℗ 2022 Steinway and Sons
| Released | January 7, 2022 |
| Duration | 59m 46s |
| Record Label | Steinway and Sons |
| Catalogue No. | Steinway30112 |
| Genre | Classical (Piano) |
Arabesque
Nicolas Namoradze
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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5 Gesänge der Frühe, Op. 133
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1.1
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No. 1, Im ruhigen Tempo
Robert Schumann; Nicolas Namoradze |
3:17 | |||
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1.2
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No. 2, Belebt, nicht zu rasch
Robert Schumann; Nicolas Namoradze |
2:22 | |||
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1.3
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No. 3, Lebhaft
Robert Schumann; Nicolas Namoradze |
2:44 | |||
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1.4
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No. 4, Bewegt
Robert Schumann; Nicolas Namoradze |
2:27 | |||
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1.5
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No. 5, Im Anfange ruhiges, im Verlauf bewegtes Tempo
Robert Schumann; Nicolas Namoradze |
3:21 | |||
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1.6
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Arabeske in C Major, Op. 18
Robert Schumann; Nicolas Namoradze |
6:51 | |||
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1.7
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Arabesque for Piano
Nicolas Namoradze; Nicolas Namoradze |
5:50 | |||
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Humoreske in B-Flat Major, Op. 20
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1.8
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Einfach
Robert Schumann; Nicolas Namoradze |
5:19 | |||
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1.9
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Hastig
Robert Schumann; Nicolas Namoradze |
4:54 | |||
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1.10
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Einfach und zart
Robert Schumann; Nicolas Namoradze |
4:52 | |||
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1.11
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Innig
Robert Schumann; Nicolas Namoradze |
2:40 | |||
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1.12
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Sehr lebhaft - Mit einigem Pomp
Robert Schumann; Nicolas Namoradze |
3:37 | |||
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1.13
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Zum Beschluss
Robert Schumann; Nicolas Namoradze |
6:02 | |||
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1.14
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Etude No. 1 (Major Scales)
Nicolas Namoradze; Nicolas Namoradze |
1:40 | |||
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1.15
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Etude No. 2 (Mostly Triads)
Nicolas Namoradze; Nicolas Namoradze |
1:38 | |||
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1.16
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Etude No. 3 (Moving Mirrors)
Nicolas Namoradze; Nicolas Namoradze |
2:12 | |||
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Digital Booklet
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Nicolas Namoradze came to international attention in 2018 upon winning the triennial Honens International Piano Competition in Calgary, Canada—the largest piano prize in the world. For his Steinway label debut, Namoradze performs works by Schumann as well as his own compositions. He writes: “This album presents some of my reflections on the work of Robert Schumann, from both pianistic and compositional viewpoints. The program is centered on two arabesques, and the structure of the recital is itself reminiscent of an arabesque-like texture, interleaving Schumann’s work with my own. The opening sunrise of Schumann’s Songs of Dawn is followed by a pair of arabesques, Schumann’s work exerting an influence on aspects of the formal structure of my piece of the same name. Two considerably more virtuosic and extroverted selections complete the program: Schumann’s monumental Humoreske followed by three of my piano etudes.”
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Steinway and Sons Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.41 -1.65 to -0.22 | -20.53 -26.79 to -14.02 | -16.61 -22.50 to -11.20 | 12 8 to 17 | |
| 1 | No. 1, Im ruhigen Tempo | -0.30 | -26.79 | -22.5 | 17 |
| 2 | No. 2, Belebt, nicht zu rasch | -0.30 | -19.49 | -15.7 | 11 |
| 3 | No. 3, Lebhaft | -0.30 | -14.02 | -11.2 | 8 |
| 4 | No. 4, Bewegt | -0.30 | -20.96 | -17.7 | 12 |
| 5 | No. 5, Im Anfange ruhiges, im Verlauf bewegtes Tempo | -0.30 | -22.30 | -18.2 | 13 |
| 6 | Arabeske in C Major, Op. 18 | -0.30 | -21.04 | -17.0 | 13 |
| 7 | Arabesque for Piano | -1.65 | -25.23 | -20.3 | 15 |
| 8 | Einfach | -0.30 | -21.22 | -17.4 | 13 |
| 9 | Hastig | -0.22 | -19.58 | -15.1 | 11 |
| 10 | Einfach und zart | -0.30 | -20.51 | -16.9 | 11 |
| 11 | Innig | -0.82 | -22.73 | -18.9 | 13 |
| 12 | Sehr lebhaft - Mit einigem Pomp | -0.30 | -16.62 | -13.2 | 10 |
| 13 | Zum Beschluss | -0.30 | -19.94 | -15.8 | 11 |
| 14 | Etude No. 1 (Major Scales) | -0.31 | -19.75 | -15.8 | 12 |
| 15 | Etude No. 2 (Mostly Triads) | -0.22 | -20.65 | -16.0 | 12 |
| 16 | Etude No. 3 (Moving Mirrors) | -0.30 | -17.71 | -14.0 | 12 |