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VIII. Finale
Gottlieb Muffat; Naoko Akutagawa |
2:07 | |||
Keyboard Suite in A Minor, MC B37
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1.25
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I. Prélude
Gottlieb Muffat; Naoko Akutagawa |
1:21 | |||
1.26
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II. Allemande
Gottlieb Muffat; Naoko Akutagawa |
2:02 | |||
1.27
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III. Courante
Gottlieb Muffat; Naoko Akutagawa |
1:37 | |||
1.28
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IV. Gavotte
Gottlieb Muffat; Naoko Akutagawa |
0:56 | |||
1.29
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V. Sarabande
Gottlieb Muffat; Naoko Akutagawa |
2:42 | |||
1.30
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VI. Paysan
Gottlieb Muffat; Naoko Akutagawa |
0:53 | |||
1.31
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VII. Passepied
Gottlieb Muffat; Naoko Akutagawa |
0:59 | |||
1.32
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VIII. Gigue
Gottlieb Muffat; Naoko Akutagawa |
1:13 | |||
Keyboard Suite in D Minor, MC B12
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1.33
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I. Prélude
Gottlieb Muffat; Naoko Akutagawa |
1:25 | |||
1.34
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II. Menuet I
Gottlieb Muffat; Naoko Akutagawa |
0:59 | |||
1.35
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III. Fantaisie
Gottlieb Muffat; Naoko Akutagawa |
1:32 | |||
1.36
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IV. Air
Gottlieb Muffat; Naoko Akutagawa |
2:20 | |||
1.37
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V. Bourrée
Gottlieb Muffat; Naoko Akutagawa |
0:52 | |||
1.38
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VI. Ballet
Gottlieb Muffat; Naoko Akutagawa |
1:19 | |||
1.39
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VII. Gigue
Gottlieb Muffat; Naoko Akutagawa |
0:55 | |||
1.40
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VIII. Gavotte
Gottlieb Muffat; Naoko Akutagawa |
0:43 | |||
1.41
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IX. Menuet II
Gottlieb Muffat; Naoko Akutagawa |
2:21 | |||
1.42
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X. Finale
Gottlieb Muffat; Naoko Akutagawa |
1:47 | |||
Digital Booklet
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Gottlieb Muffat was the most important Viennese harpsichord composer of the 18th century. He inherited and developed a compound style that fused high Italian Baroque with the lightness of the French school. From his father, Georg – one of the greatest organ and orchestral composers of his own generation – Gottlieb absorbed a gift for ballet movements. This is the third and final volume in Naoko Akutagawa’s critically acclaimed series of Muffat’s Harpsichord Suites.
96 kHz / 24-bit PCM – Naxos Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.51 -10.09 to -3.52 | -23.97 -26.77 to -22.67 | -20.46 -23.50 to -19.00 | 13 11 to 14 | |
1 | I. Prélude | -3.85 | -23.04 | -19.1 | 13 |
2 | II. Allemande | -8.49 | -26.77 | -23.5 | 13 |
3 | III. Courante | -5.68 | -23.80 | -20.4 | 13 |
4 | IV. Menuet anglais | -6.30 | -23.36 | -19.7 | 12 |
5 | V. Sarabande | -5.98 | -25.00 | -21.3 | 13 |
6 | VI. Gavotte | -6.27 | -23.37 | -19.8 | 12 |
7 | VII. Air en menuet | -10.09 | -26.20 | -22.6 | 12 |
8 | VIII. Gigue anglaise | -4.07 | -22.92 | -19.0 | 13 |
9 | I. Prélude | -4.35 | -23.18 | -19.5 | 12 |
10 | II. Le bastard | -5.91 | -22.75 | -19.2 | 12 |
11 | III. Aria | -5.81 | -24.51 | -21.0 | 13 |
12 | IV. Bourrée | -5.78 | -22.93 | -19.5 | 11 |
13 | V. Menuet | -5.75 | -24.28 | -20.7 | 13 |
14 | VI. La jalousie | -6.49 | -23.88 | -20.5 | 12 |
15 | VII. Gigue | -5.05 | -23.45 | -20.0 | 14 |
16 | VIII. Harlequinade | -4.14 | -23.12 | -19.4 | 13 |
17 | I. Fantaisie | -5.32 | -23.48 | -19.9 | 12 |
18 | II. Allemande | -5.52 | -24.78 | -21.3 | 13 |
19 | III. Courante | -4.25 | -23.13 | -19.8 | 14 |
20 | IV. Sarabande | -4.24 | -24.30 | -20.8 | 14 |
21 | V. Rigaudon | -4.72 | -23.22 | -19.8 | 13 |
22 | VI. Menuet | -4.90 | -24.09 | -20.7 | 13 |
23 | VII. Gigue | -4.62 | -23.86 | -20.4 | 14 |
24 | VIII. Finale | -4.70 | -22.93 | -19.3 | 13 |
25 | I. Prélude | -5.69 | -24.20 | -20.5 | 12 |
26 | II. Allemande | -3.98 | -23.42 | -20.1 | 13 |
27 | III. Courante | -4.05 | -23.26 | -19.8 | 13 |
28 | IV. Gavotte | -6.16 | -24.86 | -21.7 | 11 |
29 | V. Sarabande | -4.79 | -24.91 | -21.5 | 14 |
30 | VI. Paysan | -5.61 | -23.41 | -19.9 | 11 |
31 | VII. Passepied | -8.08 | -25.39 | -21.9 | 12 |
32 | VIII. Gigue | -3.52 | -24.02 | -20.3 | 13 |
33 | I. Prélude | -5.42 | -24.87 | -21.1 | 12 |
34 | II. Menuet I | -8.46 | -24.81 | -21.6 | 11 |
35 | III. Fantaisie | -4.97 | -23.61 | -20.2 | 13 |
36 | IV. Air | -4.93 | -24.81 | -21.3 | 13 |
37 | V. Bourrée | -5.42 | -23.27 | -19.7 | 12 |
38 | VI. Ballet | -5.31 | -24.01 | -20.6 | 13 |
39 | VII. Gigue | -4.19 | -23.63 | -20.2 | 12 |
40 | VIII. Gavotte | -9.07 | -25.31 | -22.2 | 11 |
41 | IX. Menuet II | -4.88 | -23.71 | -20.4 | 13 |
42 | X. Finale | -4.70 | -22.67 | -19.0 | 12 |