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Letting the organ speak: that is the declared aim of the organist and harpsichordist Peter Kofler. His Bach interpretations instantly make any notion of a highly complex, rigid organ “machine” recede into the background. That is because his complete recording of all Johann Sebastian Bach's organ works, which he commenced in 2017, focuses on Baroque rhetoric, the proverbial message between the lines. It is also for this reason that Kofler always looks for new combinations of sound for each work, coaxing distinctive nuances of colour from the imposing four-manual organ in the Jesuit Church of St Michael in Munich. Even the selection of pieces on each volume is made on the basis of their inherent content and character rather than external categories: key relationships and the interplay of monumentality, delicate polyphony and rhetorical lyricism determine the musical itinerary and invite listeners to participate in a new Bach experience. And all this is underpinned by superb recording techniques and a wonderfully sonorous church acoustic. This organ production uses the high-resolution Dolby Atmos technology for the first time. It allows the church interior to be authentically reflected not only in its horizontal dimensions but also in its vertical acoustics, its height. Even conventional stereo album's benefit from this recording technique, which provides the listener with a fascinating transparency and spatial resolution.