℗ 2021 Alia Vox
Released | February 25, 2022 |
Duration | 1h 06m 54s |
Record Label | Alia Vox |
Genre | Classical |
Sonata in A Minor, BWV 1003
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1.1
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I. Grave (Arr. for Lute by Enrike Solinís)
Johann Sebastian Bach; Enrike Solinís |
4:44 | |||
1.2
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II. Fuga (Arr. for Lute by Enrike Solinís)
Johann Sebastian Bach; Enrike Solinís |
8:13 | |||
1.3
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III. Andante (Arr. for Lute by Enrike Solinís)
Johann Sebastian Bach; Enrike Solinís |
5:43 | |||
Sonata in A Minor, BWV 1003
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1.4
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IV. Allegro (Arr. for Lute by Enrike Solinís)
Johann Sebastian Bach; Enrike Solinís |
6:19 | |||
Sonata No. 18 in G Minor, FbWV 618
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1.5
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I. Allemande
Johann Jakob Froberger; Enrike Solinís |
3:50 | |||
1.6
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II. Courante
Johann Jakob Froberger; Enrike Solinís |
1:35 | |||
1.7
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III. Sarabande
Johann Jakob Froberger; Enrike Solinís |
2:50 | |||
1.8
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IV. Gigue
Johann Jakob Froberger; Enrike Solinís |
1:36 | |||
Suite in D Minor, BuxWV 236
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1.9
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I. Allemande
Dietrich Buxtehude; Enrike Solinís |
3:51 | |||
1.10
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II. Courante
Dietrich Buxtehude; Enrike Solinís |
2:10 | |||
1.11
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III. Sarabande
Dietrich Buxtehude; Enrike Solinís |
2:26 | |||
1.12
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IV. Gigue
Dietrich Buxtehude; Enrike Solinís |
1:49 | |||
Suite in C Minor, BWV 997
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1.13
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I. Prelude
Johann Sebastian Bach; Enrike Solinís |
4:05 | |||
1.14
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II. Fugue
Johann Sebastian Bach; Enrike Solinís |
6:18 | |||
1.15
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III. Sarabande
Johann Sebastian Bach; Enrike Solinís |
4:24 | |||
1.16
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IV. Gigue & Double
Johann Sebastian Bach; Enrike Solinís |
7:01 |
The title of this programme, Ars Lachrimæ, takes as its principal reference John Dowland’s masterly and inspired pavan. In aesthetic terms, it is a profoundly original meditation on musical emotions as a reflection and paradox of human existence. The piece is a paradigm of how the rich musical tradition of the Renaissance poured its final musical inspiration into the lute and of how composers such as the English John Dowland endowed the instrument with a basic idiom and distinctive musical character. Although not expert lute players, later composers succeeded in harnessing this character as a catalyst for their own creativity: an intimate, gentle and melancholy pathos that can be traced back to the instrument’s arrival in southern Europe with the Arab musicians of the Iberian peninsula.
With their ephemeral sound, plucked string instruments have always captured the fleeting spirit of each era: faithfully accompanying the exiled warrior and soothing the unhappy laments of the spurned lover, as well as scaling the giddy heights of festive expression. For centuries, their players have formed a select guild of musicians capable of nurturing great ideas from the solitude of their modest instrument; thanks to the art of adaptation, their ingenious and transformative idealism has readily embraced the most inspired works of each era, enabling them to attract the interest of composers who, at first sight, might seem far removed from the instrument, such as Handel, Domenico Scarlatti and even the great Johann Sebastian Bach.
48 kHz / 24-bit PCM – Alia Vox Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.67 -9.82 to -5.19 | -28.35 -32.35 to -23.78 | -25.51 -29.30 to -20.90 | 13 12 to 15 | |
1 | I. Grave (Arr. for Lute by Enrike Solinís) | -9.14 | -31.41 | -28.2 | 14 |
2 | II. Fuga (Arr. for Lute by Enrike Solinís) | -5.19 | -26.23 | -23.7 | 14 |
3 | III. Andante (Arr. for Lute by Enrike Solinís) | -9.61 | -32.29 | -28.9 | 14 |
4 | IV. Allegro (Arr. for Lute by Enrike Solinís) | -5.81 | -26.34 | -23.7 | 13 |
5 | I. Allemande | -7.99 | -28.91 | -26.2 | 14 |
6 | II. Courante | -7.10 | -27.02 | -24.2 | 13 |
7 | III. Sarabande | -9.82 | -32.35 | -29.3 | 15 |
8 | IV. Gigue | -6.60 | -25.27 | -22.4 | 12 |
9 | I. Allemande | -8.42 | -28.64 | -25.8 | 14 |
10 | II. Courante | -7.33 | -27.06 | -24.3 | 13 |
11 | III. Sarabande | -8.98 | -31.63 | -28.6 | 14 |
12 | IV. Gigue | -6.26 | -23.78 | -20.9 | 12 |
13 | I. Prelude | -7.47 | -27.77 | -25.0 | 12 |
14 | II. Fugue | -6.52 | -26.87 | -24.3 | 13 |
15 | III. Sarabande | -8.96 | -30.57 | -27.6 | 14 |
16 | IV. Gigue & Double | -7.43 | -27.51 | -25.1 | 13 |