
℗ 2017 Alpha
Released | February 10, 2017 |
Duration | 1h 24m 16s |
Record Label | Alpha |
Genre | Classical (Vocal Ensemble) |
Azahar
La Tempête, Simon-Pierre Bestion
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
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Cantiga No. 100, "Santa Maria strela do dia"
Alfonso X; La Tempête; Simon-Pierre Bestion |
2:13 | |||
Messe de Nostre Dame
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1.2
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Kyrie
Guillaume de Machaut; René Ramos-Premier; Florent Martin; La Tempête; Simon-Pierre Bestion |
4:54 | |||
Mass
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1.3
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Kyrie
Igor Stravinsky; Claire Lefilliâtre; Anna Reinhold; Francisco Javier Manalich; Lisandro Abadie; La Tempête; Simon-Pierre Bestion |
3:00 | |||
1.4
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Gloria
Igor Stravinsky; Claire Lefilliâtre; Anna Reinhold; La Tempête; Simon-Pierre Bestion |
3:56 | |||
Messe de Nostre Dame
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1.5
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Gloria
Guillaume de Machaut; Eugénie De Mey; René Ramos-Premier; La Tempête; Simon-Pierre Bestion |
5:51 | |||
Mass
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1.6
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Credo
Igor Stravinsky; La Tempête; Simon-Pierre Bestion |
4:12 | |||
Messe de Nostre Dame
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1.7
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Sanctus
Guillaume de Machaut; Alice Kamenezky; Eugénie De Mey; La Tempête; Simon-Pierre Bestion |
4:37 | |||
Mass
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1.8
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Sanctus
Igor Stravinsky; Claire Lefilliâtre; Anna Reinhold; Francisco Javier Manalich; Lisandro Abadie; La Tempête; Simon-Pierre Bestion |
3:47 | |||
1.9
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Agnus Dei
Igor Stravinsky; La Tempête; Simon-Pierre Bestion |
3:43 | |||
Messe de Nostre Dame
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1.10
|
Ite missa est
Guillaume de Machaut; Alice Kamenezky; Eugénie De Mey; René Ramos-Premier; Florent Martin; Jean-Christophe Brizard; La Tempête; Simon-Pierre Bestion |
2:57 | |||
1.11
|
Cantiga No. 76, "Quenas sas figures of the Virgin depart"
Alfonso X; La Tempête; Simon-Pierre Bestion |
2:06 | |||
Cantigas
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1.12
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No. 1. Cantiga de los reyes magos (Cantiga of the Wise Men)
Maurice Ohana; La Tempête; Simon-Pierre Bestion |
5:53 | |||
1.13
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Cantiga No. 256, "Quen na virgen groriosa"
Alfonso X; William Shelton; Francisco Javier Manalich; Lisandro Abadie; La Tempête; Simon-Pierre Bestion |
3:38 | |||
1.14
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No. 2. Cantiga del destierro (Cantiga of Exile)
Maurice Ohana; Anna Reinhold; La Tempête; Simon-Pierre Bestion |
7:11 | |||
1.15
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Cantiga No. 212, "Tod aquel que pola virgen"
Alfonso X; Anna Reinhold; Francisco Javier Manalich; La Tempête; Simon-Pierre Bestion |
1:50 | |||
1.16
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No. 3. Cantiga de vela (Cantiga of Vigil)
Maurice Ohana; La Tempête; Simon-Pierre Bestion |
3:50 | |||
1.17
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No. 4. Cantiga del Azahar (Cantiga of the Orange Blossom)
Maurice Ohana; Claire Lefilliâtre; Francisco Javier Manalich; La Tempête; Simon-Pierre Bestion |
5:32 | |||
1.18
|
Cantiga No. 10, "Rosa das rosas"
Alfonso X; Claire Lefilliâtre; Anna Reinhold; Eugénie De Mey; Francisco Javier Manalich; La Tempête; Simon-Pierre Bestion |
4:00 | |||
1.19
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No. 5. Cantiga de la noche santa (Cantiga of Holy Night)
Maurice Ohana; Anna Reinhold; La Tempête; Simon-Pierre Bestion |
3:26 | |||
1.20
|
Cantiga No. 100, "Santa Maria strela do dia"
Alfonso X; La Tempête; Simon-Pierre Bestion |
3:50 | |||
1.21
|
No. 6. Cantiga del Nacimiento (Cantiga of the Nativity)
Maurice Ohana; Claire Lefilliâtre; Anna Reinhold; René Ramos-Premier; Lisandro Abadie; La Tempête; Simon-Pierre Bestion |
3:50 | |||
Digital Booklet
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French vocal and instrumental ensemble La Tempête contrasts and interweaves the polyphony of Machaut with the poetry of the Spanish cantigas and the century of Stravinsky and Ohana on Azahar ("orange blossom" in Spanish). Ensemble founder and leader Simon-Pierre Bestion enjoys disorienting listeners by shifting between different historical periods. He says that Stravinsky wrote his Mass after discovering Machaut’s setting, while Ohana’s Cantigas de Santa Maria allude to Alfonso the Wise and to folk song.
