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String quartets by Wolfgang Amadeus Mozart without historical performance practice - is that even possible nowadays? -Of course it is! At the same time, there is probably no serious classical musician who has entirely escaped its influence in some shape or form. We are not just talking about diligence in choosing "urtext editions" or in the choice of instrument. The changes creep into the smallest details of phrasing which people simply can't do as they used to, even subconsciously. This is borne out by listening to many performances. Of course the Auryn Quartet is also subject to these influences. If, despite this, their performances seem conventional, then it's deceptive as their playing style is no longer conventionl when seen in the light of modern performance practice. They refer back to a playing style that could be termed "historical" in a wholly different way, namely that of a musical generation that has now died out. Their role models and teachers were the Amadeus Quartet and the Guarnieri Quartet. The members of the Auryn Quartet were musically "socialised" in a different era to younger musicians and they choose not to discard the aesthetic sensibilities acquired in their youth as though they were just old-fashioned garments. They love the beautiful "old" string sound and keep this tradition alive, but with the diligence expected of today's musicians. The result is timelessly beautiful music. The new recording of the 6 "Haydn Quartets" by Wolfgang Amadeus Mozart provides an impressive example of this.