℗ 2021 Gramola Records
| Released | January 14, 2022 |
| Duration | 59m 58s |
| Record Label | Gramola Records |
| Catalogue No. | Gramola99219 |
| Genre | Classical (Chamber) |
A New Night Music
Elena Denisova, Alexei Kornienko
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Canto crepuscolare
Gian Francesco Malipiero; Elena Denisova; Alexei Kornienko |
4:55 | |||
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1.2
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Nocturne for Violin & Piano, Op. 11 "A Dream at Midnight"
Helmut Rogl; Elena Denisova; Alexei Kornienko |
5:16 | |||
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Incubus, Fantasy for Violin, Piano & Electronics, Op. 36
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1.3
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I. Adagio
Alfred Huber; Elena Denisova; Alexei Kornienko |
4:06 | |||
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1.4
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II. Adagio
Alfred Huber; Elena Denisova; Alexei Kornienko |
4:48 | |||
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1.5
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III. Presto
Alfred Huber; Elena Denisova; Alexei Kornienko |
5:19 | |||
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1.6
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Notturno for Violin & Piano
Michael Colina; Elena Denisova; Alexei Kornienko |
11:22 | |||
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1.7
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Through the Night for Violin & Prerecorded Electroacoustics, Op. 219
Dieter Kaufmann; Elena Denisova; Alexei Kornienko |
5:00 | |||
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1.8
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Nocturne for Violin & Piano
John Cage; Elena Denisova; Alexei Kornienko |
4:28 | |||
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All the Darkness We Can Hear – All the Silence We Can See
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1.9
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I. —
Oscar Jockel; Elena Denisova; Alexei Kornienko |
3:19 | |||
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1.10
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II. —
Oscar Jockel; Elena Denisova; Alexei Kornienko |
2:18 | |||
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1.11
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III. —
Oscar Jockel; Elena Denisova; Alexei Kornienko |
3:24 | |||
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1.12
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IV. —
Oscar Jockel; Elena Denisova; Alexei Kornienko |
2:30 | |||
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1.13
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V. —
Oscar Jockel; Elena Denisova; Alexei Kornienko |
3:13 | |||
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Digital Booklet
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No time of day has presumably been set to music more often than the nighttime. On this album violinist Elena Denisova and pianist Alexei Kornienko are featuring nocturnal works of the 20th and 21st century. Canto crepuscolare by Gian Francesco Malipiero, dating from 1908, is still a playful impressionist composition, while the Nocturne for violin and piano by John Cage (1947) rather revels the silence. A calm and melancholic vision is painted by Helmut Rogls Ein Traum zur halben Nacht (A Dream at Midnight, 1986), whereas Notturno (2007) by Michael Colina and Incubus, Fantasy for violin, piano and electronics (2020/21) by Alfred Huber depict the eerie and scary traits of nighttime. Like the work by Huber, Durch die Nacht (Through the Night) for violin and pre-recorded electroacoustics by Dieter Kaufmann (2020/21) as well as all the darkness we can hear – all the silence we can see (2020/21) by Oscar Jockel are world premiere recordings.
96 kHz / 24-bit PCM – Gramola Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -8.14 -25.13 to 0.00 | -28.72 -44.01 to -13.84 | -25.20 -41.50 to -10.60 | 14 9 to 19 | |
| 1 | Canto crepuscolare | 0.00 | -22.10 | -18.5 | 13 |
| 2 | Nocturne for Violin & Piano, Op. 11 "A Dream at Midnight" | -1.48 | -28.00 | -23.7 | 17 |
| 3 | I. Adagio | -1.15 | -22.70 | -18.8 | 14 |
| 4 | II. Adagio | -1.80 | -22.61 | -18.9 | 13 |
| 5 | III. Presto | -0.35 | -21.33 | -18.2 | 14 |
| 6 | Notturno for Violin & Piano | 0.00 | -22.93 | -18.9 | 15 |
| 7 | Through the Night for Violin & Prerecorded Electroacoustics, Op. 219 | -1.03 | -23.67 | -19.9 | 14 |
| 8 | Nocturne for Violin & Piano | -4.27 | -34.60 | -28.8 | 19 |
| 9 | I. — | -25.13 | -44.01 | -41.5 | 12 |
| 10 | II. — | -20.66 | -37.36 | -34.8 | 10 |
| 11 | III. — | -20.10 | -40.05 | -37.8 | 12 |
| 12 | IV. — | 0.00 | -13.84 | -10.6 | 9 |
| 13 | V. — | -13.54 | -40.14 | -37.2 | 18 |