℗ 2012 TACET Musikproduktion
Released | September 4, 2020 |
Duration | 1h 07m 44s |
Record Label | TACET Musikproduktion |
Catalogue No. | TACET206DIG |
Genre | Classical (Piano) |
The Koroliov Series, Vol. 14: Beethoven – Sonatas, Opp. 101 & 106
Evgeni Koroliov
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Piano Sonata No. 28 in A Major, Op. 101
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1.1
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I. Etwas lebhaft und mit der innigsten Empfindung
Ludwig van Beethoven; Evgeni Koroliov |
4:04 | |||
1.2
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II. Lebhaft. Marschmäßig
Ludwig van Beethoven; Evgeni Koroliov |
5:45 | |||
1.3
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III. Langsam und sehnsuchtsvoll
Ludwig van Beethoven; Evgeni Koroliov |
3:17 | |||
1.4
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IV. Geschwind, doch nicht zu sehr, und mit Entschlossenheit
Ludwig van Beethoven; Evgeni Koroliov |
7:35 | |||
Piano Sonata No. 29 in B-Flat Major, Op. 106 "Hammerklavier"
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1.5
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I. Allegro
Ludwig van Beethoven; Evgeni Koroliov |
11:24 | |||
1.6
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II. Scherzo. Assai vivace
Ludwig van Beethoven; Evgeni Koroliov |
2:54 | |||
1.7
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III. Adagio sostenuto
Ludwig van Beethoven; Evgeni Koroliov |
19:52 | |||
1.8
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IV. Introduzione. Largo - Fuga. Allegro risoluto
Ludwig van Beethoven; Evgeni Koroliov |
12:53 | |||
Digital Booklet
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A music lover who goes to a concert or listens to a recording always expects something human, from the composer as from the artist, that relates to him personally, moves him or is even similar to him. Not least, the listener wishes to find himself/herself in the work and in the sounds. Evgeni Koroliov makes this easy for the listener. As a matter of course, he takes one by the hand and shows something familiar - so much that one already knew but just could not express in words or tones. He speaks in a way that makes one believe one is listening to a relative. - What, then, does Koroliov communicate from Beethoven? First of all, he exposes the structures, as always, allowing us to admire the artistry in the last sonatas. Beyond that, he knows a lot of other things about him - but you should have him tell you those things himself.
96 kHz / 24-bit PCM – TACET Musikproduktion Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.93 -13.56 to -0.41 | -29.48 -39.48 to -24.62 | -25.68 -36.10 to -20.90 | 15 13 to 16 | |
1 | I. Etwas lebhaft und mit der innigsten Empfindung | -6.75 | -31.92 | -28.0 | 15 |
2 | II. Lebhaft. Marschmäßig | -1.84 | -25.67 | -22.3 | 15 |
3 | III. Langsam und sehnsuchtsvoll | -13.56 | -39.48 | -36.1 | 15 |
4 | IV. Geschwind, doch nicht zu sehr, und mit Entschlossenheit | -3.25 | -26.19 | -22.4 | 15 |
5 | I. Allegro | -0.41 | -24.62 | -20.9 | 15 |
6 | II. Scherzo. Assai vivace | -3.87 | -27.29 | -23.2 | 13 |
7 | III. Adagio sostenuto | -5.87 | -34.23 | -30.0 | 16 |
8 | IV. Introduzione. Largo - Fuga. Allegro risoluto | -3.90 | -26.43 | -22.5 | 14 |