℗ 2022 Solo Musica
| Released | February 4, 2022 |
| Duration | 2h 35m 53s |
| Record Label | Solo Musica |
| Catalogue No. | SM368 |
| Genre | Classical (Chamber) |
Alexander Schaichet and the First Swiss Chamber Orchestra
Peter Hottinger, Laura Lienhard, Graziella Rossi, Helmut Vogel, Jonas Kreienbühl, Mirjam Tschopp, Andrea Wiesli
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Festkonzert in der Tonhalle Zürich
Peter Hottinger; Jonas Kreienbühl; Mirjam Tschopp; Andrea Wiesli |
1:22 | |||
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1.2
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Von Nikolajew über Odessa nach Leipzig und Jena
Peter Hottinger; Jonas Kreienbühl; Mirjam Tschopp; Andrea Wiesli |
8:57 | |||
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1.3
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Ferienreise in die Schweiz
Peter Hottinger; Jonas Kreienbühl; Mirjam Tschopp; Andrea Wiesli |
4:52 | |||
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1.4
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Begegnung in Zürich
Peter Hottinger; Jonas Kreienbühl; Mirjam Tschopp; Andrea Wiesli |
5:19 | |||
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1.5
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Gründung des Kammerorchesters Zürich
Peter Hottinger; Jonas Kreienbühl; Mirjam Tschopp; Andrea Wiesli |
13:53 | |||
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1.6
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Die Einbürgerung
Peter Hottinger; Mirjam Tschopp |
4:55 | |||
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1.7
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Zeitgenössische Grotesken
Peter Hottinger; Andrea Wiesli |
4:05 | |||
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1.8
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Aufkommen des Faschismus
Peter Hottinger; Jonas Kreienbühl; Mirjam Tschopp; Andrea Wiesli |
9:07 | |||
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1.9
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Ausgegrenzt - Die Landesausstellung 1939
Peter Hottinger; Jonas Kreienbühl; Mirjam Tschopp; Andrea Wiesli |
12:17 | |||
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1.10
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Kriegsjahre
Peter Hottinger; Mirjam Tschopp; Andrea Wiesli |
5:43 | |||
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1.11
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Anerkennung - Die Hans Georg Nägeli-Medaille
Peter Hottinger |
1:25 | |||
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1.12
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Klavierstunde
Peter Hottinger; Andrea Wiesli |
5:43 | |||
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2.1
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Phantasie über zwei jiddische Volkslieder for Violin & Piano
Mirjam Tschopp; Andrea Wiesli |
7:01 | |||
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Kleine Variationen in Etüdenform for Piano
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2.2
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Schlichtes Thema. Ruhig
Andrea Wiesli |
0:38 | |||
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2.3
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Var. 1, Triolen. Schnell
Andrea Wiesli |
0:33 | |||
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2.4
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Var. 2, Arpeggien. Stürmisch
Andrea Wiesli |
0:25 | |||
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2.5
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Var. 3, Volle Akkorde. Langsam
Andrea Wiesli |
0:40 | |||
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2.6
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Var. 4, Oktaven. Mäßig langsam
Andrea Wiesli |
0:42 | |||
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2.7
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Var. 5, Scherzo. Schnell
Andrea Wiesli |
0:40 | |||
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2.8
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Var. 6, Anschlags-Studie. Zart, ruhig
Andrea Wiesli |
0:40 | |||
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2.9
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Var. 7, Walzer. Flottes Tempo
Andrea Wiesli |
2:29 | |||
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6 Israeli Melodies for Cello & Piano
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2.10
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No. 1, Legend. Molto tranquillo
Jonas Kreienbühl; Andrea Wiesli |
2:17 | |||
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2.11
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No. 2, Raindrops. Allegro giocoso
Jonas Kreienbühl; Andrea Wiesli |
0:45 | |||
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2.12
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No. 3, You, the Earth. Andante
Jonas Kreienbühl; Andrea Wiesli |
1:19 | |||
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2.13
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No. 4, Oriental Melody. Moderato assai
Jonas Kreienbühl; Andrea Wiesli |
1:21 | |||
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2.14
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No. 5, Prayer. Largo
Jonas Kreienbühl; Andrea Wiesli |
2:09 | |||
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2.15
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No. 6, Wanderer's Song. Tranquillo
Jonas Kreienbühl; Andrea Wiesli |
2:30 | |||
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Soliloquia for Viola Solo "In Memoriam Alexander Schaichet"
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2.16
