Groovin’ Hard: Live at the Penthouse 1964 – 1968
The Three Sounds, Gene Harris
Available in 352.8 kHz / 24-bit, 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC and 11.2896 MHz, 5.6448 MHz, 2.8224 MHz DSD high resolution audio formats
1.1
|
Girl Talk
The Three Sounds; Gene Harris |
6:23 | |||
1.2
|
The Night Has a Thousand Eyes
The Three Sounds; Gene Harris |
5:49 | |||
1.3
|
Blue Genes
The Three Sounds; Gene Harris |
3:10 | |||
1.4
|
The Shadow of Your Smile
The Three Sounds; Gene Harris |
6:55 | |||
1.5
|
Rat Down Front
The Three Sounds; Gene Harris |
2:25 | |||
1.6
|
Yours Is My Heart Alone
The Three Sounds; Gene Harris |
7:50 | |||
1.7
|
A.M. Blues
The Three Sounds; Gene Harris |
4:09 | |||
1.8
|
Bluesette
The Three Sounds; Gene Harris |
6:48 | |||
1.9
|
Caesar and Cleopatra (film theme)
The Three Sounds; Gene Harris |
4:57 | |||
1.10
|
The Boogaloo
The Three Sounds; Gene Harris |
2:44 | |||
Digital Booklet
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2xHD releases Groovin’ Hard: Live at the Penthouse 1964 – 1968, a soulful collection of never-before-heard live recordings made over the course of five years during four separate engagements by the legendary Three Sounds featuring Gene Harris at Seattle’s long-time local treasure, Charles Puzzo, Sr.’s now late, lamented jazz club, the Penthouse. This album stands shoulder-to-shoulder with the best titles in the Three Sounds’ illustrious and extensive recorded catalog.
The Three Sounds, led by pianist Gene Harris, was one of the preeminent soul jazz piano trios from the mid-’50s through the 1960s. In its heyday, the Three Sounds was one of the top-selling jazz acts in the world with a string of hit records on Blue Note Records between 1958 and 1962; indeed, during that period, no other Blue Note act sold as many records as the Three Sounds. After they left Blue Note, the Three Sounds also made a number of acclaimed, top-selling albums for Verve, Mercury, Limelight and other labels.
In addition to the Three Sounds’ own immensely successful albums recorded over the course of their 15 years together, Harris and his mates also collaborated on recordings with many of the foremost figures in jazz of the era such as Lester Young, Sonny Stitt, Stanley Turrentine, Johnny Griffin, Anita O’Day, Lou Donaldson and others. The Three Sounds collective recorded catalogue occupies an important place in the history of recorded jazz.
352.8 kHz / 24-bit, 192 kHz / 24-bit, 96 kHz / 24-bit PCM and 11.2896 MHz, 5.6448 MHz, 2.8224 MHz DSD – 2xHD Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.23 -8.72 to -1.12 | -24.86 -28.49 to -21.01 | -22.03 -26.50 to -18.60 | 14 10 to 16 | |
1 | Girl Talk | -1.12 | -25.34 | -22.3 | 16 |
2 | The Night Has a Thousand Eyes | -3.76 | -23.53 | -20.3 | 13 |
3 | Blue Genes | -3.77 | -24.70 | -22.0 | 14 |
4 | The Shadow of Your Smile | -1.89 | -24.76 | -21.6 | 15 |
5 | Rat Down Front | -6.57 | -24.33 | -21.8 | 12 |
6 | Yours Is My Heart Alone | -8.72 | -28.49 | -26.5 | 13 |
7 | A.M. Blues | -1.37 | -27.38 | -23.9 | 16 |
8 | Bluesette | -4.48 | -24.75 | -21.9 | 13 |
9 | Caesar and Cleopatra (film theme) | -5.19 | -24.31 | -21.4 | 13 |
10 | The Boogaloo | -5.42 | -21.01 | -18.6 | 10 |