℗ 2022 Toccata Classics
| Released | January 21, 2022 |
| Duration | 59m 29s |
| Record Label | Toccata Classics |
| Catalogue No. | TOCC0635 |
| Genre | Classical (Choral) |
Andrew Anderson: Lenten Cantata & Other Choral Works
Janáček Philharmonic Orchestra, Stanislav Vavřínek, The Consort of Melbourne, Sally-Anne Russell, Christopher Watson, Pavel Doležal, Rebecca Rashleigh, Eddie Muliaumaseali’i, Hugh Fullarton, Katherine Norman, Jenny George, Spencer Chapman, Bailey Montgomerie, Steven Hodgson, Oliver Mann, Lucien Fischer, Kristy Biber, Amelia Jones, Hannah Pietsch, Timothy Reynolds
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
Lenten Cantata (Version for Choir & Orchestra)
|
|||||
|
1.1
|
I. Prelude
Andrew Anderson; Janáček Philharmonic Orchestra; Stanislav Vavřínek |
2:35 | |||
|
1.2
|
II. As for Me
Andrew Anderson; The Consort of Melbourne; Janáček Philharmonic Orchestra; Stanislav Vavřínek |
3:44 | |||
|
1.3
|
III. Evening, and Morning, and at Noon
Andrew Anderson; Sally-Anne Russell; Christopher Watson; Janáček Philharmonic Orchestra; Stanislav Vavřínek |
4:39 | |||
|
1.4
|
IV. Jesu, Lover of My Soul
Andrew Anderson; Charles Wesley; Pavel Doležal; The Consort of Melbourne; Stanislav Vavřínek |
1:41 | |||
|
1.5
|
V. Cast Thy Burden
Andrew Anderson; Rebecca Rashleigh; Janáček Philharmonic Orchestra; Stanislav Vavřínek |
2:47 | |||
|
1.6
|
VI. Other Refuge Have I None
Charles Wesley; Andrew Anderson; The Consort of Melbourne; Janáček Philharmonic Orchestra; Stanislav Vavřínek |
1:46 | |||
|
1.7
|
VII. Come Unto Me
Andrew Anderson; Eddie Muliaumaseali’i; Janáček Philharmonic Orchestra; Stanislav Vavřínek |
4:06 | |||
|
1.8
|
VIII. Plenteous Grace with Thee Is Found
Charles Wesley; Andrew Anderson; The Consort of Melbourne; Janáček Philharmonic Orchestra; Stanislav Vavřínek |
4:11 | |||
|
2 Communion Anthems
|
|||||
|
1.9
|
No. 1, On the Road
Andrew Anderson; The Consort of Melbourne; Hugh Fullarton; Stanislav Vavřínek |
4:13 | |||
|
1.10
|
No. 2, Once for All
Andrew Anderson; Katherine Norman; Jenny George; Spencer Chapman; Bailey Montgomerie; The Consort of Melbourne; Stanislav Vavřínek |
1:58 | |||
|
1.11
|
This Is My Son
Andrew Anderson; Spencer Chapman; Steven Hodgson; Oliver Mann; The Consort of Melbourne; Stanislav Vavřínek |
3:52 | |||
|
1.12
|
There Is One Body
Andrew Anderson; The Consort of Melbourne; Stanislav Vavřínek |
1:58 | |||
|
1.13
|
Carol (Why Are You Sleeping)
Andrew Anderson; Lucien Fischer; The Consort of Melbourne; Stanislav Vavřínek |
3:34 | |||
|
1.14
|
I Sing in My Heart
Andrew Anderson; Kristy Biber; The Consort of Melbourne; Stanislav Vavřínek |
4:05 | |||
|
Magnificat & Nunc dimittis
|
|||||
|
1.15
|
No. 1, Magnificat
Andrew Anderson; Amelia Jones; Hannah Pietsch; Timothy Reynolds; Oliver Mann; The Consort of Melbourne; Hugh Fullarton; Stanislav Vavřínek |
5:30 | |||
|
1.16
|
No. 2, Nunc dimittis
Andrew Anderson; Amelia Jones; Oliver Mann; The Consort of Melbourne; Hugh Fullarton; Stanislav Vavřínek |
3:27 | |||
|
1.17
|
I Gave My Lord an Apple (Version for Orchestra)
Andrew Anderson; Sally-Anne Russell; Janáček Philharmonic Orchestra; Stanislav Vavřínek |
5:23 | |||
|
Digital Booklet
|
|||||
In spite of the differences of time and distance, the choral works of the Australian composer Andrew Anderson (born in Melbourne in 1971) further the English cathedral tradition of such composers as Finzi and Howells, in music concerned particularly with lyricism and with clarity and directness of expression. The Consort of Melbourne is Melbourne's premier vocal ensemble, comprising eight of the city's finest chamber singers under the artistic direction of Steven Hodgson. Typically performing a capella with one singer per part, The Consort champions both historic and contemporary repertoire and was founded in 2008 by Warren Trevelyan-Jones and Peter Tregear. It is inspired by the best European musical traditions, to which it brings a uniquely Australian freshness and vitality.
96 kHz / 24-bit PCM – Toccata Classics Studio Masters
Tracks 9-17 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 1-8 – 48 kHz / 24-bit PCM
Tracks 9-17 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 1-8 – 48 kHz / 24-bit PCM
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.36 -20.39 to -0.52 | -29.32 -38.26 to -23.30 | -24.63 -34.80 to -18.90 | 13 11 to 16 | |
| 1 | I. Prelude | -20.39 | -38.26 | -34.8 | 11 |
| 2 | II. As for Me | -3.26 | -23.30 | -19.0 | 11 |
| 3 | III. Evening, and Morning, and at Noon | -10.69 | -35.87 | -31.4 | 16 |
| 4 | IV. Jesu, Lover of My Soul | -7.14 | -29.85 | -26.4 | 11 |
| 5 | V. Cast Thy Burden | -7.77 | -30.56 | -26.8 | 13 |
| 6 | VI. Other Refuge Have I None | -5.38 | -28.82 | -25.2 | 13 |
| 7 | VII. Come Unto Me | -3.02 | -30.49 | -26.8 | 16 |
| 8 | VIII. Plenteous Grace with Thee Is Found | -7.74 | -30.51 | -25.2 | 13 |
| 9 | No. 1, On the Road | -2.72 | -27.88 | -21.6 | 14 |
| 10 | No. 2, Once for All | -5.01 | -31.76 | -26.4 | 16 |
| 11 | This Is My Son | -3.05 | -29.75 | -23.7 | 16 |
| 12 | There Is One Body | -4.10 | -28.13 | -23.1 | 14 |
| 13 | Carol (Why Are You Sleeping) | -3.50 | -29.31 | -25.7 | 15 |
| 14 | I Sing in My Heart | -0.52 | -25.45 | -19.8 | 12 |
| 15 | No. 1, Magnificat | -2.04 | -24.42 | -20.2 | 12 |
| 16 | No. 2, Nunc dimittis | -0.52 | -24.33 | -18.9 | 12 |
| 17 | I Gave My Lord an Apple (Version for Orchestra) | -4.26 | -29.72 | -23.7 | 14 |