℗ 2012 Signum Records
Released | June 4, 2012 |
Duration | 1h 13m 53s |
Record Label | Signum Records |
Genre | Classical (Choral) |
A New Venetian Coronation, 1595
Gabrieli Consort & Players, Paul McCreesh
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
The procession: Bells intrada tertia / sexta / septima, Trumpet Sonata No. 333
Hans Leo Hassler; Cesare Bendinelli; Gabrieli Consort & Players; Paul McCreesh |
8:21 | |||
1.2
|
Toccata secondo tono
Giovanni Gabrieli; Gabrieli Consort & Players; Paul McCreesh |
2:02 | |||
1.3
|
Introit
Anonymous; Gabrieli Consort & Players; Paul McCreesh |
4:23 | |||
1.4
|
Arrival of the Doge: Toccata 26
Cesare Bendinelli; Gabrieli Consort & Players; Paul McCreesh |
1:01 | |||
1.5
|
Intonazione primo tono
Giovanni Gabrieli; Gabrieli Consort & Players; Paul McCreesh |
0:30 | |||
1.6
|
Kyrie à 5
Andrea Gabrieli; Gabrieli Consort & Players; Paul McCreesh |
1:59 | |||
1.7
|
Christe à 8
Andrea Gabrieli; Gabrieli Consort & Players; Paul McCreesh |
2:13 | |||
1.8
|
Kyrie à 12
Andrea Gabrieli; Gabrieli Consort & Players; Paul McCreesh |
3:28 | |||
1.9
|
Gloria à 16
Andrea Gabrieli; Gabrieli Consort & Players; Paul McCreesh |
5:02 | |||
1.10
|
Collect
Anonymous; Gabrieli Consort & Players; Paul McCreesh |
1:23 | |||
1.11
|
Epistle
Anonymous; Gabrieli Consort & Players; Paul McCreesh |
1:04 | |||
1.12
|
Gradual: Canzona [13] à 12
Giovanni Gabrieli; Gabrieli Consort & Players; Paul McCreesh |
2:48 | |||
1.13
|
Gospel
Anonymous; Gabrieli Consort & Players; Paul McCreesh |
2:03 | |||
1.14
|
Intonazione settimo ton
Andrea Gabrieli; Gabrieli Consort & Players; Paul McCreesh |
1:14 | |||
1.15
|
Offertory: Deus qui beatum marcum à 10
Giovanni Gabrieli; Gabrieli Consort & Players; Paul McCreesh |
2:51 | |||
1.16
|
Preface
Anonymous; Gabrieli Consort & Players; Paul McCreesh |
3:06 | |||
1.17
|
Sanctus & Benedictus à 12
Andrea Gabrieli; Gabrieli Consort & Players; Paul McCreesh |
3:40 | |||
1.18
|
Elevation: Sarasinetta 2
Cesare Bendinelli; Gabrieli Consort & Players; Paul McCreesh |
1:01 | |||
1.19
|
Canzona [16] à 15
Giovanni Gabrieli; Gabrieli Consort & Players; Paul McCreesh |
4:33 | |||
1.20
|
Pater noster
Anonymous; Gabrieli Consort & Players; Paul McCreesh |
2:02 | |||
1.21
|
Agnus Dei
Anonymous; Gabrieli Consort & Players; Paul McCreesh |
1:25 | |||
1.22
|
Intonazione quinto tono alla quarta bassa
Giovanni Gabrieli; Gabrieli Consort & Players; Paul McCreesh |
0:42 | |||
1.23
|
Communion: O sacrum convivium à 5
Andrea Gabrieli; Gabrieli Consort & Players; Paul McCreesh |
3:59 | |||
1.24
|
Canzona [9] à 10
Giovanni Gabrieli; Gabrieli Consort & Players; Paul McCreesh |
4:23 | |||
1.25
|
Post communion prayer
Anonymous; Gabrieli Consort & Players; Paul McCreesh |
1:58 | |||
1.26
|
Sonata la leona
Cesario Gussago; Gabrieli Consort & Players; Paul McCreesh |
2:15 | |||
1.27
|
Omnes gentes à 16
Giovanni Gabrieli; Gabrieli Consort & Players; Paul McCreesh |
4:27 | |||
Digital Booklet
|
"Recommended Recording ... McCreesh's new take on his classic recording is a triumph ... highly recommended to both first and second-time buyers ... on track to inspire yet another generation."
- International Record Review
"Five Stars ... this is a marvellously handled recording conjuring up a 'live' event ... musically the stars of the show are the works composed by the Gabrielis, uncle and son ... for further delights do not miss the very nifty cornetto playing on track 24 and the organ duet on track 26."
