℗ 2017 Toccata Classics
Released January 6, 2017
Duration 1h 13m 07s
Record Label Toccata Classics
Catalogue No. TOCC0300
Genre Classical (Choral - Sacred)
 

The Cardinal King: Music for Henry Benedict Stuart in Rome (1740-91)

Cappella Fede, Harmonia Sacra, Peter Leech

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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5 Assoluzzione  
1.1
No. 1. Subvenite sancti
Sebastiano Bolis; Cappella Fede; Peter Leech
2:34
1.2
No. 2. Qui Lazzarum resuscitasti
Sebastiano Bolis; Cappella Fede; Peter Leech
2:17
1.3
No. 5. Libera me Domine
Sebastiano Bolis; Cappella Fede; Peter Leech
3:52
1.4
Jesu quaeritis Nazarenum
Sebastiano Bolis; Cappella Fede; Peter Leech
2:04
1.5
Splende fredda luna
Giovanni Zamboni; Cappella Fede; Peter Leech
2:22
1.6
O memorie funeste
Giovanni Zamboni; Cappella Fede; Peter Leech
2:23
1.7
Ave Maria
Giovanni Battista Costanzi; Cappella Fede; Peter Leech
2:14
1.8
O come se' gentile
Giovanni Zamboni; Cappella Fede; Peter Leech
3:12
1.9
Laudate pueri Dominum
Sebastiano Bolis; Cappella Fede; Peter Leech
5:44
1.10
Miserere
Sebastiano Bolis; Harmonia Sacra; Cappella Fede; Peter Leech
13:23
Allettamento terzo  
1.11
I. Adagio
Carlo Tessarini; Cappella Fede; Peter Leech
2:08
1.12
II. Allegro
Carlo Tessarini; Cappella Fede; Peter Leech
4:31
1.13
III. Allegro
Carlo Tessarini; Cappella Fede; Peter Leech
3:28
1.14
Oculi omnium
Niccolò Jommelli; Cappella Fede; Peter Leech
2:50
Allettamento secondo  
1.15
II. Andante
Carlo Tessarini; Cappella Fede; Peter Leech
4:34
1.16
Feritevi, ferite
Giovanni Zamboni; Cappella Fede; Peter Leech
3:12
1.17
Letanie della Madonna Santissima
Sebastiano Bolis; Harmonia Sacra; Cappella Fede; Peter Leech
12:19
Digital Booklet
British early music ensemble Cappella Fede makes its recording debut with this presentation for the first time of the hitherto forgotten repertoire composed by the many musicians employed by and associated with Cardinal Henry Benedict Stuart, a grandson of King James II of England and VII of Scotland, the younger brother of "Bonnie Prince Charlie" and the last in the direct line of Jacobite succession. Sitting on the cusp of the Baroque and the Classical, these works likewise tread a delicate path between innocence and grandeur and charm and formality, suggesting that the Cardinal, for all his power, may have been a rather gentle man. Period choir Harmonia Sacra joins the ensemble on two pieces.
96 kHz / 24-bit PCM – Toccata Classics Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-6.22
-10.90 to -0.82
-26.73
-31.18 to -23.48
-23.41
-27.70 to -20.00
13
11 to 16
1
No. 1. Subvenite sancti
-9.88-27.39-24.411
2
No. 2. Qui Lazzarum resuscitasti
-6.02-27.55-24.512
3
No. 5. Libera me Domine
-8.19-27.18-24.112
4
Jesu quaeritis Nazarenum
-3.54-25.33-21.912
5
Splende fredda luna
-4.88-26.73-23.612
6
O memorie funeste
-7.61-25.89-22.412
7
Ave Maria
-6.72-25.46-22.412
8
O come se' gentile
-6.87-26.61-23.413
9
Laudate pueri Dominum
-3.48-24.03-20.613
10
Miserere
-1.23-27.77-23.716
11
I. Adagio
-9.62-28.16-24.712
12
II. Allegro
-7.32-27.64-24.314
13
III. Allegro
-8.30-27.54-24.313
14
Oculi omnium
-4.83-26.15-23.012
15
II. Andante
-10.90-31.18-27.712
16
Feritevi, ferite
-5.62-26.28-23.014
17
Letanie della Madonna Santissima
-0.82-23.48-20.014

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