℗ 2017 Grand Piano
| Released | February 10, 2017 |
| Duration | 1h 17m 06s |
| Record Label | Grand Piano |
| Genre | Classical |
Glinka: Complete Piano Works, Vol. 1: Variations
Inga Fiolia
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Variations on an original theme in F Major
Mikhail Ivanovich Glinka; Inga Fiolia |
11:48 | |||
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1.2
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Variations on a theme from Cherubini's Faniska in B Flat Major
Mikhail Ivanovich Glinka; Inga Fiolia |
5:05 | |||
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1.3
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Variations on 2 themes from the ballet Chao-Kang in D Major
Mikhail Ivanovich Glinka; Inga Fiolia |
5:22 | |||
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1.4
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Variazioni brillanti on a theme from Donizetti's Anna Bolena in A Major
Mikhail Ivanovich Glinka; Inga Fiolia |
11:50 | |||
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1.5
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Variations on a theme of Mozart in E Flat Major (version for Piano)
Mikhail Ivanovich Glinka; Inga Fiolia |
5:54 | |||
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1.6
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Variations on Benedetta sia la madre in E Major
Mikhail Ivanovich Glinka; Inga Fiolia |
13:42 | |||
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1.7
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Variations on the song Sredi dolinï rovnïye in A Minor (Among the Gentle Valleys)
Mikhail Ivanovich Glinka; Inga Fiolia |
2:57 | |||
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1.8
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Variations on a theme from Bellini's I Capuleti e i Montecchi in C Major
Mikhail Ivanovich Glinka; Inga Fiolia |
12:37 | |||
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1.9
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Variations on Alyab'yev's Solovey in E Minor (The Nightingale)
Mikhail Ivanovich Glinka; Inga Fiolia |
7:51 |
Inga Fiolia launches a series of recordings of Glinka's complete piano works with selections that influenced the growth of 19th century Russian national music. The graceful Variations on a Theme by Mozart, based on material from The Magic Flute, is remodelled so skilfully that it has effectively become an original theme. Fashionable salon pieces include the Italian romance Variations on Benadetta sia la madre and Variations on a Theme from Cherubini’s Faniska, an opera greatly admired by Glinka. In Milan he became famous for his ability to reproduce on the piano the nuances of the voices of the great singers of the day, giving rise to two entertaining sets of operatic variations on themes by Donizetti and Bellini. The Variations on The Nightingale represent his return to the Russian style.
96 kHz / 24-bit PCM – Grand Piano Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.90 -1.36 to -0.41 | -25.57 -27.88 to -22.85 | -21.82 -24.70 to -19.50 | 15 13 to 17 | |
| 1 | Variations on an original theme in F Major | -1.18 | -27.02 | -22.8 | 16 |
| 2 | Variations on a theme from Cherubini's Faniska in B Flat Major | -0.53 | -24.37 | -20.6 | 13 |
| 3 | Variations on 2 themes from the ballet Chao-Kang in D Major | -1.24 | -22.85 | -19.5 | 14 |
| 4 | Variazioni brillanti on a theme from Donizetti's Anna Bolena in A Major | -0.41 | -25.99 | -22.4 | 16 |
| 5 | Variations on a theme of Mozart in E Flat Major (version for Piano) | -0.74 | -27.88 | -24.7 | 17 |
| 6 | Variations on Benedetta sia la madre in E Major | -0.58 | -24.50 | -20.8 | 15 |
| 7 | Variations on the song Sredi dolinï rovnïye in A Minor (Among the Gentle Valleys) | -1.36 | -24.87 | -20.6 | 13 |
| 8 | Variations on a theme from Bellini's I Capuleti e i Montecchi in C Major | -1.20 | -25.20 | -21.6 | 16 |
| 9 | Variations on Alyab'yev's Solovey in E Minor (The Nightingale) | -0.90 | -27.44 | -23.4 | 17 |