℗ 2022 Divine Art
Released | January 14, 2022 |
Duration | 2h 03m 04s |
Record Label | Divine Art |
Catalogue No. | DDA21236 |
Genre | Classical (Piano) |
Camille Saint-saëns: Works for Piano, vol. 2
Antony Gray
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
Le Deluge, Op. 45
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1.1
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Prelude
Camille Saint-saëns; Antony Gray |
6:57 | |||
1.2
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Serenade, Op. 15
Camille Saint-saëns; Antony Gray |
4:29 | |||
1.3
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Hymne de la fete de pacques
Camille Saint-saëns; Antony Gray |
7:34 | |||
Album de Gauloises
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1.4
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No. 16 Improvisation
Camille Saint-saëns; Antony Gray |
2:36 | |||
1.5
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Chant du Soir, after Schumann Op. 85 No. 12
Camille Saint-saëns; Antony Gray |
3:02 | |||
1.6
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Improvisation sur la Beethoven-cantata de Liszt
Camille Saint-saëns; Antony Gray |
16:09 | |||
1.7
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Bagatelle I
Camille Saint-saëns; Antony Gray |
3:29 | |||
1.8
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Bagatelle Ii
Camille Saint-saëns; Antony Gray |
2:29 | |||
1.9
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Berceuse, Op. 105
Camille Saint-saëns; Antony Gray |
3:14 | |||
1.10
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Paraphrase sur Gallia de Gounod
Camille Saint-saëns; Antony Gray |
12:34 | |||
2.1
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Fantasie en re majeur ecrite par Luis Milan de Valence
Camille Saint-saëns; Antony Gray |
3:31 | |||
2.2
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Fantasie en sol mineur ecrite par Luis Milan de Valence
Camille Saint-saëns; Antony Gray |
3:57 | |||
Douze transcriptions pour piano
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2.3
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No. 1 Ouverture due 29e cantate, Bwv29
Camille Saint-saëns; Antony Gray |
4:03 | |||
2.4
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No. 2 Adagio de la 3e cantate, Bwv3
Camille Saint-saëns; Antony Gray |
5:17 | |||
2.5
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No. 3 Andantino de la 8e cantate, Bwv8
Camille Saint-saëns; Antony Gray |
5:56 | |||
2.6
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No. 4 Bourree de la 1e Partita, Bwv 1002
Camille Saint-saëns; Antony Gray |
3:35 | |||
2.7
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No. 5 Andante de la 2e sonate de violon, Bwv 1003
Camille Saint-saëns; Antony Gray |
5:33 | |||
2.8
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No. 6 Presto de la 35e cantate, Bwv35
Camille Saint-saëns; Antony Gray |
3:45 | |||
2.9
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No. 7 Introduction et Air de la 15e cantate, Bwv15
Camille Saint-saëns; Antony Gray |
2:51 | |||
2.10
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No. 8 Fugue de la 3e sonate de violon, Bwv 1005
Camille Saint-saëns; Antony Gray |
7:39 | |||
2.11
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No. 9a Largo de la 3e sonate de violin, Bwv 1005
Camille Saint-saëns; Antony Gray |
3:23 | |||
2.12
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Recitatif et Air de la 30e cantate, Bwv30
Camille Saint-saëns; Antony Gray |
2:20 | |||
2.13
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No. 10 Gavotte de la 3e Partita, Bwv 1006
Camille Saint-saëns; Antony Gray |
3:07 | |||
2.14
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No. 11 Air de la 36e cantate, Bwv36
Camille Saint-saëns; Antony Gray |
2:57 | |||
2.15
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No. 12 Choeur de la 30e cantate, Bwv30
Camille Saint-saëns; Antony Gray |
2:37 | |||
Digital Booklet
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Saint-Saëns excelled as a composer, conductor, pianist and organist – his composition output is enormous, reaching over 160 titles of which many are substantial – operas, ballets, symphonies – yet today much of his work remains neglected and he is known by a few works only: the Organ Symphony, Samson et Dalila, Danse Macabre and Carnival of the Animals. His original piano pieces are generally light ‘salon’ works but are nonetheless delightful and well formed. His major contribution to the piano works is the equally neglected body of transcriptions (of his own works and those of others) where he was sadly eclipsed by the more outgoing and promotion-minded Franz Liszt. This album and its companion include a number of first recordings, introducing a large body of keyboard gems to a new audience. Volume 2 is divided into two sections: transcriptions from Cantata and Oratorio and original ‘occasional pieces,’ transcriptions of two works by Luis de Milan and the Douze Transcriptions (of which there 13!) of works by J. S. Bach. Antony Gray is a London-based Australian pianist and teacher with numerous acclaimed recordings to his name on ABC and other labels including a 3-album set of Bach transcriptions and a 5-album set containing the entire piano output of Poulenc. He has premiered many new pieces written for him and has often appeared on radio in the UK and Australia.