"One can take extraordinary liberties with Machaut’s famous Mass: its music calls for a fairly sonorous, straight style of singing, like Corsican or Basque polyphony. I chose singers familiar with early music, powerful, direct voices, using little vibrato, voices that could also sing Stravinsky and Ohana. The orchestra was arranged in consorts for the early repertory and in mixed desks for Ohana and Stravinsky. The chorus was placed all around in a circle, in a single row. I like to share that experience of feeling the sound physically."
- Simon-Pierre Bestion
88.2 kHz / 24-bit PCM – Alpha Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.23 -11.50 to -0.09 | -22.51 -30.29 to -17.23 | -18.81 -27.40 to -13.40 | 12 10 to 15 | |
1 | Cantiga No. 100, "Santa Maria strela do dia" | -0.09 | -17.23 | -15.0 | 12 |
2 | Kyrie | -2.20 | -22.72 | -18.2 | 13 |
3 | Kyrie | -4.64 | -22.45 | -19.5 | 11 |
4 | Gloria | -0.09 | -21.35 | -18.1 | 12 |
5 | Gloria | -0.77 | -20.82 | -17.1 | 12 |
6 | Credo | -0.09 | -19.89 | -16.6 | 13 |
7 | Sanctus | -2.55 | -20.79 | -17.6 | 11 |
8 | Sanctus | -0.09 | -19.23 | -15.0 | 11 |
9 | Agnus Dei | -4.31 | -23.64 | -20.3 | 11 |
10 | Ite missa est | -0.09 | -17.42 | -13.4 | 11 |
11 | Cantiga No. 76, "Quenas sas figures of the Virgin depart" | -0.10 | -20.60 | -17.4 | 13 |
12 | No. 1. Cantiga de los reyes magos (Cantiga of the Wise Men) | -0.09 | -24.53 | -20.3 | 15 |
13 | Cantiga No. 256, "Quen na virgen groriosa" | -10.27 | -30.29 | -27.3 | 13 |
14 | No. 2. Cantiga del destierro (Cantiga of Exile) | -0.09 | -23.53 | -18.1 | 14 |
15 | Cantiga No. 212, "Tod aquel que pola virgen" | -2.11 | -23.55 | -20.5 | 12 |
16 | No. 3. Cantiga de vela (Cantiga of Vigil) | -0.09 | -20.87 | -17.4 | 14 |
17 | No. 4. Cantiga del Azahar (Cantiga of the Orange Blossom) | -2.30 | -26.71 | -21.9 | 12 |
18 | Cantiga No. 10, "Rosa das rosas" | -5.12 | -26.33 | -23.2 | 13 |
19 | No. 5. Cantiga de la noche santa (Cantiga of Holy Night) | -0.09 | -21.36 | -15.8 | 12 |
20 | Cantiga No. 100, "Santa Maria strela do dia" | -11.50 | -29.95 | -27.4 | 10 |
21 | No. 6. Cantiga del Nacimiento (Cantiga of the Nativity) | -0.09 | -19.37 | -14.9 | 11 |