Schubertiade
Jos van Immerseel, Anima Eterna Brugge
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
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Standchen (Serenade), Op. 135, D. 920 (version A)
Franz Schubert; Marianne Beate Kielland; David Erler; Klaus Wenk; Joachim Höchbauer; Thomas E. Bauer; Jos van Immerseel |
5:29 | |||
1.2
|
Auf der Bruck, Op. 93, No. 2, D. 853a
Franz Schubert; Thomas E. Bauer; Jos van Immerseel |
3:58 | |||
1.3
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Gretchen am Spinnrade, D. 118
Franz Schubert; Yeree Suh; Jos van Immerseel |
3:36 | |||
1.4
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Die Nacht, Op. 17, No. 4, D. 983c
Franz Schubert; David Erler; Klaus Wenk; Thomas E. Bauer; Joachim Höchbauer |
2:42 | |||
2 Marches caractéristiques, Op. 121, D. 968b
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1.5
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No. 2 in C Major: Allegro vivace (formerly D. 886)
Franz Schubert; Jos van Immerseel; Claire Chevallier |
6:27 | |||
1.6
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Die junge Nonne, Op. 43, No. 1, D. 828
Franz Schubert; Yeree Suh; Jos van Immerseel |
4:45 | |||
Piano Quintet in A Major, Op. 114, D. 667 "Trout"
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1.7
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I. Allegro vivace
Franz Schubert; Jos van Immerseel; Anima Eterna Brugge |
13:26 | |||
1.8
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II. Andante
Franz Schubert; Jos van Immerseel; Anima Eterna Brugge |
7:12 | |||
1.9
|
III. Scherzo
Franz Schubert; Jos van Immerseel; Anima Eterna Brugge |
4:32 | |||
1.10
|
IV. Tema con variazioni
Franz Schubert; Jos van Immerseel; Anima Eterna Brugge |
7:47 | |||
1.11
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V. Allegro giusto
Franz Schubert; Jos van Immerseel; Anima Eterna Brugge |
7:12 | |||
2.1
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Nachtgesang im Walde, Op. 139, D. 913
Franz Schubert; David Erler; Klaus Wenk; Thomas E. Bauer; Joachim Höchbauer; Anima Eterna Brugge |
6:08 | |||
2.2
|
Ganymed (Ganymede), Op. 19, No. 3, D. 544
Franz Schubert; Yeree Suh; Jos van Immerseel |
4:17 | |||
2.3
|
Du liebst mich nicht, Op. 59, No. 1, D. 756
Franz Schubert; Marianne Beate Kielland; Jos van Immerseel |
3:44 | |||
Piano Trio No. 2 in E Flat Major, Op. 100, D. 929
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2.4
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II. Andante con moto
Franz Schubert; Midori Seiler; Stefano Veggetti; Jos van Immerseel |
10:01 | |||
3 Gesänge, Op. 83, D. 902
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2.5
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No. 1. L'incanto degli occhi
Franz Schubert; Thomas E. Bauer; Jos van Immerseel |
2:54 | |||
2.6
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No. 2. Il traditor deluso
Franz Schubert; Thomas E. Bauer; Jos van Immerseel |
3:48 | |||
2.7
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No. 3. Il modo di prender moglie
Franz Schubert; Thomas E. Bauer; Jos van Immerseel |
4:25 | |||
Divertissement à la hongroise, Op. 54, D. 818
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2.8
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I. Andante
Franz Schubert; Jos van Immerseel; Claire Chevallier |
10:54 | |||
2.9
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II. Marsch. Andante con moto
Franz Schubert; Jos van Immerseel; Claire Chevallier |
3:06 | |||
2.10
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III. Allegro
Franz Schubert; Jos van Immerseel; Claire Chevallier |
13:50 | |||
3.1
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Fantasie in F Minor, Op. 103, D. 940
Franz Schubert; Jos van Immerseel; Claire Chevallier |
18:11 | |||
3.2
|
Der Wanderer, D. 489
