℗ 2021 haenssler CLASSIC
| Released | January 7, 2022 |
| Duration | 59m 31s |
| Record Label | haenssler CLASSIC |
| Catalogue No. | HC21007 |
| Genre | Classical (Cello) |
Bachiana: A Solo Cello Fantasy
Ana Topalovic
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Cello Suite No. 1 in G Major, BWV 1007
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1.1
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I. Prelude
Johann Sebastian Bach; Ana Topalovic |
2:32 | |||
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1.2
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Für Violoncello Solo II, DWV 70
Johanna Doderer; Ana Topalovic |
4:45 | |||
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1.3
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II. Allemande
Johann Sebastian Bach; Ana Topalovic |
5:16 | |||
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1.4
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Umbre III
Doina Rotaru; Ana Topalovic; Doina Rotaru |
11:29 | |||
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1.5
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III. Courante
Johann Sebastian Bach; Ana Topalovic |
3:12 | |||
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1.6
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Diamant
Gabriele Proy; Ana Topalovic |
8:29 | |||
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1.7
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V. Menuets I & II
Johann Sebastian Bach; Ana Topalovic |
4:18 | |||
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7 Papillons
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1.8
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No. 1, —
Kaija Saariaho; Ana Topalovic |
1:15 | |||
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1.9
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No. 2, —
Kaija Saariaho; Ana Topalovic |
1:31 | |||
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1.10
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No. 3, —
Kaija Saariaho; Ana Topalovic |
1:39 | |||
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1.11
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No. 4, —
Kaija Saariaho; Ana Topalovic |
2:11 | |||
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1.12
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No. 5, —
Kaija Saariaho; Ana Topalovic |
1:18 | |||
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1.13
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No. 6, —
Kaija Saariaho; Ana Topalovic |
1:22 | |||
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1.14
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No. 7, —
Kaija Saariaho; Ana Topalovic |
1:05 | |||
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Cello Suite No. 1 in G Major, BWV 1007
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1.15
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IV. Sarabande
Johann Sebastian Bach; Ana Topalovic |
3:08 | |||
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1.16
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Reflections
Ana Topalovic; Ana Topalovic |
4:05 | |||
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1.17
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VI. Gigue
Johann Sebastian Bach; Ana Topalovic |
1:56 | |||
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Digital Booklet
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Ana Topalovic is a visual synaesthete. For her, music has colors and shapes. This phenomenon opens up a new dimension of sound perfection for Ana, and with this ability she is able to search for concealed connections. For this album, Ana has selected five contemporary female composers who she feels provide a complementary synaesthetic connection to the individual movements of Bach's Suite No. 1. A very profound and intimate interpretation of her music has been created, thanks to years of close cooperation between Ana Topalovic, Doina Rotaru, Johanna Doderer and Gabriele Proy, as well as extensive experience with the music of Kaija Saariaho. Ana's breathtaking musical performance of Johann Sebastian Bach's Suite No. 1 leads the listener through the fantastic, playful, virtuosic and sensual world of modern music like a common thread or a friendly tour guide. Her interpretation lives in its own unique and extraordinary world, satisfying our need to connect the unknown with the known. The familiar sound of the cello shines in surprising ways, and its hidden depths are revealed, bringing its best qualities to the fore.
96 kHz / 24-bit PCM – haenssler CLASSIC Studio Masters
Track 2 – 48 kHz / 24-bit PCM
Track 2 – 48 kHz / 24-bit PCM
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.89 -18.77 to -0.01 | -24.72 -40.94 to -18.41 | -21.50 -38.40 to -14.80 | 12 10 to 15 | |
| 1 | I. Prelude | -1.48 | -19.54 | -17.0 | 11 |
| 2 | Für Violoncello Solo II, DWV 70 | -0.06 | -22.90 | -19.1 | 13 |
| 3 | II. Allemande | -0.99 | -20.80 | -18.5 | 14 |
| 4 | Umbre III | -0.01 | -26.23 | -22.7 | 15 |
| 5 | III. Courante | -0.14 | -20.28 | -18.1 | 13 |
| 6 | Diamant | -0.08 | -18.41 | -14.8 | 11 |
| 7 | V. Menuets I & II | -3.04 | -21.09 | -18.6 | 11 |
| 8 | No. 1, — | -8.32 | -31.53 | -26.7 | 12 |
| 9 | No. 2, — | -2.06 | -21.87 | -19.1 | 11 |
| 10 | No. 3, — | -10.88 | -34.04 | -30.0 | 12 |
| 11 | No. 4, — | -0.10 | -24.34 | -19.6 | 15 |
| 12 | No. 5, — | -15.97 | -34.80 | -31.2 | 10 |
| 13 | No. 6, — | -18.77 | -40.94 | -38.4 | 11 |
| 14 | No. 7, — | -0.07 | -21.07 | -17.4 | 11 |
| 15 | IV. Sarabande | -3.01 | -21.51 | -19.1 | 12 |
| 16 | Reflections | -0.12 | -19.96 | -16.7 | 12 |
| 17 | VI. Gigue | -1.00 | -20.92 | -18.5 | 12 |