℗ 2022 Parlophone Records Limited; A Warner Classics release,
| Released | February 25, 2022 |
| Duration | 2h 19m 58s |
| Record Label | Warner Classics |
| Genre | Classical |
Bach: Sonatas & Partitas for Solo Violin
Johanna Martzy
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Violin Sonata No. 1 in G Minor, BWV 1001
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1.1
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I. Adagio
Johann Sebastian Bach; Johanna Martzy |
5:02 | |||
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1.2
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II. Fuga. Allegro
Johann Sebastian Bach; Johanna Martzy |
6:02 | |||
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1.3
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III. Siciliana
Johann Sebastian Bach; Johanna Martzy |
4:13 | |||
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1.4
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IV. Presto
Johann Sebastian Bach; Johanna Martzy |
2:46 | |||
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Violin Partita No. 1 in B Minor, BWV 1002
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1.5
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I. Allemande
Johann Sebastian Bach; Johanna Martzy |
6:21 | |||
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1.6
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II. Double
Johann Sebastian Bach; Johanna Martzy |
3:19 | |||
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1.7
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III. Corrente
Johann Sebastian Bach; Johanna Martzy |
3:22 | |||
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1.8
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IV. Double. Presto
Johann Sebastian Bach; Johanna Martzy |
2:47 | |||
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1.9
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V. Sarabande
Johann Sebastian Bach; Johanna Martzy |
2:13 | |||
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1.10
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VI. Double
Johann Sebastian Bach; Johanna Martzy |
1:39 | |||
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1.11
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VII. Tempo di bourrée
Johann Sebastian Bach; Johanna Martzy |
2:35 | |||
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1.12
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VIII. Double
Johann Sebastian Bach; Johanna Martzy |
2:43 | |||
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Violin Sonata No. 2 in A Minor, BWV 1003
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1.13
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I. Grave
Johann Sebastian Bach; Johanna Martzy |
5:10 | |||
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1.14
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II. Fuga
Johann Sebastian Bach; Johanna Martzy |
8:42 | |||
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1.15
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III. Andante
Johann Sebastian Bach; Johanna Martzy |
4:54 | |||
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1.16
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IV. Allegro
Johann Sebastian Bach; Johanna Martzy |
4:35 | |||
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Violin Partita No. 2 in D Minor, BWV 1004
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1.17
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I. Allemande
Johann Sebastian Bach; Johanna Martzy |
4:22 | |||
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1.18
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II. Courante
Johann Sebastian Bach; Johanna Martzy |
2:54 | |||
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1.19
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III. Sarabande
Library Music; Johanna Martzy |
2:54 | |||
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1.20
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IV. Gigue
Johann Sebastian Bach; Johanna Martzy |
3:18 | |||
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1.21
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V. Chaconne
Johann Sebastian Bach; Johanna Martzy |
15:23 | |||
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Violin Sonata No. 3 in C Major, BWV 1005
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1.22
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I. Adagio
Johann Sebastian Bach; Johanna Martzy |
5:46 | |||
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1.23
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II. Fuga
Johann Sebastian Bach; Johanna Martzy |
11:19 | |||
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1.24
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III. Largo
Johann Sebastian Bach; Johanna Martzy |
4:00 | |||
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1.25
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IV. Allegro assai
Johann Sebastian Bach; Johanna Martzy |
4:15 | |||
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Violin Partita No. 3 in E Major, BWV 1006
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1.26
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I. Preludio
Johann Sebastian Bach; Johanna Martzy |
3:51 | |||
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1.27
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II. Loure
Johann Sebastian Bach; Johanna Martzy |
4:23 | |||
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1.28
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III. Gavotte en rondeau
Johann Sebastian Bach; Johanna Martzy |
3:12 | |||
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1.29
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IV. Menuets I & II
Johann Sebastian Bach; Johanna Martzy |
4:27 | |||
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1.30
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V. Bourrée
Johann Sebastian Bach; Johanna Martzy |
1:41 | |||
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1.31
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VI. Gigue
Johann Sebastian Bach; Johanna Martzy |
1:50 | |||
This recording comes as part of Warner Classics' new Johanna Martzy complete collection!
