℗ 2017 2xHD - Ondine
Brahms: The Violin Sonatas
Christian Tetzlaff, Lars Vogt
Available in 5.6448 MHz, 2.8224 MHz DSD-DSF and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF and FLAC high-resolution audio formats
"These are thought-provoking and scrupulously intelligent performances."
- MusicWeb International
Violin Sonata No. 1 in G Major, Op. 78 |
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1 |
I. Vivace ma non troppo Johannes Brahms; Christian Tetzlaff; Lars Vogt |
10:46 | |||
2 |
II. Adagio Johannes Brahms; Christian Tetzlaff; Lars Vogt |
7:25 | |||
3 |
III. Allegro molto moderato Johannes Brahms; Christian Tetzlaff; Lars Vogt |
8:34 | |||
Violin Sonata No. 2 in A Major, Op. 100 |
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4 |
I. Allegro amabile Johannes Brahms; Christian Tetzlaff; Lars Vogt |
8:02 | |||
5 |
II. Andante tranquillo - Vivace Johannes Brahms; Christian Tetzlaff; Lars Vogt |
6:28 | |||
6 |
III. Allegro grazioso (quasi andante) Johannes Brahms; Christian Tetzlaff; Lars Vogt |
5:31 | |||
Violin Sonata No. 3 in D Minor, Op. 108 |
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7 |
I. Allegro Johannes Brahms; Christian Tetzlaff; Lars Vogt |
7:46 | |||
8 |
II. Adagio Johannes Brahms; Christian Tetzlaff; Lars Vogt |
4:19 | |||
9 |
III. Un poco presto e con sentimento Johannes Brahms; Christian Tetzlaff; Lars Vogt |
3:01 | |||
10 |
IV. Presto agitato Johannes Brahms; Christian Tetzlaff; Lars Vogt |
5:33 | |||
Violin Sonata in A Minor "F-A-E" |
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11 |
III. Scherzo in C Minor, WoO 2 Johannes Brahms; Christian Tetzlaff; Lars Vogt |
5:26 | |||
Digital Booklet |
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Total Playing Time 72:51
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"It’s beautiful playing, tonally and expressively and very musical, but it’s also surprisingly open ..."
- BBC Music Magazine
"Disc of the Month ... a breathtaking balance of poise and daring ... Tetzlaff and Vogt take obvious pleasure in details without losing sight of the larger picture, whether it’s a phrase, a movement or an entire work. Indeed, they sharply delineate the individual character of each sonata."
- Gramophone
"Four Stars ... each work has a questing lyricism, vividly captured here. Christian Tetzlaff’s distinctive, quicksilver playing, capable of extreme pianissimo, suits the intensity and introspection in each ... the performances are agile, airborne, refreshingly unpredictable and alive with exhilarating freedom."
- The Guardian
Award-winning violinist Christian Tetzlaff and pianist Lars Vogt continue their successful series of violin chamber music with this exciting programme of Brahms's sonatas, considered among the greatest masterpieces of the 19th century chamber repertoire. Brahms wrote these powerful works at the height of his creative powers, bringing the genre of violin sonatas into a new dimension.
- BBC Music Magazine
"Disc of the Month ... a breathtaking balance of poise and daring ... Tetzlaff and Vogt take obvious pleasure in details without losing sight of the larger picture, whether it’s a phrase, a movement or an entire work. Indeed, they sharply delineate the individual character of each sonata."
- Gramophone
"Four Stars ... each work has a questing lyricism, vividly captured here. Christian Tetzlaff’s distinctive, quicksilver playing, capable of extreme pianissimo, suits the intensity and introspection in each ... the performances are agile, airborne, refreshingly unpredictable and alive with exhilarating freedom."
- The Guardian
Award-winning violinist Christian Tetzlaff and pianist Lars Vogt continue their successful series of violin chamber music with this exciting programme of Brahms's sonatas, considered among the greatest masterpieces of the 19th century chamber repertoire. Brahms wrote these powerful works at the height of his creative powers, bringing the genre of violin sonatas into a new dimension.
5.6448 MHz, 2.8224 MHz DSD and 192 kHz / 24-bit, 96 kHz / 24-bit PCM – 2xHD - Ondine Studio Masters
96 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit PCM and 5.6448 MHz, 2.8224 MHz DSD
In order to achieve the most accurate reproduction of the original recording we tailor our process specifically for each project, using a selection from our pool of state-of-the-art audiophile components and connectors. The process begins with a transfer to analog from the original 24bits/96kHz resolution master, using cutting edge D/A converters. The analog signal is then sent through a hi-end tube pre-amplifier before being recorded directly in DSD 5.6 MHz using Merging Horus/Hapi In and the dCS Vivaldi Clock. All connections used in the process are made of OCC silver cable.
Each format (96kHz, 192kHz, DSD 2.8 MHz, DSD 5.6 MHz) was created using Merging Horus/Hapi A/D converter, calibrated to the required format and a dCS Vivaldi clock.
2xHD mastering: René Laflamme and André Perry
2xHD executive producer: André Perry
96 kHz / 24-bit PCM, mastered in 192 kHz / 24-bit PCM and 5.6448 MHz, 2.8224 MHz DSD
In order to achieve the most accurate reproduction of the original recording we tailor our process specifically for each project, using a selection from our pool of state-of-the-art audiophile components and connectors. The process begins with a transfer to analog from the original 24bits/96kHz resolution master, using cutting edge D/A converters. The analog signal is then sent through a hi-end tube pre-amplifier before being recorded directly in DSD 5.6 MHz using Merging Horus/Hapi In and the dCS Vivaldi Clock. All connections used in the process are made of OCC silver cable.
Each format (96kHz, 192kHz, DSD 2.8 MHz, DSD 5.6 MHz) was created using Merging Horus/Hapi A/D converter, calibrated to the required format and a dCS Vivaldi clock.
2xHD mastering: René Laflamme and André Perry
2xHD executive producer: André Perry