℗ 2022 haenssler CLASSIC
| Released | February 4, 2022 |
| Duration | 1h 19m 10s |
| Record Label | haenssler CLASSIC |
| Catalogue No. | HC21059 |
| Genre | Classical (Chamber) |
Auerbach: Works for Violin & Piano
Avita Duo
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
24 Preludes for Violin & Piano
|
|||||
|
1.1
|
No. 1, —
Lera Auerbach; Avita Duo |
3:43 | |||
|
1.2
|
No. 2, —
Lera Auerbach; Avita Duo |
1:42 | |||
|
1.3
|
No. 3, —
Lera Auerbach; Avita Duo |
2:13 | |||
|
1.4
|
No. 4, —
Lera Auerbach; Avita Duo |
0:55 | |||
|
1.5
|
No. 5, —
Lera Auerbach; Avita Duo |
2:26 | |||
|
1.6
|
No. 6, —
Lera Auerbach; Avita Duo |
3:34 | |||
|
1.7
|
No. 7, —
Lera Auerbach; Avita Duo |
1:01 | |||
|
1.8
|
No. 8, —
Lera Auerbach; Avita Duo |
3:02 | |||
|
1.9
|
No. 9, —
Lera Auerbach; Avita Duo |
0:57 | |||
|
1.10
|
No. 10, —
Lera Auerbach; Avita Duo |
1:23 | |||
|
1.11
|
No. 11, —
Lera Auerbach; Avita Duo |
1:55 | |||
|
1.12
|
No. 12, —
Lera Auerbach; Avita Duo |
2:00 | |||
|
1.13
|
No. 13, —
Lera Auerbach; Avita Duo |
1:56 | |||
|
1.14
|
No. 14, — - No. 15, —
Lera Auerbach; Avita Duo |
3:14 | |||
|
1.15
|
No. 16, —
Lera Auerbach; Avita Duo |
3:15 | |||
|
1.16
|
No. 17, —
Lera Auerbach; Avita Duo |
1:52 | |||
|
1.17
|
No. 18, —
Lera Auerbach; Avita Duo |
5:23 | |||
|
1.18
|
No. 19, —
Lera Auerbach; Avita Duo |
2:56 | |||
|
1.19
|
No. 20, —
Lera Auerbach; Avita Duo |
3:02 | |||
|
1.20
|
No. 21, —
Lera Auerbach; Avita Duo |
2:00 | |||
|
1.21
|
No. 22, —
Lera Auerbach; Avita Duo |
1:40 | |||
|
1.22
|
No. 23, —
Lera Auerbach; Avita Duo |
2:25 | |||
|
1.23
|
No. 24, —
Lera Auerbach; Avita Duo |
5:17 | |||
|
1.24
|
8 P.S.
Lera Auerbach; Avita Duo |
2:44 | |||
|
1.25
|
22 P.S.
Lera Auerbach; Avita Duo |
2:22 | |||
|
Fragments for Violin & Piano
|
|||||
|
1.26
|
No. 1, —
Lera Auerbach; Avita Duo |
2:13 | |||
|
1.27
|
No. 2, —
Lera Auerbach; Avita Duo |
0:35 | |||
|
1.28
|
No. 3, —
Lera Auerbach; Avita Duo |
2:11 | |||
|
1.29
|
No. 4, —
Lera Auerbach; Avita Duo |
1:32 | |||
|
1.30
|
No. 5, —
Lera Auerbach; Avita Duo |
2:15 | |||
|
1.31
|
No. 6, — - No. 7, —
Lera Auerbach; Avita Duo |
3:08 | |||
|
1.32
|
No. 8, —
Lera Auerbach; Avita Duo |
1:05 | |||
|
1.33
|
No. 9, —
Lera Auerbach; Avita Duo |
1:19 | |||
|
1.34
|
No. 10, —
Lera Auerbach; Avita Duo |
1:55 | |||
|
Digital Booklet
|
|||||
A renaissance artist for modern times, Lera Auerbach is a widely recognized conductor, pianist, and composer. She is also a published poet and an exhibited visual artist. All of her work is interconnected as part of a cohesive and comprehensive artistic worldview. Born in the Russian city of Chelyabinsk in the Ural Mountains at the gateway of Siberia, Lera Auerbach has become one of today’s most sought after and exciting creative voices. Her performances and music are featured in the world’s leading stages – from Vienna’s Musikverein and London’s Royal Albert Hall to New York’s Carnegie Hall and Washington D.C.’s Kennedy Center. Auerbach’s exquisitely crafted, emotional, and boldly imaginative music reaches to global audiences. Orchestral collaborations include the New York Philharmonic, Philadelphia Orchestra, National Symphony, Oslo Philharmonic, Munich’s Bayerisches Staatsorchester, Staatskapelle Dresden, and Vienna’s ORF Radio-Symphonieorchester, among many others. Auerbach’s works for orchestra are performed by the world’s leading conductors, including Christoph Eschenbach, Alan Gilbert, Vladimir Fedoseyev, Neeme Järvi, Vladimir Jurowski, Charles Dutoit, Andris Nelsons, Osmo Vänskä, Hannu Lintu, and Marin Alsop, to mention only a few.
