℗ 2022 Parlophone Records Limited; A Warner Classics/Erato release,
| Released | January 28, 2022 |
| Duration | 58m 20s |
| Record Label | Warner Classics |
| Genre | Classical |
Mozart x 3
Elsa Dreisig, Kammerorchester Basel, Louis Langrée
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Cosi fan tutte, K. 588, Act 1
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1.1
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"Temerari, sortite fuori" (Fiordiligi)
Wolfgang Amadeus Mozart; Elsa Dreisig; Kammerorchester Basel; Louis Langrée |
1:09 | |||
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1.2
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"Come scoglio immoto resta" (Fiordiligi)
Wolfgang Amadeus Mozart; Elsa Dreisig; Kammerorchester Basel; Louis Langrée |
4:26 | |||
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1.3
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"Ah, scostati!" (Dorabella)
Wolfgang Amadeus Mozart; Elsa Dreisig; Kammerorchester Basel; Louis Langrée |
0:57 | |||
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1.4
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"Smanie implacabili" (Dorabella)
Wolfgang Amadeus Mozart; Elsa Dreisig; Kammerorchester Basel; Louis Langrée |
1:55 | |||
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1.5
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"In uomini, in soldati" (Despina)
Wolfgang Amadeus Mozart; Elsa Dreisig; Kammerorchester Basel; Louis Langrée |
2:45 | |||
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Le nozze di Figaro, K. 492, Act 3
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1.6
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"E Susanna non vien!" (Contessa)
Wolfgang Amadeus Mozart; Elsa Dreisig; Kammerorchester Basel; Louis Langrée |
1:42 | |||
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1.7
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"Dove sono i bei momenti" (Contessa)
Wolfgang Amadeus Mozart; Elsa Dreisig; Kammerorchester Basel; Louis Langrée |
4:27 | |||
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Le nozze di Figaro, K. 492, Act 4
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1.8
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"Giunse alfin il momento" (Susanna)
Wolfgang Amadeus Mozart; Elsa Dreisig; Kammerorchester Basel; Louis Langrée |
1:16 | |||
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1.9
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"Deh, vieni, non tardar" (Susanna)
Wolfgang Amadeus Mozart; Elsa Dreisig; Kammerorchester Basel; Louis Langrée |
3:09 | |||
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Le nozze di Figaro, K. 492, Act 2
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1.10
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"Voi che sapete" (Cherubino)
Wolfgang Amadeus Mozart; Elsa Dreisig; Kammerorchester Basel; Louis Langrée |
2:50 | |||
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Don Giovanni, K. 527, Act 2
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1.11
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"Crudele? Ah no, mio bene!" (Donna Anna)
Wolfgang Amadeus Mozart; Elsa Dreisig; Kammerorchester Basel; Louis Langrée |
1:35 | |||
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1.12
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"Non mi dir, bell'idol mio" (Donna Anna)
Wolfgang Amadeus Mozart; Elsa Dreisig; Kammerorchester Basel; Louis Langrée |
4:52 | |||
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1.13
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"In quali eccessi, o Numi" (Donna Elvira)
Wolfgang Amadeus Mozart; Elsa Dreisig; Kammerorchester Basel; Louis Langrée |
2:04 | |||
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1.14
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"Mi tradì quell'alma ingrata" (Donna Elvira)
Wolfgang Amadeus Mozart; Elsa Dreisig; Kammerorchester Basel; Louis Langrée |
3:46 | |||
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1.15
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"Vedrai, carino" (Zerlina)
