℗ 2022 Ediciones Eudora, S.L.
| Released | April 22, 2022 |
| Duration | 1h 08m 58s |
| Record Label | Eudora Records |
| Genre | Classical (Guitar) |
Ondulation
Pedro Mateo González
Available in 192 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Suite in C Minor, BWV 997
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1.1
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I. Prelude
Johann Sebastian Bach; Pedro Mateo González |
3:23 | |||
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1.2
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II. Fuga
Johann Sebastian Bach; Pedro Mateo González |
7:24 | |||
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1.3
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III. Sarabande
Johann Sebastian Bach; Pedro Mateo González |
4:58 | |||
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1.4
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IV. Gigue & Double
Johann Sebastian Bach; Pedro Mateo González |
3:59 | |||
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Darabok a Gitáriskolának
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1.5
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No. 102: Hullámzás - Ondulation
György Kurtág; Pedro Mateo González |
0:30 | |||
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1.6
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No. 45: Parlando
György Kurtág; Pedro Mateo González |
0:21 | |||
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Suite in G Major, BWV 1007
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1.7
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I. Prelude
Johann Sebastian Bach; Pedro Mateo González |
2:45 | |||
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1.8
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II. Allemande
Johann Sebastian Bach; Pedro Mateo González |
4:30 | |||
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1.9
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III. Courante
Johann Sebastian Bach; Pedro Mateo González |
2:30 | |||
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1.10
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IV. Sarabande
Johann Sebastian Bach; Pedro Mateo González |
2:30 | |||
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1.11
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V. Menuets I & II
Johann Sebastian Bach; Pedro Mateo González |
3:19 | |||
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1.12
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VI. Gigue
Johann Sebastian Bach; Pedro Mateo González |
1:56 | |||
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Darabok a Gitáriskolának
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1.13
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No. 25: Cantabile
György Kurtág; Pedro Mateo González |
0:20 | |||
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1.14
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No. 144: (Without indication)
György Kurtág; Pedro Mateo González |
1:02 | |||
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Partita in D Minor, BWV 1004
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1.15
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I. Allemanda
Johann Sebastian Bach; Pedro Mateo González |
4:54 | |||
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1.16
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II. Corrente
Johann Sebastian Bach; Pedro Mateo González |
2:40 | |||
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1.17
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III. Sarabanda
Johann Sebastian Bach; Pedro Mateo González |
3:53 | |||
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1.18
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IV. Giga
Johann Sebastian Bach; Pedro Mateo González |
5:02 | |||
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1.19
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V. Ciaccona
Johann Sebastian Bach; Pedro Mateo González |
13:02 | |||
A fascinating album featuring spellbinding recordings of Bach’s Suites and Partitas on the guitar, interspersed by first recordings of György Kurtág’s four short pieces extracted from “Darabok a Gitáriskolának”. Performed with finesse and utmost sensitivity, Pedro Mateo González guides us in a voyage through Back and Kurtág’s music, recorded in the sumptuous acoustics of the 13th Century Convent of San Francisco, in Ávila, Spain.
192 kHz / 24-bit PCM – Eudora Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.67 -7.66 to -1.68 | -25.34 -30.11 to -22.96 | -22.33 -25.60 to -19.90 | 13 12 to 14 | |
| 1 | I. Prelude | -3.97 | -23.82 | -21.4 | 14 |
| 2 | II. Fuga | -4.50 | -23.34 | -21.0 | 14 |
| 3 | III. Sarabande | -4.56 | -25.46 | -22.9 | 13 |
| 4 | IV. Gigue & Double | -5.03 | -23.79 | -21.5 | 13 |
| 5 | No. 102: Hullámzás - Ondulation | -5.27 | -26.53 | -22.4 | 12 |
| 6 | No. 45: Parlando | -1.68 | -24.76 | -19.9 | 12 |
| 7 | I. Prelude | -3.18 | -24.56 | -21.8 | 12 |
| 8 | II. Allemande | -6.11 | -26.48 | -24.0 | 14 |
| 9 | III. Courante | -5.37 | -24.70 | -22.1 | 12 |
| 10 | IV. Sarabande | -7.66 | -27.86 | -24.7 | 12 |
| 11 | V. Menuets I & II | -5.72 | -24.90 | -22.4 | 13 |
| 12 | VI. Gigue | -5.45 | -24.92 | -22.3 | 13 |
| 13 | No. 25: Cantabile | -3.65 | -27.49 | -22.2 | 13 |
| 14 | No. 144: (Without indication) | -3.27 | -30.11 | -25.6 | 14 |
| 15 | I. Allemanda | -6.49 | -25.40 | -22.9 | 12 |
| 16 | II. Corrente | -4.94 | -24.54 | -22.1 | 13 |
| 17 | III. Sarabanda | -4.19 | -25.79 | -22.9 | 13 |
| 18 | IV. Giga | -5.05 | -24.10 | -21.8 | 13 |
| 19 | V. Ciaccona | -2.65 | -22.96 | -20.3 | 13 |