℗ 2016 Alia Vox
The Routes of Slavery
Jordi Savall
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1 |
Artistote: "L’humanité est divisée en deux : Les maîtres et les esclaves" / Musique: Percussions Jordi Savall |
1:11 | ||
2 |
Kora et Valiha Jordi Savall |
4:12 | ||
3 |
Djonya (Introduction) Jordi Savall |
1:23 | ||
4 |
La Negrina / Gugurumbé Jordi Savall |
5:03 | ||
5 |
Vida ao Jongo (Jongo da Serrinha) Jordi Savall |
2:31 | ||
6 |
Récit: 1505. Le roi Ferdinand le Catholique écrit une lettre à Nicolas de Ovando / Musique: Guitare (Romanesca) Jordi Savall |
1:30 | ||
7 |
Tambalagumbá (Negrilla à 6 v. et bc.) Jordi Savall |
5:09 | ||
8 |
Velo que bonito (ou San Antonio) [Chant sacré] Jordi Savall |
2:45 | ||
9 |
Manden Mandinkadenou (Chant de griot) Jordi Savall |
4:41 | ||
10 |
Récit: 1620. Les premiers esclaves africains arrivent dans les colonies anglaises. Jordi Savall |
3:10 | ||
11 |
Canto de Guerreiro (Caboclinho paraibano) Jordi Savall |
3:51 | ||
12 |
Kouroukanfouga (Instrumental) [Anonyme (Mali)] Jordi Savall |
5:15 | ||
13 |
Récit: 1657. Richard Ligon publie Histoire Vraie et exacte de l’Île de la Barbade à Londres / Musique: Percussions Jordi Savall |
2:09 | ||
14 |
Son de la Tirana: Mariquita, María Jordi Savall |
2:54 | ||
15 |
Antoniya, Flaciquia, Gasipà (Negro à 5) Jordi Savall |
7:22 | ||
16 |
Récit: 1661. Les Châtiments des esclaves dans le « Code de l’Esclavage de la Barbade » / Musique: Tambours très lents Jordi Savall |
3:20 | ||
17 |
Sinanon Saran (Chant de griot) Jordi Savall |
3:43 | ||
1 |
Récit: 1685. Le « Code Noir » promulgué par Louis XIV s’est imposé jusqu’à 1848 / Musique: Kora et Oud Jordi Savall |
2:32 | ||
2 |
Les Indios: ¡Fuera, fuera! ¡Háganles lugar! Jordi Savall |
5:50 | ||
3 |
Saí da casa (Ciranda) Jordi Savall |
4:32 | ||
4 |
Récit: 1748. Montesquieu « De l’esclavage des nègres » / Musique: Marimba Jordi Savall |
1:11 | ||
5 |
Véro (Instrumental) Jordi Savall |
8:36 | ||
6 |
El Torbellino Jordi Savall |
3:08 | ||
7 |
Gulumbé: Los coflades de la estleya Jordi Savall |
5:02 | ||
8 |
Récit: 1782. L’esclave Belinda demande au Congrès du Massachusetts une pension en guise de réparation après une vie de labeur / Musique: Oud Jordi Savall |
3:49 | ||
9 |
Sanjin (Chant de griot) Jordi Savall |
5:26 | ||
10 |
La Iguana (Son jarocho) Jordi Savall |
4:02 | ||
11 |
Récit: 1848. Décret sur abolition de l’esclavage / Musique: Kora et Valiha Jordi Savall |
2:11 | ||
12 |
Tonada El Congo: A la mar me llevan Jordi Savall |
3:48 | ||
13 |
Bom de Briga (Maracatu e Samba) Jordi Savall |
3:10 | ||
14 |
Récit: 1963. Martin Luther-King « Pourquoi nous ne pouvons pas attendre » / Musique: Percussions Jordi Savall |
2:33 | ||
15 |
Dan Massa Woulanba Jordi Savall |
5:20 | ||
16 |
Guaracha: Ay que me abraso Jordi Savall |
5:51 | ||
|
Total Playing Time 2:07:10
|
||||
The Routes of Slavery is a musical homage to the memory of victims of the slave trade from Jordi Savall and his ensemble. The multicultural project is a world first in the history of music and of the three continents involved in the trade in African slaves. Sponsored by UNESCO, this reconciliation is founded on equality, harmony and reciprocal inspiration, constituting the commemoration of a tragic and shameful chapter in the history of mankind. But it is also a joyful celebration of hearts and spirits united through music and dance, offering a vital source of survival, a refuge of peace, consolation and hope.
"The women, men and children who were brutally deported from their villages in Africa to the European colonies in the New World had only their culture of origin to accompany them on the journey: religious beliefs, traditional medicine, dietary customs and music: songs and dances that they kept alive in their new destinations, known as habitations or plantations. We shall try to evoke those shameful moments in the history of humanity through a series of eloquent texts and accounts, accompanied by the emotion and vitality of the music to which the slaves sang and danced."
- Jordi Savall
"The women, men and children who were brutally deported from their villages in Africa to the European colonies in the New World had only their culture of origin to accompany them on the journey: religious beliefs, traditional medicine, dietary customs and music: songs and dances that they kept alive in their new destinations, known as habitations or plantations. We shall try to evoke those shameful moments in the history of humanity through a series of eloquent texts and accounts, accompanied by the emotion and vitality of the music to which the slaves sang and danced."
- Jordi Savall
96 kHz / 24-bit PCM – Alia Vox Studio Masters
Recorded at l’Abbaye de Fontfroide, Narbonne, France, July 17, 2015
Recorded at l’Abbaye de Fontfroide, Narbonne, France, July 17, 2015