Franz Schubert; Thomas E. Bauer; Jos van Immerseel |
4:55 | |||
3.3
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Nacht und Traume, D. 827
Franz Schubert; Yeree Suh; Jos van Immerseel |
3:46 | |||
3.4
|
Der Konig in Thule, Op. 5, No. 5, D. 367
Franz Schubert; Marianne Beate Kielland; Jos van Immerseel |
3:49 | |||
3.5
|
La pastorella al prato, D. 513
Franz Schubert; David Erler; Klaus Wenk; Thomas E. Bauer; Joachim Höchbauer; Jos van Immerseel |
1:55 | |||
3.6
|
Du bist die Ruh, Op. 59, No. 3, D. 776
Franz Schubert; Yeree Suh; Jos van Immerseel |
4:54 | |||
3.7
|
Gesang, Op. 106, No. 4, D. 891, "An Sylvia" (Who is Sylvia)
Franz Schubert; Marianne Beate Kielland; Jos van Immerseel |
2:50 | |||
Violin Sonata in G Minor, Op. 137 No. 3, D. 408
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3.8
|
I. Allegro giusto
Franz Schubert; Midori Seiler; Jos van Immerseel |
4:58 | |||
3.9
|
II. Andante
Franz Schubert; Midori Seiler; Jos van Immerseel |
4:39 | |||
3.10
|
III. Menuetto
Franz Schubert; Midori Seiler; Jos van Immerseel |
2:20 | |||
3.11
|
IV. Allegro moderato
Franz Schubert; Midori Seiler; Jos van Immerseel |
3:54 | |||
3.12
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Der Tod und das Madchen, Op. 7, No. 3, D. 531
Franz Schubert; Marianne Beate Kielland; Jos van Immerseel |
2:37 | |||
3.13
|
Die Taubenpost, D. 965a
Franz Schubert; Yeree Suh; Jos van Immerseel |
3:55 | |||
4.1
|
Der Hirt auf dem Felsen (The Shepherd on the Rock), Op. 129, D. 965
Franz Schubert; Yeree Suh; Lisa Shklyaver; Jos van Immerseel |
12:20 | |||
4.2
|
Der Gondelfahrer, Op. 28, D. 809
Franz Schubert; David Erler; Klaus Wenk; Thomas E. Bauer; Joachim Höchbauer; Jos van Immerseel |
3:22 | |||
4.3
|
Der Zwerg, Op. 22, No. 1, D. 771
Franz Schubert; Marianne Beate Kielland; Jos van Immerseel |
5:04 | |||
4.4
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Allegro in A Minor, Op. 144, D. 947, "Lebenssturme"
Franz Schubert; Jos van Immerseel; Claire Chevallier |
14:10 | |||
4.5
|
Meeresstille, Op. 3, No. 2, D. 216 (2nd setting)
Franz Schubert; Marianne Beate Kielland; Jos van Immerseel |
1:59 | |||
Arpeggione Sonata in A Minor, D. 821 (arr. for Cello & Piano)
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4.6
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I. Allegro moderato
Anonymous; Franz Schubert; Stefano Veggetti; Jos van Immerseel |
12:42 | |||
4.7
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II. Adagio
Anonymous; Franz Schubert; Stefano Veggetti; Jos van Immerseel |
4:23 | |||
4.8
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III. Allegretto
Anonymous; Franz Schubert; Stefano Veggetti; Jos van Immerseel |
11:23 | |||
4.9
|
An die Musik, Op. 88, No. 4, D. 547
Franz Schubert; Thomas E. Bauer; Jos van Immerseel |
2:53 | |||
Digital Booklet
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"... a good batch of piano duet pieces, for which Immerseel is joined by Claire Chevallier on a sweetly mellow Conrad Graf instrument from 1826 in performances of a relaxed intimacy and musicality that is entirely in keeping with the project. The instrument itself is nicely captured by the warm recording ... Immerseel is perhaps at his best in the song accompaniments, bringing gentle flexibility and constant insight ... this set offers a great deal to enjoy ..."
- Gramophone
This ambitious project involves four discs containing over four hours of music; 17 musicians performing 32 masterpieces. Schubertiade is a compilation of vocal and instrumental chamber works by Schubert, handpicked and assembled by conductor and keyboardist Jos van Immerseel to form the soundtrack to four imaginary Schubertian salons. An ode to Schubert, the recording is also a celebration of Anima Eterna Brugge’s maestro, who, for more than 25 years, has led the orchestra to many happy encounters with his favourite composer.