96 kHz / 24-bit PCM – haenssler CLASSIC Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.48 -30.20 to -0.32 | -29.03 -50.11 to -22.61 | -23.94 -45.30 to -17.30 | 13 10 to 16 | |
| 1 | No. 1, — | -9.14 | -34.68 | -28.3 | 15 |
| 2 | No. 2, — | -2.53 | -27.12 | -22.1 | 13 |
| 3 | No. 3, — | -4.87 | -31.59 | -25.9 | 16 |
| 4 | No. 4, — | -3.30 | -22.61 | -19.4 | 10 |
| 5 | No. 5, — | -3.21 | -22.97 | -19.4 | 11 |
| 6 | No. 6, — | -2.26 | -23.35 | -19.1 | 13 |
| 7 | No. 7, — | -3.21 | -25.98 | -21.1 | 13 |
| 8 | No. 8, — | -18.02 | -38.73 | -35.8 | 11 |
| 9 | No. 9, — | -1.48 | -23.86 | -20.3 | 13 |
| 10 | No. 10, — | -5.72 | -25.57 | -21.2 | 12 |
| 11 | No. 11, — | -12.26 | -31.69 | -27.8 | 11 |
| 12 | No. 12, — | -5.85 | -26.42 | -22.4 | 12 |
| 13 | No. 13, — | -4.27 | -29.27 | -24.7 | 14 |
| 14 | No. 14, — - No. 15, — | -0.32 | -23.08 | -17.3 | 13 |
| 15 | No. 16, — | -30.20 | -50.11 | -45.3 | 12 |
| 16 | No. 17, — | -1.56 | -28.68 | -22.9 | 14 |
| 17 | No. 18, — | -3.07 | -25.69 | -20.4 | 13 |
| 18 | No. 19, — | -2.75 | -27.39 | -21.5 | 15 |
| 19 | No. 20, — | -3.54 | -25.96 | -20.8 | 13 |
| 20 | No. 21, — | -7.48 | -29.74 | -25.5 | 13 |
| 21 | No. 22, — | -5.99 | -26.70 | -22.6 | 12 |
| 22 | No. 23, — | -22.99 | -43.53 | -40.1 | 12 |
| 23 | No. 24, — | -0.32 | -26.27 | -19.8 | 16 |
| 24 | 8 P.S. | -3.76 | -26.19 | -20.1 | 12 |
| 25 | 22 P.S. | -3.35 | -23.21 | -19.0 | 13 |
| 26 | No. 1, — | -4.56 | -30.38 | -22.2 | 15 |
| 27 | No. 2, — | -3.09 | -22.73 | -18.4 | 13 |
| 28 | No. 3, — | -7.57 | -33.99 | -24.8 | 14 |
| 29 | No. 4, — | -5.23 | -28.17 | -21.5 | 13 |
| 30 | No. 5, — | -18.78 | -38.86 | -35.8 | 11 |
| 31 | No. 6, — - No. 7, — | -2.77 | -26.92 | -20.6 | 14 |
| 32 | No. 8, — | -1.77 | -26.62 | -21.2 | 15 |
| 33 | No. 9, — | -11.23 | -33.63 | -28.3 | 11 |
| 34 | No. 10, — | -4.00 | -25.29 | -18.5 | 12 |