44.1 kHz / 24-bit PCM – Divine Art Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.81 -11.30 to -0.75 | -26.19 -33.27 to -20.40 | -22.93 -29.20 to -17.60 | 13 11 to 17 | |
1.1 | Prelude | -7.54 | -28.43 | -24.6 | 13 |
1.2 | Serenade, Op. 15 | -8.36 | -27.88 | -25.3 | 12 |
1.3 | Hymne de la fete de pacques | -5.45 | -28.46 | -25.5 | 14 |
1.4 | No. 16 Improvisation | -5.50 | -26.03 | -22.3 | 12 |
1.5 | Chant du Soir, after Schumann Op. 85 No. 12 | -10.77 | -33.27 | -29.2 | 14 |
1.6 | Improvisation sur la Beethoven-cantata de Liszt | -1.96 | -25.70 | -21.9 | 14 |
1.7 | Bagatelle I | -11.30 | -31.51 | -28.5 | 12 |
1.8 | Bagatelle Ii | -5.83 | -26.32 | -23.4 | 14 |
1.9 | Berceuse, Op. 105 | -10.82 | -31.08 | -27.8 | 13 |
1.10 | Paraphrase sur Gallia de Gounod | -2.64 | -24.48 | -20.7 | 13 |
2.1 | Fantasie en re majeur ecrite par Luis Milan de Valence | -6.11 | -26.25 | -22.5 | 13 |
2.2 | Fantasie en sol mineur ecrite par Luis Milan de Valence | -0.75 | -22.70 | -19.4 | 14 |
2.3 | No. 1 Ouverture due 29e cantate, Bwv29 | -0.80 | -22.11 | -19.4 | 12 |
2.4 | No. 2 Adagio de la 3e cantate, Bwv3 | -4.21 | -27.37 | -24.0 | 15 |
2.5 | No. 3 Andantino de la 8e cantate, Bwv8 | -5.37 | -26.75 | -23.9 | 14 |
2.6 | No. 4 Bourree de la 1e Partita, Bwv 1002 | -4.20 | -21.25 | -18.3 | 11 |
2.7 | No. 5 Andante de la 2e sonate de violon, Bwv 1003 | -2.36 | -29.20 | -25.8 | 17 |
2.8 | No. 6 Presto de la 35e cantate, Bwv35 | -4.39 | -23.99 | -21.2 | 13 |
2.9 | No. 7 Introduction et Air de la 15e cantate, Bwv15 | -2.53 | -23.32 | -19.5 | 12 |
2.10 | No. 8 Fugue de la 3e sonate de violon, Bwv 1005 | -1.98 | -23.47 | -20.6 | 14 |
2.11 | No. 9a Largo de la 3e sonate de violin, Bwv 1005 | -4.04 | -28.81 | -25.6 | 15 |
2.12 | Recitatif et Air de la 30e cantate, Bwv30 | -2.85 | -25.69 | -22.2 | 11 |
2.13 | No. 10 Gavotte de la 3e Partita, Bwv 1006 | -0.88 | -23.01 | -20.0 | 15 |
2.14 | No. 11 Air de la 36e cantate, Bwv36 | -8.05 | -27.34 | -24.1 | 13 |
2.15 | No. 12 Choeur de la 30e cantate, Bwv30 | -1.64 | -20.40 | -17.6 | 12 |