88.2 kHz / 24-bit PCM – Alpha Studio Masters
Disc 1, Tracks 1 - 11, Disc 2, Tracks 1 - 10; Disc 3, Tracks 1 - 13; Disc 4, Tracks 1 - 9 – contains material which utilizes a limited amount of the available bandwidth
Disc 1, Tracks 1 - 11, Disc 2, Tracks 1 - 10; Disc 3, Tracks 1 - 13; Disc 4, Tracks 1 - 9 – contains material which utilizes a limited amount of the available bandwidth
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.83 -9.39 to -1.07 | -27.37 -32.37 to -24.05 | -23.69 -28.80 to -19.30 | 15 11 to 18 | |
1.1 | Standchen (Serenade), Op. 135, D. 920 (version A) | -1.10 | -27.87 | -24.2 | 16 |
1.2 | Auf der Bruck, Op. 93, No. 2, D. 853a | -1.97 | -25.26 | -22.2 | 16 |
1.3 | Gretchen am Spinnrade, D. 118 | -3.18 | -24.18 | -20.4 | 13 |
1.4 | Die Nacht, Op. 17, No. 4, D. 983c | -7.26 | -31.00 | -27.2 | 14 |
1.5 | No. 2 in C Major: Allegro vivace (formerly D. 886) | -1.50 | -24.31 | -21.3 | 15 |
1.6 | Die junge Nonne, Op. 43, No. 1, D. 828 | -2.79 | -24.05 | -20.9 | 12 |
1.7 | I. Allegro vivace | -2.53 | -25.61 | -22.3 | 15 |
1.8 | II. Andante | -5.39 | -30.66 | -27.9 | 16 |
1.9 | III. Scherzo | -1.07 | -25.31 | -21.9 | 16 |
1.10 | IV. Tema con variazioni | -2.16 | -28.76 | -25.8 | 18 |
1.11 | V. Allegro giusto | -2.63 | -26.58 | -22.8 | 15 |
2.1 | Nachtgesang im Walde, Op. 139, D. 913 | -1.20 | -24.80 | -21.2 | 15 |
2.2 | Ganymed (Ganymede), Op. 19, No. 3, D. 544 | -4.52 | -25.51 | -21.9 | 13 |
2.3 | Du liebst mich nicht, Op. 59, No. 1, D. 756 | -1.29 | -24.82 | -19.3 | 13 |
2.4 | II. Andante con moto | -5.60 | -29.58 | -25.2 | 14 |
2.5 | No. 1. L'incanto degli occhi | -2.89 | -25.89 | -22.5 | 15 |
2.6 | No. 2. Il traditor deluso | -1.21 | -25.35 | -21.3 | 16 |
2.7 | No. 3. Il modo di prender moglie | -2.03 | -26.35 | -22.5 | 16 |
2.8 | I. Andante | -3.82 | -27.84 | -24.6 | 16 |
2.9 | II. Marsch. Andante con moto | -8.64 | -30.47 | -27.9 | 14 |
2.10 | III. Allegro | -3.80 | -27.81 | -24.7 | 16 |
3.1 | Fantasie in F Minor, Op. 103, D. 940 | -1.83 | -27.05 | -24.2 | 15 |
3.2 | Der Wanderer, D. 489 | -2.64 | -28.83 | -24.2 | 16 |
3.3 | Nacht und Traume, D. 827 | -4.80 | -27.68 | -23.4 | 13 |
3.4 | Der Konig in Thule, Op. 5, No. 5, D. 367 | -2.04 | -24.80 | -20.0 | 14 |
3.5 | La pastorella al prato, D. 513 | -8.29 | -28.74 | -25.6 | 13 |
3.6 | Du bist die Ruh, Op. 59, No. 3, D. 776 | -5.62 | -27.06 | -22.5 | 12 |
3.7 | Gesang, Op. 106, No. 4, D. 891, "An Sylvia" (Who is Sylvia) | -1.38 | -27.05 | -23.1 | 14 |
3.8 | I. Allegro giusto | -4.56 | -28.63 | -25.3 | 17 |
3.9 | II. Andante | -9.21 | -32.37 | -28.8 | 14 |
3.10 | III. Menuetto | -6.09 | -26.84 | -23.1 | 14 |
3.11 | IV. Allegro moderato | -3.10 | -27.02 | -23.4 | 15 |
3.12 | Der Tod und das Madchen, Op. 7, No. 3, D. 531 | -1.30 | -29.80 | -21.3 | 15 |
3.13 | Die Taubenpost, D. 965a | -4.50 | -26.48 | -22.9 | 14 |
4.1 | Der Hirt auf dem Felsen (The Shepherd on the Rock), Op. 129, D. 965 | -1.31 | -24.76 | -21.5 | 15 |
4.2 | Der Gondelfahrer, Op. 28, D. 809 | -8.58 | -29.21 | -26.2 | 13 |
4.3 | Der Zwerg, Op. 22, No. 1, D. 771 | -1.09 | -25.66 | -22.3 | 15 |
4.4 | Allegro in A Minor, Op. 144, D. 947, "Lebenssturme" | -4.15 | -27.10 | -24.1 | 16 |
4.5 | Meeresstille, Op. 3, No. 2, D. 216 (2nd setting) | -4.92 | -29.88 | -25.8 | 11 |
4.6 | I. Allegro moderato | -3.55 | -27.16 | -24.1 | 15 |
4.7 | II. Adagio | -9.39 | -31.46 | -28.6 | 13 |
4.8 | III. Allegretto | -5.04 | -28.38 | -25.4 | 16 |
4.9 | An die Musik, Op. 88, No. 4, D. 547 | -4.85 | -29.06 | -25.0 | 15 |