℗ 2016 Boston Symphony Orchestra Inc.
 

Brahms: Ein Deutsches Requiem (A German Requiem)

Christine Shäffer, Michael Volle, Tanglewood Festival Chorus, Boston Symphony Orchstra, James Levine

Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 88.2 kHz | 24-bit
    • FLAC 88.2 kHz | 24-bit
Add to cart
discounted price
 
Ein Deutsches Requiem, Op. 45  
1.1
I. Selig sind, die da Leid tragen
Johannes Brahms; Christine Shäffer; Michael Volle; Tanglewood Festival Chorus; Boston Symphony Orchstra; James Levine
9:20
1.2
II. Denn alles Fleisch es ist wie Gras
Johannes Brahms; Christine Shäffer; Michael Volle; Tanglewood Festival Chorus; Boston Symphony Orchstra; James Levine
16:26
1.3
III. Herr, lehre doch mich
Johannes Brahms; Christine Shäffer; Michael Volle; Tanglewood Festival Chorus; Boston Symphony Orchstra; James Levine
9:55
1.4
IV. Wie lieblich sind deine Wohnungen
Johannes Brahms; Christine Shäffer; Michael Volle; Tanglewood Festival Chorus; Boston Symphony Orchstra; James Levine
5:35
1.5
V. Ihr habt nun Traurigkeit
Johannes Brahms; Christine Shäffer; Michael Volle; Tanglewood Festival Chorus; Boston Symphony Orchstra; James Levine
6:46
1.6
VI. Denn wir haben hie keine bleibende Statt
Johannes Brahms; Christine Shäffer; Michael Volle; Tanglewood Festival Chorus; Boston Symphony Orchstra; James Levine
11:47
1.7
VII. Selig sind die Toten
Johannes Brahms; Christine Shäffer; Michael Volle; Tanglewood Festival Chorus; Boston Symphony Orchstra; James Levine
10:27
Total Playing Time    70:16
"Levine was at the top of his game ... a powerful, sensitive and gripping account of Brahms’s taxing score. The performance was impressive in every way ... Brahms at his most powerful and moving ... Levine maintained an ideal balance between vocal and orchestral forces. Instrumental details were perfectly pointed and allowed to emerge clearly and naturally ... the solo singing was magnificent ... a performance that brought out all the drama and intensity of Brahms’s ambitious and heartfelt work." - ClassicalSource.com "What gives this recording its edge over other fine versions is the fact that it was captured 'live' ... transmitting a nervous energy, a collective goal by the participants, a raw enthusiasm and commitment often lacking from studio takes. There certainly is plenty of enthusiasm and commitment here on the part of everyone involved. (James Levine) certainly shapes and moulds all the forces involved and sets the pace and momentum perfectly well from start to finish ... the female voices of the choir seem to exhibit an angelic tone that fits this work very well ... recording captures and conveys well the power generated by the orchestral and choral forces in the second movement ... performed and captured in this live recording to ring as true today as it did at its Leipzig premiere in 1869." - Classical Music Sentinel This powerful live performance by the Boston Symphony Orchestra with former music director James Levine was recorded at their opening concert in 2008 and features guests including soprano Christine Schäfer, baritone Michael Volle, organist James David Christie and the 125 member Tanglewood Festival Chorus. "Brahms's German Requiem is one of the greatest works ever written." - James Levine
88.2 kHz / 24-bit PCM – BSO Classics Studio Masters

For Your Consideration | More ▸

Copland: Appalachian Spring - Hear Ye! Hear Ye! Detroit Symphony Orchestra; Leonard Slatkin
96
Beethoven: Lieder - Songs Matthias Goerne; Jan Lisiecki
96
Beethoven: Piano Sonatas, Vol. 1 Adam Golka
96
Pfitzner: Piano Trio in F Major, Op. 8 Stuttgart Piano Trio
48
Hanns Eisler: Leipzig Symphony - Funeral Pieces - Nuit et Broulliard MDR Leipzig Radio Symphony Orchestra; Jürgen Bruns; Kammersymphonie Berlin
44.1
The Lark Christian Ihle Hadland
48
Shostakovich: Suite on Finnish Themes - Chamber Symphonies Ostrobothnian Chamber Orchestra; Juha Kangas
44.1
Gian Francesco Malipiero: Sinfonia degli eroi - Dai sepolcri - Ditirambo tragico Thessaloniki State Symphony Orchestra; Amaury du Closel
44.1
Ludovico Einaudi: Musique de chambre Cameron Crozman; Quatuor Molinari; Pentaèdre
96
Andante (Single) Ron Adelaar
44.1MQA
Only a Singing Bird (includes 'The Ships of Arcady' and 'The Little Road to Bethlehem' by Michael Head) Karen Cargill; Philip Moore; NYCoS National Girls Choir; Christopher Bell
96
Mahler: Symphony No. 2 in C Minor "Resurrection" Minnesota Orchestra; Osmo Vänskä; Sasha Cooke; Ruby Hughes; Minnesota Chorale
96
Amoroso: Janáček: Quartet No. 1 - Berg: Lyric Suite - Webern: Langsamer Satz Cecilia String Quartet
88.2
Stanisław Moniuszko: Ballet Music: Hrabina - Halka - The Haunted Manor Warsaw Philharmonic Orchestra; Antoni Wit
96
Joanna Marsh: Sanctifica Nos (Works for Choir, Organ and Viol Consort) Various Artists; The Choir of Sidney Sussex College, Cambridge; Fretwork; David Skinner; Andrew Arthur
96

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions