℗ 2012 TACET Musikproduktion
| Released | July 24, 2020 |
| Duration | 1h 02m 37s |
| Record Label | TACET Musikproduktion |
| Catalogue No. | TACET207DIG |
| Genre | Classical (Orchestral) |
Ravel: Orchestral Works
Netherlands Philharmonic Orchestra, Carlo Rizzi, Gordan Nikolic
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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La valse, M. 72 (Version for Orchestra)
Maurice Ravel; Netherlands Philharmonic Orchestra; Carlo Rizzi |
12:16 | |||
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Ma mère l'oye, M. 60 (Version for Orchestra)
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1.2
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I. Pavane de la belle au bois dormant
Maurice Ravel; Netherlands Philharmonic Orchestra; Carlo Rizzi |
1:40 | |||
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1.3
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II. Petit poucet
Maurice Ravel; Netherlands Philharmonic Orchestra; Carlo Rizzi |
3:46 | |||
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1.4
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III. Laideronnette, impératrice des pagodes
Maurice Ravel; Netherlands Philharmonic Orchestra; Carlo Rizzi |
4:00 | |||
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1.5
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IV. Les entretiens de la belle et de la bête
Maurice Ravel; Netherlands Philharmonic Orchestra; Carlo Rizzi |
4:57 | |||
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1.6
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V. Le jardin féerique
Maurice Ravel; Netherlands Philharmonic Orchestra; Carlo Rizzi |
3:40 | |||
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1.7
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Tzigane, M. 76 (Version for Violin & Orchestra)
Maurice Ravel; Gordan Nikolic; Netherlands Philharmonic Orchestra; Carlo Rizzi |
9:20 | |||
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1.8
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Boléro, M. 81 (Version for Orchestra)
Maurice Ravel; Netherlands Philharmonic Orchestra; Carlo Rizzi |
16:33 | |||
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1.9
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Pavane pour une infante défunte, M. 19 (Version for Orchestra)
Maurice Ravel; Netherlands Philharmonic Orchestra; Carlo Rizzi |
6:25 | |||
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Digital Booklet
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With Carlo Rizzi, Gordan Nikolic and the Netherlands Philharmonic Orchestra Amsterdam, one of the most sought-after conductors, one of the best violinists and an absolutely top-notch orchestra got together for a TACET production. What an honour to be able to work with such artists! TACET has tried to apply the precision and painstaking detail from chamber music to this project as well. Carlo Rizzi brings out typically Ravellian details that frequently have the effect of being levelled out, e.g. the composed overtones. There will be some surprises in store for one listener or another. In all honesty: do you know what the saxophones in Bolero play a few bars before the end? Or when the first harp plays and when the second harp plays in La Valse? Not least, this production should offer something to the many old-fashioned crazy audiophiles, our beloved public, who still prefer a carefully produced sound carrier to a blurred or squeaky You Tube download. Whether the result is really worth more than merely another line in the table "Recordings of the Great Orchestral Works of Ravel" - that is up to the critics to decide. It's your turn!
96 kHz / 24-bit PCM – TACET Musikproduktion Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -8.63 -22.59 to 0.00 | -33.59 -43.54 to -26.03 | -29.38 -41.10 to -21.30 | 15 10 to 17 | |
| 1 | La valse, M. 72 (Version for Orchestra) | -0.08 | -26.03 | -21.8 | 16 |
| 2 | I. Pavane de la belle au bois dormant | -22.59 | -43.54 | -41.1 | 10 |
| 3 | II. Petit poucet | -14.80 | -39.26 | -35.3 | 14 |
| 4 | III. Laideronnette, impératrice des pagodes | -8.54 | -33.83 | -29.9 | 14 |
| 5 | IV. Les entretiens de la belle et de la bête | -7.71 | -34.86 | -29.9 | 16 |
| 6 | V. Le jardin féerique | -8.35 | -31.61 | -26.5 | 13 |
| 7 | Tzigane, M. 76 (Version for Violin & Orchestra) | -3.72 | -30.28 | -26.1 | 17 |
| 8 | Boléro, M. 81 (Version for Orchestra) | 0.00 | -27.50 | -21.3 | 17 |
| 9 | Pavane pour une infante défunte, M. 19 (Version for Orchestra) | -11.89 | -35.43 | -32.5 | 14 |