Wolfgang Amadeus Mozart; Elsa Dreisig; Kammerorchester Basel; Louis Langrée |
3:12 | |||
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Idomeneo, K. 366, Act 1
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1.16
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"Estinto è Idomeneo?... " (Elettra)
Wolfgang Amadeus Mozart; Elsa Dreisig; Kammerorchester Basel; Louis Langrée |
1:45 | |||
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1.17
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"Tutte nel cor vi sento" (Elettra)
Wolfgang Amadeus Mozart; Elsa Dreisig; Kammerorchester Basel; Louis Langrée |
3:19 | |||
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Lucio Silla, K. 135, Act 3
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1.18
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"Pupille amate" (Cecilio)
Wolfgang Amadeus Mozart; Elsa Dreisig; Kammerorchester Basel; Louis Langrée |
4:17 | |||
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La clemenza di Tito, K. 621, Act 2
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1.19
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"Ecco il punto... " (Vitellia)
Wolfgang Amadeus Mozart; Elsa Dreisig; Kammerorchester Basel; Louis Langrée |
1:54 | |||
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1.20
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"Non più di fiori" (Vitellia)
Wolfgang Amadeus Mozart; Elsa Dreisig; Kammerorchester Basel; Louis Langrée |
7:00 | |||
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Digital Booklet
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Elsa Dreisig credits Mozart with being the composer who first inspired her to become a professional singer. Now the French-Danish soprano pays him tribute with an album devoted entirely to arias from his operas. Its title, Mozart x 3, reflects a programme constructed around the three masterpieces composed to libretti written by Lorenzo Da Ponte: Le nozze di Figaro, Don Giovanni, and Così fan tutte. Elsa Dreisig sings arias allocated to three different characters in each of these operas. The total of nine ‘Da Ponte arias’ is complemented by three arias from examples of the dignified genre opera seria: La clemenza di Tito, Idomeneo and Lucio Silla. Accompanying Elsa Dreisig is the Kammerorchester Basel, conducted by Louis Langrée, now director of Paris’s celebrated Opéra-Comique.
96 kHz / 24-bit PCM – Warner Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.86 -3.31 to -1.10 | -21.33 -24.15 to -18.76 | -17.61 -20.40 to -15.30 | 11 10 to 13 | |
| 1 | "Temerari, sortite fuori" (Fiordiligi) | -2.75 | -21.65 | -18.4 | 12 |
| 2 | "Come scoglio immoto resta" (Fiordiligi) | -1.11 | -19.70 | -16.0 | 11 |
| 3 | "Ah, scostati!" (Dorabella) | -3.31 | -21.05 | -17.4 | 11 |
| 4 | "Smanie implacabili" (Dorabella) | -1.10 | -18.76 | -15.3 | 10 |
| 5 | "In uomini, in soldati" (Despina) | -1.74 | -21.50 | -17.7 | 11 |
| 6 | "E Susanna non vien!" (Contessa) | -1.12 | -20.88 | -17.0 | 10 |
| 7 | "Dove sono i bei momenti" (Contessa) | -2.32 | -20.61 | -17.2 | 11 |
| 8 | "Giunse alfin il momento" (Susanna) | -2.48 | -24.15 | -20.4 | 12 |
| 9 | "Deh, vieni, non tardar" (Susanna) | -2.31 | -23.95 | -20.4 | 12 |
| 10 | "Voi che sapete" (Cherubino) | -3.18 | -21.05 | -17.8 | 11 |
| 11 | "Crudele? Ah no, mio bene!" (Donna Anna) | -1.36 | -22.37 | -17.9 | 10 |
| 12 | "Non mi dir, bell'idol mio" (Donna Anna) | -1.10 | -19.75 | -16.3 | 11 |
| 13 | "In quali eccessi, o Numi" (Donna Elvira) | -2.61 | -24.08 | -19.3 | 13 |
| 14 | "Mi tradì quell'alma ingrata" (Donna Elvira) | -1.32 | -19.40 | -16.3 | 11 |
| 15 | "Vedrai, carino" (Zerlina) | -2.18 | -21.10 | -17.8 | 11 |
| 16 | "Estinto è Idomeneo?... " (Elettra) | -1.12 | -21.18 | -17.5 | 12 |
| 17 | "Tutte nel cor vi sento" (Elettra) | -1.10 | -19.20 | -15.3 | 11 |
| 18 | "Pupille amate" (Cecilio) | -2.80 | -22.93 | -19.0 | 12 |
| 19 | "Ecco il punto... " (Vitellia) | -1.11 | -22.53 | -18.4 | 13 |
| 20 | "Non più di fiori" (Vitellia) | -1.10 | -20.73 | -16.7 | 11 |