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I. Allegro non troppo
Mirjam Tschopp |
3:57 | |||
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2.17
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II. Largo con tristezza
Mirjam Tschopp |
5:15 | |||
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2.18
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III. Presto
Mirjam Tschopp |
4:17 | |||
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Suite for Cello & Piano, Op. 20
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2.19
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I. Praeludium. Sehr ruhig
Jonas Kreienbühl; Andrea Wiesli |
1:30 | |||
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2.20
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II. Orientalische Weise. Lebhaft, straff
Jonas Kreienbühl; Andrea Wiesli |
1:11 | |||
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2.21
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III. Kanon. Andante
Jonas Kreienbühl; Andrea Wiesli |
2:33 | |||
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2.22
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IV. Scherzo. Sehr schnell
Jonas Kreienbühl; Andrea Wiesli |
1:01 | |||
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2.23
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V. Basso ostinato. Langsam
Jonas Kreienbühl; Andrea Wiesli |
1:57 | |||
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2.24
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VI. Rhapsodie. Bestimmt (Lebhaft)
Jonas Kreienbühl; Andrea Wiesli |
1:35 | |||
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2.25
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VII. Pastorale. Andantino
Jonas Kreienbühl; Andrea Wiesli |
2:33 | |||
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2.26
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VIII. Ausklang. Allegro deciso
Jonas Kreienbühl; Andrea Wiesli |
1:06 | |||
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Variationen für Klavier über das Geburtstags-Duett aus Paul Burkhard's "Schwarzem Hecht"
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2.27
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Var. 1, À la menthe. Amabile
Andrea Wiesli |
0:49 | |||
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2.28
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Var. 2, Fast zu gewichtig
Andrea Wiesli |
0:55 | |||
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2.29
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Var. 3, Scherzino. Leggiero - Nicht zu schnell
Andrea Wiesli |
0:38 | |||
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2.30
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Var. 4, Fast zu Ernst
Andrea Wiesli |
0:23 | |||
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2.31
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Var. 5, À la Chopin
Andrea Wiesli |
0:52 | |||
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2.32
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Var. 6, Petite valse. Nicht zu schnell
Andrea Wiesli |
2:40 | |||
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Sonata for Solo Viola, Op. 59
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2.33
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I. Andante
Mirjam Tschopp |
4:45 | |||
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2.34
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II. Adagio
Mirjam Tschopp |
5:54 | |||
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2.35
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III. Allegro
Mirjam Tschopp |
2:53 | |||
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3 Nocturnes for Piano Trio, B. 56
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2.36
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No. 1, Andante
Andrea Wiesli; Mirjam Tschopp; Jonas Kreienbühl |
2:21 | |||
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2.37
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No. 2, Andante quieto
Andrea Wiesli; Mirjam Tschopp; Jonas Kreienbühl |
2:29 | |||
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2.38
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No. 3, Tempestoso
Andrea Wiesli; Mirjam Tschopp; Jonas Kreienbühl |
2:32 | |||
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Digital Booklet
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Alexander Schaichet (1887-1964), Russian-born violinist, violist and conductor, was a huge supporter of contemporary music in Switzerland. In 1920 he founded Switzerland’s first chamber orchestra, the Kammerorchester Zürich. It was Schaichet’s declared aim to “perform works rarely heard in Zurich, works that have never before been publicly performed or which are of special merit.” From 1920 to 1943 he gave 51 premieres and 215 first performances of works with the Zurich Chamber Orchestra, including many works by modern Swiss composers, and discovered new musical talents whose fame would spread far beyond Switzerland, around the globe. In 1943, as a result of difficult conditions imposed on Jewish émigrés, Alexander Schaichet withdrew from his position and the Zurich Chamber Orchestra was disbanded. A book entitled “Zivilstand Musiker. Alexander Schaichet und das erste Kammerorchester der Schweiz” (civil status musician: Alexander Schaichet and the first Swiss chamber orchestra) was published to mark the 100th anniversary of the founding of Switzerland’s first chamber orchestra and this was complemented by the staging of a number of events. By releasing this double album, the Central Library of Zurich, which holds the artistic legacy of Alexander and Irma Schaichet, seeks to honor the pioneering musical career of Alexander Schaichet.
