℗ 2013 Wilson Audiophile Recordings

Recital: Works of Bach - Carvalho - Pepping - Koetsier

James Welch

Available in high-resolution 176.4 kHz / 24-bit & 88.2 kHz / 24-bit PCM AIFF, FLAC and 2.8224 MHz / 1-bit DSD DSF high-resolution audio formats

"... a stunning recording of a modest-sized Flentrop organ ... impresses by virtue of its tonal and timbral nuances."
- The Absolute Sound

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Partita for English Horn and Organ, Op. 41, No. 1
Jan Koetsier; James Welch; Robert Hubbard
Nun komm der Heiden Heiland, BWV 659
Johann Sebastian Bach; James Welch
Kleines Orgelbuch  
Sonne der Gerechtigkeit
Ernst Pepping; James Welch
Nun freut euch lieben Christen gmein
Ernst Pepping; James Welch
Freuet euch, ihr Christen alle
Ernst Pepping; James Welch
Concerto in G Major, BWV 592 (after Johann Ernst)
Johann Sebastian Bach; James Welch
Herzlich tut mich verlangen, BWV 727
Johann Sebastian Bach; James Welch
Fugue in G Minor 'Little Fugue', BWV 578
Johann Sebastian Bach; James Welch
Organ Sonata in D Major
Joao de Sousa Carvalho; James Welch
Digital Booklet
Total Playing Time    38:25
This remastered tribute to four centuries of organ music by American organist James B. Welch was stunningly recorded by Wilson Audiophile in 1978 at All Saints' Episcopal Church in Palo Alto, California, on a 1966 Flentrop organ, a two manual organ consisting of 22 ranks and 1144 pipes.
176.4 kHz / 24-bit & 88.2 kHz / 24-bit PCM and 2.8224 MHz / 1-bit DSD - Wilson Audiophile Recordings Studio Masters

This album is a high-resolution digital transfer of material originating from an analogue master source. Due to the nature of analogue tape recording, it may contain artifacts or audio which uses a limited amount of the available dynamic range / frequency bandwidth of high-resolution digital audio. As such, it is offered as a high-resolution documentation of a historical release.

Produced by: Wilson Audiophile Recordings, LLC
Original recording engineer: David A. Wilson
Project manager: Daryl C. Wilson

Analogue to high definition digital transfer: Bruce Brown, Puget Sound Studios
Transfer editing: Bruce Brown, Puget Sound Studios
Sonic evaluation: David A. Wilson, Sheryl Lee Wilson, Daryl C. Wilson

Speakers: Wilson Audio Alexandria XLF, two Thor’s Hammers
Electronics: Apple Mac Mini, Amarra & Audirvana Plus, Weiss INT202, Audio Research DAC 8, Audio Research 40th Anniversary preamp, VTL Siegfried and / or D' Agostino Momentum amplifiers
Cables: Audioquest Firewire, Transparent Opus

For the session, Wilson used AKG 414 microphones in the hypercardiod pattern pioneered by the BBC, a 15ips, half-track Revox A77 with modified electronics and cabling and an Audio Research SP-3 preamp whose phono input was modified to a microphone input. With the AR's power supply separated and isolated from the chassis, Wilson says it sounded "dramatically better" than the stock unit.

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