℗ 2022 Atlantic Recording Corporation for the world (excluding the United Kingdom) under exclusive license to Transgressive Records Limited for the United Kingdom
| Released | March 4, 2022 |
| Duration | 37m 09s |
| Record Label | Canvasback/ATL |
| Genre | R&B |
|
1.1
|
MESS U MADE EXPLICIT
MICHELLE |
2:48 | |||
|
1.2
|
EXPIRATION DATE
MICHELLE |
2:41 | |||
|
1.3
|
POSE
MICHELLE |
3:13 | |||
|
1.4
|
SYNCOPATE
MICHELLE |
1:58 | |||
|
1.5
|
NO SIGNAL (feat. Isa Reyes)
MICHELLE; Isa Reyes |
2:47 | |||
|
1.6
|
TALKING TO MYSELF
MICHELLE |
2:37 | |||
|
1.7
|
50/50
MICHELLE |
2:34 | |||
|
1.8
|
LOOKING GLASS
MICHELLE |
2:41 | |||
|
1.9
|
END OF THE WORLD EXPLICIT
MICHELLE |
2:12 | |||
|
1.10
|
FIRE ESCAPE
MICHELLE |
2:15 | |||
|
1.11
|
HAZARDS EXPLICIT
MICHELLE |
2:44 | |||
|
1.12
|
LAYLA IN THE ROCKET EXPLICIT
MICHELLE |
2:24 | |||
|
1.13
|
SPACED OUT, PHASED OUT
MICHELLE |
2:26 | |||
|
1.14
|
MY FRIENDS EXPLICIT
MICHELLE |
3:49 |
Through sharing the sacred space of meals and the secret space of dreams, Michelle presents a picture of a band enthralled by their craft, a group capable of melding six unique perspectives and backgrounds into one cohesive, impressive collection. After Dinner We Talk Dreams is the culmination of what it means for six friends and collaborators to continuously reimagine their world on 14 succinct tracks.
Born-and-bred New Yorkers, Michelle formed in 2018 around their celebrated debut album Heatwave. The band is comprised of Sofia D'Angelo, Julian Kaufman, Charlie Kilgore, Layla Ku, Emma Lee and Jamee Lockard. On the album, the predominantly POC and queer collective are closer than ever before as they continue to mix and match the writing and production groups amongst the six of them.
The hallmarks of Michelle's music-layered vocal harmonies, analog synthesizers, vibrant percussion, smoldering hooks-dominate the sonic landscape of the album. Songs hop across genres, from funky R&B to bedroom slow jams to amped-up beat-heavy anthems and more. And the songwriting on After Dinner has been elevated as there is a depth and prowess at work that builds off the band's early songs, something they admit was learned by reflecting and allowing for artistic growth.
48 kHz / 24-bit PCM – Canvasback/ATL Studio Masters
Tracks 1, 2, 11, 12, 14 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Tracks 1, 2, 11, 12, 14 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.06 -0.06 to -0.06 | -10.22 -11.49 to -9.06 | -8.39 -9.40 to -7.10 | 6 5 to 7 | |
| 1 | MESS U MADE | -0.06 | -10.63 | -8.5 | 6 |
| 2 | EXPIRATION DATE | 0.00 | -9.87 | -8.4 | 6 |
| 3 | POSE | 0.00 | -9.40 | -8.4 | 6 |
| 4 | SYNCOPATE | 0.00 | -10.01 | -8.6 | 7 |
| 5 | NO SIGNAL (feat. Isa Reyes) | 0.00 | -9.06 | -7.7 | 5 |
| 6 | TALKING TO MYSELF | 0.00 | -10.46 | -8.7 | 6 |
| 7 | 50/50 | 0.00 | -10.37 | -8.5 | 6 |
| 8 | LOOKING GLASS | 0.00 | -9.63 | -7.8 | 5 |
| 9 | END OF THE WORLD | 0.00 | -10.96 | -9.1 | 7 |
| 10 | FIRE ESCAPE | 0.00 | -11.06 | -9.1 | 6 |
| 11 | HAZARDS | 0.00 | -10.57 | -8.5 | 6 |
| 12 | LAYLA IN THE ROCKET | 0.00 | -9.97 | -7.6 | 6 |
| 13 | SPACED OUT, PHASED OUT | 0.00 | -9.53 | -7.1 | 5 |
| 14 | MY FRIENDS | 0.00 | -11.49 | -9.4 | 7 |