℗ 2021 Postred Music (Under Exclusive License to GMI Rights Management)
| Released | December 8, 2021 |
| Duration | 37m 24s |
| Record Label | Postred Music (Under Exclusive License to GMI Rights Management) |
| Catalogue No. | 13181468 |
| Genre | Soundtracks (Film Soundtracks) |
Salt from Bonneville (Original Motion Picture Soundtrack)
Zviad Mgebry, Luka Lebanidze
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
|
1.1
|
Prologue
Zviad Mgebry; Luka Lebanidze |
1:43 | |||
|
1.2
|
Offerings to the God of Speed
Zviad Mgebry; Luka Lebanidze |
2:27 | |||
|
1.3
|
Market
Zviad Mgebry; Luka Lebanidze |
0:43 | |||
|
1.4
|
Conflict
Zviad Mgebry; Luka Lebanidze |
2:21 | |||
|
1.5
|
First Ride
Zviad Mgebry; Luka Lebanidze |
3:58 | |||
|
1.6
|
Tension Before Journey
Zviad Mgebry; Luka Lebanidze |
0:56 | |||
|
1.7
|
Nazars's Dream
Zviad Mgebry; Luka Lebanidze |
1:06 | |||
|
1.8
|
Max's Ride
Zviad Mgebry; Luka Lebanidze |
2:42 | |||
|
1.9
|
Leak
Zviad Mgebry; Luka Lebanidze |
1:10 | |||
|
1.10
|
Morning
Zviad Mgebry; Luka Lebanidze |
2:46 | |||
|
1.11
|
Record
Zviad Mgebry; Luka Lebanidze |
3:00 | |||
|
1.12
|
Nazar's Ride
Zviad Mgebry; Luka Lebanidze |
2:57 | |||
|
1.13
|
Salt
Zviad Mgebry; Luka Lebanidze |
3:01 | |||
|
1.14
|
Leaving Bonneville
Zviad Mgebry; Luka Lebanidze |
4:05 | |||
|
1.15
|
Maxim
Zviad Mgebry; Luka Lebanidze |
1:14 | |||
|
1.16
|
Nazar
Zviad Mgebry; Luka Lebanidze |
3:15 |
Postred provides the sound and music for a documentary feature, Salt From Bonneville, by Simon Mozgovyi. The Ukrainian film tells the story of two enthusiastic drivers and an old Soviet motorcycle. They have a quest to break the record in the United States.
The film is primarily set in Bonneville Salt Fields. The story depicts an exciting relationship between an old Soviet bike and American speedway. To create Bonneville Speedway’s atmosphere, Supervising Sound Editor Beso Kacharava and composers Zviad Mgebry and Luka Lebanidze worked closely together to blend the sound and score on such a level that it would be impossible to perceive one without the other. Speedway is an almost desolate place where, besides the motors roaring, the only sound one can hear is the wind. The sound design team spent a lot of time portraying that wind, giving it an essence that the viewer could feel in static and alongside the bike’s motion. The winds of Bonneville are chaotic. The sound designer & composers found a way to synchronize every blow with the rest of the sounds and score.
48 kHz / 24-bit PCM – Postred Music (Under Exclusive License to GMI Rights Management) Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.31 -3.27 to 0.00 | -16.88 -22.14 to -11.49 | -12.88 -18.60 to -8.20 | 8 5 to 10 | |
| 1 | Prologue | 0.00 | -15.71 | -13.1 | 9 |
| 2 | Offerings to the God of Speed | 0.00 | -17.51 | -14.0 | 9 |
| 3 | Market | 0.00 | -11.49 | -8.3 | 6 |
| 4 | Conflict | 0.00 | -18.77 | -14.8 | 10 |
| 5 | First Ride | 0.00 | -19.67 | -12.7 | 10 |
| 6 | Tension Before Journey | 0.00 | -17.58 | -13.7 | 10 |
| 7 | Nazars's Dream | 0.00 | -13.73 | -10.3 | 7 |
| 8 | Max's Ride | 0.00 | -16.44 | -12.3 | 9 |
| 9 | Leak | 0.00 | -15.63 | -11.3 | 6 |
| 10 | Morning | -0.86 | -19.25 | -16.1 | 10 |
| 11 | Record | 0.00 | -18.09 | -13.1 | 9 |
| 12 | Nazar's Ride | 0.00 | -14.93 | -11.3 | 6 |
| 13 | Salt | 0.00 | -16.81 | -12.1 | 8 |
| 14 | Leaving Bonneville | -0.86 | -19.25 | -16.1 | 10 |
| 15 | Maxim | -3.27 | -22.14 | -18.6 | 9 |
| 16 | Nazar | 0.00 | -13.08 | -8.2 | 5 |