℗ 2017 The Sixteen Productions Ltd
Released | March 31, 2017 |
Duration | 1h 07m 08s |
Record Label | CORO |
Genre | Classical |
Haydn: The Seven Last Words of Our Saviour on the Cross
Callino Quartet
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
The Seven Last Words of Our Saviour on the Cross, Hob.XX.1b
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1.1
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Introduzione. Maestoso ed adagio
Franz Joseph Haydn; Callino Quartet |
5:47 | |||
1.2
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Sonata I "Pater, dimitte illis, quia nesciunt, quid faciunt". Largo
Franz Joseph Haydn; Callino Quartet |
6:06 | |||
1.3
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Sonata II "Hodie mecum eris in Paradiso". Grave e cantabile
Franz Joseph Haydn; Callino Quartet |
8:38 | |||
1.4
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Sonata III "Mulier, ecce filius tuus". Grave
Franz Joseph Haydn; Callino Quartet |
10:08 | |||
1.5
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Sonata IV "Deus meus, Deus meus, utquid dereliquisti me?". Largo
Franz Joseph Haydn; Callino Quartet |
7:56 | |||
1.6
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Sonata V "Sitio". Adagio
Franz Joseph Haydn; Callino Quartet |
9:34 | |||
1.7
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Sonata VI "Consummatum est". Lento
Franz Joseph Haydn; Callino Quartet |
9:05 | |||
1.8
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Sonata VII "In manus tuas, Domine, commendo spiritum meum". Largo
Franz Joseph Haydn; Callino Quartet |
8:03 | |||
1.9
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Il Terremoto. Presto e con tutta la forza
Franz Joseph Haydn; Callino Quartet |
1:51 |
Haydn’s The Seven Last Words of Our Saviour on the Cross is among the most unusual and remarkable compositions of the Classical period. Performed here by the talented Callino Quartet, the piece exists in four different versions and the edition for string quartet, which has a particular purity and intimacy, is the form most often heard today. Suffused with profound sorrow and grief but also with strength and hope, the work is so deeply moving and contemplative that it has impassioned listeners for over 200 years and was considered by the composer himself to be one of his greatest masterpieces.
96 kHz / 24-bit PCM – CORO Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.48 -8.14 to -0.17 | -27.83 -31.19 to -19.64 | -23.21 -27.10 to -16.40 | 14 13 to 16 | |
1 | Introduzione. Maestoso ed adagio | -1.12 | -25.22 | -19.9 | 15 |
2 | Sonata I "Pater, dimitte illis, quia nesciunt, quid faciunt". Largo | -6.32 | -30.33 | -26.0 | 14 |
3 | Sonata II "Hodie mecum eris in Paradiso". Grave e cantabile | -6.44 | -31.19 | -27.1 | 15 |
4 | Sonata III "Mulier, ecce filius tuus". Grave | -4.54 | -29.92 | -25.6 | 16 |
5 | Sonata IV "Deus meus, Deus meus, utquid dereliquisti me?". Largo | -5.87 | -28.44 | -23.3 | 13 |
6 | Sonata V "Sitio". Adagio | -4.56 | -27.10 | -21.3 | 14 |
7 | Sonata VI "Consummatum est". Lento | -3.17 | -28.50 | -23.5 | 14 |
8 | Sonata VII "In manus tuas, Domine, commendo spiritum meum". Largo | -8.14 | -30.12 | -25.8 | 14 |
9 | Il Terremoto. Presto e con tutta la forza | -0.17 | -19.64 | -16.4 | 14 |