℗ 2012 TACET Musikproduktion
| Released | August 14, 2020 |
| Duration | 1h 08m 07s |
| Record Label | TACET Musikproduktion |
| Catalogue No. | TACET198DIG |
| Genre | Classical (Chamber) |
Korngold: String Sextet, Op. 10 & Piano Quintet, Op. 15
Camerata Freden
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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String Sextet in D Major, Op. 10
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1.1
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I. Moderato - Allegro
Erich Wolfgang Korngold; Camerata Freden |
10:18 | |||
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1.2
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II. Adagio. Langsam
Erich Wolfgang Korngold; Camerata Freden |
10:43 | |||
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1.3
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III. Intermezzo. In gemäßigtem Zeitmaß, mit Grazie
Erich Wolfgang Korngold; Camerata Freden |
6:49 | |||
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1.4
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IV. Finale. So rasch als möglich
Erich Wolfgang Korngold; Camerata Freden |
7:01 | |||
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Piano Quintet in E Major, Op. 15
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1.5
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I. Mäßiges Zeitmaß, mit schwungvoll blühendem Ausdruck
Erich Wolfgang Korngold; Camerata Freden |
12:49 | |||
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1.6
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II. Adagio. Mit größter Ruhe, stets äußerst gebunden und ausdrucksvoll
Erich Wolfgang Korngold; Camerata Freden |
11:33 | |||
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1.7
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III. Finale. Gemessen, beinahe pathetisch
Erich Wolfgang Korngold; Camerata Freden |
8:54 | |||
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Digital Booklet
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"(...) The performances here are quite exceptional with beautiful playing and phrasing that captures the essence of these pieces. The tendency to try and make Korngold’s early music sound lush like his later Hollywood pieces can often destroy the intimacy of these chamber works. Here, the flashes of ultra-romantic ideas flow sensitively out of the more atonal-sounding material creating dramatic performances. The crispness of the recording allows individual lines to be captured rather cleanly and the results are quite engaging ... this is certainly a disc worth seeking out for fans of chamber music performance and Korngold."
- Cinemusical
The Piano Quintet, Op. 15 in combination with the better-known String Sextet , Op. 10 of Erich Wolfgang Korngold is not only directed towards the friends of chamber music for larger ensembles. Korngold writes in an individual and concentrated language. The camerata freden works out his often unusual, densely packed ideas with precision and verve.
96 kHz / 24-bit PCM – TACET Musikproduktion Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.43 -4.04 to -0.29 | -27.19 -29.94 to -24.82 | -23.50 -26.40 to -21.60 | 15 14 to 16 | |
| 1 | I. Moderato - Allegro | -0.29 | -25.58 | -21.9 | 16 |
| 2 | II. Adagio. Langsam | -3.66 | -29.94 | -26.4 | 16 |
| 3 | III. Intermezzo. In gemäßigtem Zeitmaß, mit Grazie | -3.33 | -27.99 | -24.3 | 15 |
| 4 | IV. Finale. So rasch als möglich | -1.41 | -27.18 | -23.9 | 16 |
| 5 | I. Mäßiges Zeitmaß, mit schwungvoll blühendem Ausdruck | -3.45 | -27.09 | -23.6 | 15 |
| 6 | II. Adagio. Mit größter Ruhe, stets äußerst gebunden und ausdrucksvoll | -4.04 | -27.77 | -22.8 | 14 |
| 7 | III. Finale. Gemessen, beinahe pathetisch | -0.83 | -24.82 | -21.6 | 15 |