Johanna Martzy (1924-1979) became a cult figure on the basis of a handful of recordings – but only after her premature death, an event that passed almost unnoticed. The meteoric career of this distinguished ambassadress of the Hungarian violin school in no way foretold her posthumous idolisation. And yet her historic recordings of the Bach Sonatas and Partitas and stunning readings of Schubert’s complete works for violin and piano, together with a few first-class concerto discs, make up a legacy whose scarcity has driven prices sky high. At last, collectors can stop trying to outbid one another: remastered in high definition from the original tapes, this priceless treasure trove is now available to all.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Warner Classics Studio Masters
Tracks 1-31 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-31 – contains high-resolution digital transfers of material originating from an analogue master source
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.02 -10.36 to -0.98 | -22.59 -30.07 to -17.68 | -19.25 -26.80 to -14.60 | 12 10 to 14 | |
| 1 | I. Adagio | -4.53 | -24.31 | -21.0 | 12 |
| 2 | II. Fuga. Allegro | -2.80 | -20.64 | -17.2 | 11 |
| 3 | III. Siciliana | -7.51 | -27.14 | -24.1 | 12 |
| 4 | IV. Presto | -2.30 | -21.22 | -18.0 | 13 |
| 5 | I. Allemande | -5.15 | -22.93 | -19.6 | 12 |
| 6 | II. Double | -5.21 | -21.13 | -17.9 | 11 |
| 7 | III. Corrente | -3.36 | -20.38 | -17.3 | 11 |
| 8 | IV. Double. Presto | -5.97 | -22.81 | -19.5 | 12 |
| 9 | V. Sarabande | -4.34 | -22.99 | -19.7 | 11 |
| 10 | VI. Double | -5.53 | -21.20 | -18.0 | 10 |
| 11 | VII. Tempo di bourrée | -2.96 | -20.26 | -16.8 | 11 |
| 12 | VIII. Double | -1.93 | -19.83 | -16.5 | 10 |
| 13 | I. Grave | -1.32 | -23.32 | -19.9 | 14 |
| 14 | II. Fuga | -1.53 | -19.87 | -16.6 | 12 |
| 15 | III. Andante | -10.36 | -30.07 | -26.8 | 11 |
| 16 | IV. Allegro | -1.04 | -17.68 | -14.6 | 11 |
| 17 | I. Allemande | -3.57 | -23.51 | -20.3 | 12 |
| 18 | II. Courante | -3.18 | -23.36 | -20.3 | 12 |
| 19 | III. Sarabande | -5.94 | -25.04 | -21.8 | 11 |
| 20 | IV. Gigue | -5.84 | -23.54 | -20.1 | 11 |
| 21 | V. Chaconne | -0.98 | -21.72 | -18.0 | 13 |
| 22 | I. Adagio | -7.64 | -28.34 | -25.2 | 14 |
| 23 | II. Fuga | -1.19 | -19.70 | -16.6 | 11 |
| 24 | III. Largo | -6.86 | -27.57 | -24.0 | 14 |
| 25 | IV. Allegro assai | -3.70 | -21.45 | -18.3 | 12 |
| 26 | I. Preludio | -3.20 | -20.48 | -17.0 | 11 |
| 27 | II. Loure | -6.57 | -24.76 | -21.2 | 12 |
| 28 | III. Gavotte en rondeau | -1.31 | -21.86 | -18.3 | 13 |
| 29 | IV. Menuets I & II | -1.33 | -21.28 | -17.1 | 13 |
| 30 | V. Bourrée | -3.75 | -20.92 | -17.7 | 11 |
| 31 | VI. Gigue | -3.77 | -20.93 | -17.5 | 12 |