96 kHz / 24-bit PCM – Solo Musica Studio Masters
Disc 1, Tracks 1-12 – 48 kHz / 24-bit PCM
Disc 1, Tracks 1-12 – 48 kHz / 24-bit PCM
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.32 -18.48 to -0.17 | -24.87 -35.13 to -20.15 | -21.51 -32.10 to -17.20 | 13 9 to 16 | |
| 1.1 | Festkonzert in der Tonhalle Zürich | -0.54 | -22.60 | -18.6 | 16 |
| 1.2 | Von Nikolajew über Odessa nach Leipzig und Jena | -0.54 | -21.25 | -17.7 | 14 |
| 1.3 | Ferienreise in die Schweiz | -0.54 | -21.93 | -18.7 | 15 |
| 1.4 | Begegnung in Zürich | -0.55 | -20.15 | -17.2 | 13 |
| 1.5 | Gründung des Kammerorchesters Zürich | -0.54 | -22.02 | -18.4 | 15 |
| 1.6 | Die Einbürgerung | -0.54 | -21.66 | -18.2 | 15 |
| 1.7 | Zeitgenössische Grotesken | -0.54 | -22.01 | -19.0 | 16 |
| 1.8 | Aufkommen des Faschismus | -0.54 | -22.56 | -19.1 | 15 |
| 1.9 | Ausgegrenzt - Die Landesausstellung 1939 | -0.53 | -21.78 | -18.6 | 15 |
| 1.10 | Kriegsjahre | -0.53 | -23.34 | -19.3 | 16 |
| 1.11 | Anerkennung - Die Hans Georg Nägeli-Medaille | -0.55 | -22.48 | -18.7 | 16 |
| 1.12 | Klavierstunde | -0.55 | -23.88 | -20.6 | 16 |
| 2.1 | Phantasie über zwei jiddische Volkslieder for Violin & Piano | -0.99 | -27.13 | -23.0 | 16 |
| 2.2 | Schlichtes Thema. Ruhig | -11.93 | -30.21 | -27.5 | 10 |
| 2.3 | Var. 1, Triolen. Schnell | -7.02 | -25.23 | -22.5 | 9 |
| 2.4 | Var. 2, Arpeggien. Stürmisch | -4.65 | -21.25 | -18.5 | 10 |
| 2.5 | Var. 3, Volle Akkorde. Langsam | -3.86 | -22.22 | -18.6 | 12 |
| 2.6 | Var. 4, Oktaven. Mäßig langsam | -10.25 | -27.81 | -24.6 | 11 |
| 2.7 | Var. 5, Scherzo. Schnell | -2.60 | -23.68 | -21.0 | 11 |
| 2.8 | Var. 6, Anschlags-Studie. Zart, ruhig | -18.48 | -35.13 | -32.1 | 11 |
| 2.9 | Var. 7, Walzer. Flottes Tempo | -3.46 | -22.47 | -19.4 | 12 |
| 2.10 | No. 1, Legend. Molto tranquillo | -6.84 | -27.90 | -25.0 | 11 |
| 2.11 | No. 2, Raindrops. Allegro giocoso | -3.27 | -23.01 | -20.3 | 13 |
| 2.12 | No. 3, You, the Earth. Andante | -8.60 | -27.72 | -24.5 | 11 |
| 2.13 | No. 4, Oriental Melody. Moderato assai | -5.99 | -25.50 | -22.2 | 12 |
| 2.14 | No. 5, Prayer. Largo | -4.33 | -25.49 | -21.9 | 12 |
| 2.15 | No. 6, Wanderer's Song. Tranquillo | -4.17 | -23.95 | -20.4 | 12 |
| 2.16 | I. Allegro non troppo | -2.70 | -23.96 | -20.0 | 14 |
| 2.17 | II. Largo con tristezza | -5.27 | -29.27 | -24.7 | 13 |
| 2.18 | III. Presto | -2.15 | -26.47 | -22.0 | 16 |
| 2.19 | I. Praeludium. Sehr ruhig | -11.51 | -29.89 | -26.7 | 11 |
| 2.20 | II. Orientalische Weise. Lebhaft, straff | -5.46 | -24.96 | -22.0 | 12 |
| 2.21 | III. Kanon. Andante | -6.58 | -29.02 | -25.1 | 13 |
| 2.22 | IV. Scherzo. Sehr schnell | -3.11 | -23.25 | -20.2 | 13 |
| 2.23 | V. Basso ostinato. Langsam | -7.58 | -29.97 | -26.6 | 13 |
| 2.24 | VI. Rhapsodie. Bestimmt (Lebhaft) | -2.44 | -23.30 | -19.1 | 12 |
| 2.25 | VII. Pastorale. Andantino | -8.61 | -29.88 | -26.8 | 13 |
| 2.26 | VIII. Ausklang. Allegro deciso | -2.56 | -21.90 | -18.1 | 11 |
| 2.27 | Var. 1, À la menthe. Amabile | -4.42 | -25.36 | -22.3 | 9 |
| 2.28 | Var. 2, Fast zu gewichtig | -3.39 | -21.21 | -18.4 | 11 |
| 2.29 | Var. 3, Scherzino. Leggiero - Nicht zu schnell | -8.32 | -26.76 | -23.8 | 10 |
| 2.30 | Var. 4, Fast zu Ernst | -3.95 | -21.49 | -18.7 | 12 |
| 2.31 | Var. 5, À la Chopin | -4.35 | -23.55 | -20.5 | 11 |
| 2.32 | Var. 6, Petite valse. Nicht zu schnell | -3.81 | -26.37 | -23.4 | 12 |
| 2.33 | I. Andante | -4.95 | -25.71 | -22.4 | 12 |
| 2.34 | II. Adagio | -4.17 | -27.04 | -23.2 | 15 |
| 2.35 | III. Allegro | -1.07 | -22.15 | -18.8 | 14 |
| 2.36 | No. 1, Andante | -11.17 | -31.24 | -28.1 | 12 |
| 2.37 | No. 2, Andante quieto | -5.42 | -25.09 | -21.3 | 12 |
| 2.38 | No. 3, Tempestoso | -0.17 | -21.49 | -17.6 | 12 |