℗ 2022 New Voodoo Limited under exclusive licence to BMG Rights Management (UK) Limited
Released | February 25, 2022 |
Duration | 1h 12m 42s |
Record Label | BMG Rights Management (UK) Limited |
Genre | Alternative |
1.1
|
Spirit Power and Soul
Johnny Marr |
4:38 | |||
1.2
|
Receiver
Johnny Marr |
5:18 | |||
1.3
|
All These Days
Johnny Marr |
4:55 | |||
1.4
|
Ariel
Johnny Marr |
4:51 | |||
1.5
|
Lightning People
Johnny Marr |
4:39 | |||
1.6
|
Hideaway Girl
Johnny Marr |
3:25 | |||
1.7
|
Sensory Street EXPLICIT
Johnny Marr |
5:18 | |||
1.8
|
Tenement Time
Johnny Marr |
4:18 | |||
1.9
|
The Speed of Love
Johnny Marr |
5:44 | |||
1.10
|
Night and Day
Johnny Marr |
4:54 | |||
1.11
|
Counter Clock World
Johnny Marr |
4:06 | |||
1.12
|
Rubicon
Johnny Marr |
4:14 | |||
1.13
|
God's Gift
Johnny Marr |
4:06 | |||
1.14
|
Ghoster
Johnny Marr |
4:10 | |||
1.15
|
The Whirl
Johnny Marr |
3:44 | |||
1.16
|
Human
Johnny Marr |
4:22 |
"A soulful record fuelled by fresh ideas. This sprawling, 16-track album is the sound of a focus-focused artist who is immersed in innovation."
- NME
Johnny Marr started his career with The Smiths, beginning an amazing history as one of the most influential songwriters and guitarists in British independent music. His subsequent creative journey has seen him at the heart of The The, Electronic, Modest Mouse and The Cribs, as well as working with such names as The Pretenders, Talking Heads, The Avalanches, and the musician and composer Hans Zimmer - with whom he recently recorded the score and soundtrack for the forthcoming James Bond film, No Time To Die, including the title track created with Billie Eilish.
Now, Marr returns with Fever Dreams Pts 1 - 4. It was created during the long, uncertain period that followed the arrival of the UK’s first lockdown, when his focus was pushed into both his interior life, and evoking the emotional states of others. “It’s an inspired record, and I couldn’t wait to get in and record every day,” he says. “But I had to go inwards.”
The album reflects his multi-faceted past, but takes his music somewhere startlingly new. “There’s a set of influences and a very broad sound that I’ve been developing - really since getting out of The Smiths,” he says. “And I hear it in this record. There are so many strands of music in it. I think it’s the most ambitious solo record I’ve done.”
44.1 kHz / 24-bit PCM – BMG Rights Management (UK) Limited Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.25 -0.31 to -0.05 | -9.76 -12.78 to -8.66 | -6.77 -10.00 to -5.50 | 5 4 to 6 | |
1 | Spirit Power and Soul | -0.24 | -9.29 | -6.3 | 5 |
2 | Receiver | -0.24 | -9.50 | -6.6 | 5 |
3 | All These Days | -0.24 | -9.86 | -6.8 | 5 |
4 | Ariel | -0.14 | -10.72 | -7.3 | 6 |
5 | Lightning People | -0.05 | -9.89 | -7.1 | 5 |
6 | Hideaway Girl | -0.23 | -8.66 | -6.1 | 4 |
7 | Sensory Street | -0.23 | -9.52 | -6.9 | 5 |
8 | Tenement Time | -0.30 | -9.08 | -5.8 | 5 |
9 | The Speed of Love | 0.00 | -10.30 | -7.4 | 6 |
10 | Night and Day | -0.30 | -9.81 | -6.8 | 5 |
11 | Counter Clock World | -0.30 | -9.47 | -6.7 | 5 |
12 | Rubicon | -0.31 | -12.78 | -10.0 | 6 |
13 | God's Gift | -0.30 | -8.79 | -5.5 | 4 |
14 | Ghoster | -0.30 | -10.07 | -7.2 | 5 |
15 | The Whirl | -0.30 | -8.66 | -5.5 | 4 |
16 | Human | -0.31 | -9.84 | -6.3 | 4 |