- BBC Music Magazine
"... the music sounds much more intimate than one would probably expect ... one is inclined to attribute this to the venue in which this recording was made ... recording this kind of repertoire is anything but easy and the technical staff deserve accolades for their splendid work ... McCreesh and his colleagues have done a splendid job by putting together this programme which gives a good insight into the way the various compositions were used. Here the music is restored to the kind of context for which it was created ... the singers are stylistically convincing ... a fascinating and musically captivating aural journey to a city whose splendour was impressively illustrated by the splendour of its music."
- MusicWeb International
In 2012 the Gabrieli Consort and Players returned to the programme that put the ensemble on the musical map when it was first recorded and released in 1990: A Venetian Coronation is a recreation evoking the grand pageantry of the Coronation Mass for Venetian Doge Marino Grimani. His love of ceremony and state festivals fuelled an extraordinary musical bounty during his reign and formed the background to the riches of the period, especially to the works of Giovanni Gabrieli. With cornetts, sackbuts and an all-male consort, Paul McCreesh fully exploits the dazzling polyphony of this music and captivates the audience in a theatrical and ceremonious performance. Two decades later, the group can take advantage of huge developments in early instruments and research into the pieces that were on the original, as well as advances in recording techniques.
96 kHz / 24-bit PCM – Signum Records Studio Masters
Recorded at Douai Abbey, Berkshire, England, February 28, 29, March 1 and 2, 2012 Recording producer: Nicholas Parker Balance engineer: Neil Hutchinson Editing: Nicholas Parker, Neil Hutchinson and Paul McCreesh All recording and editing facilities by Classic Sound Limited, London
Recorded at Douai Abbey, Berkshire, England, February 28, 29, March 1 and 2, 2012 Recording producer: Nicholas Parker Balance engineer: Neil Hutchinson Editing: Nicholas Parker, Neil Hutchinson and Paul McCreesh All recording and editing facilities by Classic Sound Limited, London
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -11.09 -22.60 to -0.35 | -30.77 -39.08 to -21.36 | -27.29 -34.90 to -17.30 | 11 7 to 15 | |
1 | The procession: Bells intrada tertia / sexta / septima, Trumpet Sonata No. 333 | -1.10 | -25.31 | -23.4 | 15 |
2 | Toccata secondo tono | -15.11 | -30.93 | -27.3 | 10 |
3 | Introit | -7.30 | -30.21 | -26.4 | 14 |
4 | Arrival of the Doge: Toccata 26 | -12.33 | -29.74 | -25.2 | 10 |
5 | Intonazione primo tono | -22.60 | -35.34 | -33.0 | 7 |
6 | Kyrie à 5 | -15.61 | -32.71 | -29.9 | 11 |
7 | Christe à 8 | -8.75 | -27.09 | -24.1 | 11 |
8 | Kyrie à 12 | -5.39 | -24.49 | -20.9 | 11 |
9 | Gloria à 16 | -3.93 | -22.83 | -19.4 | 12 |
10 | Collect | -16.37 | -38.22 | -34.1 | 12 |
11 | Epistle | -17.79 | -37.17 | -33.7 | 12 |
12 | Gradual: Canzona [13] à 12 | -6.08 | -24.67 | -21.6 | 11 |
13 | Gospel | -12.78 | -38.71 | -34.5 | 14 |
14 | Intonazione settimo ton | -14.72 | -30.56 | -27.5 | 9 |
15 | Offertory: Deus qui beatum marcum à 10 | -0.35 | -21.94 | -18.9 | 12 |
16 | Preface | -13.26 | -36.63 | -32.8 | 14 |
17 | Sanctus & Benedictus à 12 | -2.62 | -23.92 | -20.3 | 12 |
18 | Elevation: Sarasinetta 2 | -18.08 | -35.39 | -30.4 | 10 |
19 | Canzona [16] à 15 | -7.59 | -28.31 | -25.3 | 12 |
20 | Pater noster | -17.23 | -39.08 | -34.9 | 12 |
21 | Agnus Dei | -13.24 | -35.50 | -31.2 | 12 |
22 | Intonazione quinto tono alla quarta bassa | -21.09 | -33.88 | -31.6 | 7 |
23 | Communion: O sacrum convivium à 5 | -11.07 | -33.51 | -30.2 | 13 |
24 | Canzona [9] à 10 | -8.10 | -27.13 | -24.2 | 11 |
25 | Post communion prayer | -11.77 | -35.40 | -31.4 | 13 |
26 | Sonata la leona | -14.26 | -30.66 | -27.2 | 10 |
27 | Omnes gentes à 16 | -0.95 | -21.36 | -17.3 | 12 |