℗ 2017 Signum Records
| Released | February 3, 2017 |
| Duration | 1h 17m 32s |
| Record Label | Signum Records |
| Genre | Classical (Choral) |
Queen Mary's Big Belly: Hope for an Heir in Catholic England
Gabriel Crouch, Gallicantus
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Pater noster
Philip van Wilder; Gabriel Crouch; Gallicantus |
4:21 | |||
|
1.2
|
Exsurge Christe
William Mundy; Gabriel Crouch; Gallicantus |
0:54 | |||
|
1.3
|
Peccavimus cum patribus
Christopher Tye; Gabriel Crouch; Gallicantus |
11:58 | |||
|
1.4
|
Te spectant, Reginalde, poli
Orlando di Lasso; Gabriel Crouch; Gallicantus |
2:20 | |||
|
1.5
|
Like as the Doleful Dove
Thomas Tallis; Gabriel Crouch; Gallicantus |
1:59 | |||
|
1.6
|
New Ballad of the Marigold
Anonymous; Gabriel Crouch; Gallicantus |
1:42 | |||
|
1.7
|
Fansye
Anthony Newman; Gabriel Crouch; Gallicantus |
1:31 | |||
|
1.8
|
Sarum Litany
Anonymous; Gabriel Crouch; Gallicantus |
10:48 | |||
|
1.9
|
O sacrum convivium
Thomas Tallis; Gabriel Crouch; Gallicantus |
3:04 | |||
|
1.10
|
Quod chorus vatum
Thomas Tallis; Gabriel Crouch; Gallicantus |
4:55 | |||
|
1.11
|
Christi virgo dilectissima
John Sheppard; Gabriel Crouch; Gallicantus |
6:50 | |||
|
1.12
|
Deus misereatur
John Sheppard; Gabriel Crouch; Gallicantus |
10:05 | |||
|
1.13
|
When Shall My Sorrowful Sighing Slack
Thomas Tallis; Gabriel Crouch; Gallicantus |
1:45 | |||
|
1.14
|
Vain, All Our Life I
John Sheppard; Gabriel Crouch; Gallicantus |
1:42 | |||
|
1.15
|
Martyr Dei qui unicum
John Sheppard; Gabriel Crouch; Gallicantus |
4:00 | |||
|
1.16
|
Loquebantur variis linguis
Thomas Tallis; Gabriel Crouch; Gallicantus |
4:05 | |||
|
1.17
|
Libera nos, salva nos
John Sheppard; Gabriel Crouch; Gallicantus |
3:04 | |||
|
1.18
|
Vain, All Our Life II
John Sheppard; Gabriel Crouch; Gallicantus |
2:29 |
"Everything Gallicantus touches seems to turn to gold."
- Early Music Today
On this recording, the six vocalists in Gallicantus present the fascinating yet tragic story of Queen Mary Tudor’s "phantom pregnancy" in April 1555. Among the selections from the mid-1550s is a reconstructed Litany which was performed during Mary’s assumed pregnancy. The viewpoint shifts from the streets of London and its suburbs, through the ceremonial grandeur of the royal palaces and their chapels, to the intimacy of the Privy Chamber itself.
96 kHz / 24-bit PCM – Signum Records Studio Masters
Tracks 1 - 18 – contains material which utilizes a limited amount of the available bandwidth
Tracks 1 - 18 – contains material which utilizes a limited amount of the available bandwidth
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -8.37 -24.15 to -0.33 | -29.91 -42.89 to -23.55 | -26.22 -40.00 to -19.90 | 13 11 to 16 | |
| 1 | Pater noster | -4.09 | -26.28 | -22.9 | 12 |
| 2 | Exsurge Christe | -9.20 | -27.34 | -23.5 | 11 |
| 3 | Peccavimus cum patribus | -0.33 | -23.55 | -19.9 | 14 |
| 4 | Te spectant, Reginalde, poli | -8.38 | -28.27 | -24.9 | 12 |
| 5 | Like as the Doleful Dove | -13.93 | -38.29 | -34.9 | 16 |
| 6 | New Ballad of the Marigold | -5.50 | -28.33 | -24.3 | 14 |
| 7 | Fansye | -24.15 | -42.89 | -40.0 | 11 |
| 8 | Sarum Litany | -9.15 | -31.58 | -27.7 | 14 |
| 9 | O sacrum convivium | -4.60 | -26.47 | -23.2 | 14 |
| 10 | Quod chorus vatum | -5.97 | -27.77 | -23.9 | 12 |
| 11 | Christi virgo dilectissima | -3.38 | -25.32 | -21.7 | 12 |
| 12 | Deus misereatur | -8.57 | -29.54 | -26.1 | 13 |
| 13 | When Shall My Sorrowful Sighing Slack | -12.76 | -34.28 | -30.3 | 13 |
| 14 | Vain, All Our Life I | -13.77 | -39.88 | -35.6 | 14 |
| 15 | Martyr Dei qui unicum | -5.35 | -26.10 | -22.0 | 12 |
| 16 | Loquebantur variis linguis | -4.11 | -23.84 | -20.1 | 12 |
| 17 | Libera nos, salva nos | -8.08 | -27.91 | -24.4 | 12 |
| 18 | Vain, All Our Life II | -9.29 | -30.70 | -26.5 | 13 |