℗ 2022 Evil Penguin Classic
| Released | March 11, 2022 |
| Duration | 1h 21m 44s |
| Record Label | Evil Penguin Classic |
| Catalogue No. | EPRC0040 |
| Genre | Classical (Chamber) |
Bach: Solo Violin Partitas
Linus Roth
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Violin Partita No. 1 in B Minor, BWV 1002
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1.1
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I. Allemanda
Johann Sebastian Bach; Linus Roth |
7:11 | |||
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1.2
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II. Double
Johann Sebastian Bach; Linus Roth |
3:27 | |||
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1.3
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III. Courante
Johann Sebastian Bach; Linus Roth |
3:20 | |||
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1.4
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IV. Double
Johann Sebastian Bach; Linus Roth |
3:57 | |||
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1.5
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V. Sarabande
Johann Sebastian Bach; Linus Roth |
3:52 | |||
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1.6
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VI. Double
Johann Sebastian Bach; Linus Roth |
2:52 | |||
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1.7
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VII. Tempo di Bourrée
Johann Sebastian Bach; Linus Roth |
3:47 | |||
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1.8
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VIII. Double
Johann Sebastian Bach; Linus Roth |
3:32 | |||
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Violin Partita No. 2 in D Minor, BWV 1004
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1.9
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I. Allemande
Johann Sebastian Bach; Linus Roth |
4:23 | |||
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1.10
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II. Courante
Johann Sebastian Bach; Linus Roth |
3:14 | |||
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1.11
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III. Sarabande
Johann Sebastian Bach; Linus Roth |
4:12 | |||
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1.12
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IV. Gigue
Johann Sebastian Bach; Linus Roth |
4:36 | |||
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1.13
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V. Ciaccona
Johann Sebastian Bach; Linus Roth |
14:50 | |||
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Violin Partita No. 3 in E Major, BWV 1006
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1.14
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I. Preludio
Johann Sebastian Bach; Linus Roth |
3:59 | |||
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1.15
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II. Loure
Johann Sebastian Bach; Linus Roth |
4:25 | |||
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1.16
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III. Gavotte en Rondeau
Johann Sebastian Bach; Linus Roth |
3:00 | |||
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1.17
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IV. Menuet I
Johann Sebastian Bach; Linus Roth |
1:46 | |||
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1.18
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V. Menuet II
Johann Sebastian Bach; Linus Roth |
1:35 | |||
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1.19
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VI. Bourrée
Johann Sebastian Bach; Linus Roth |
1:39 | |||
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1.20
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VII. Gigue
Johann Sebastian Bach; Linus Roth |
2:07 | |||
The cycle of six solo Sonatas and Partitas by J.S. Bach is arguably one of the most powerful and most important compositions in musical history. These works have been with Linus Roth since he was nine years old, when he first learned the Gigue from the E major Partita, moving on by the age of twelve to the first Fugue in G minor to tackling at fifteen the Ciaconna, which represents a cosmos in its own right. By seventeen, Roth had finally learned the entire oeuvre for the first time and since then he is fortunate to have been able to grow as a musician through the constant and welcome challenge of interpreting these remarkable works.
This recording was made during lockdown, in which all of our lives have had to be reduced to a minimum in almost every area. The chance to renew the intense preoccupation with this miraculous music in preparation for the recording was a huge privilege as it allowed Linus an escape into a spiritual freedom that transmutes and inhabits these recordings.
96 kHz / 24-bit PCM – Evil Penguin Classic Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.24 -8.18 to -0.32 | -24.13 -27.04 to -21.40 | -20.69 -23.70 to -18.00 | 13 11 to 15 | |
| 1 | I. Allemanda | -4.60 | -24.18 | -20.8 | 13 |
| 2 | II. Double | -8.18 | -27.04 | -23.7 | 12 |
| 3 | III. Courante | -4.60 | -26.00 | -22.7 | 15 |
| 4 | IV. Double | -5.20 | -23.83 | -20.5 | 13 |
| 5 | V. Sarabande | -6.99 | -25.68 | -22.3 | 12 |
| 6 | VI. Double | -5.41 | -26.66 | -23.2 | 13 |
| 7 | VII. Tempo di Bourrée | -4.69 | -23.96 | -20.5 | 13 |
| 8 | VIII. Double | -5.01 | -24.03 | -20.5 | 12 |
| 9 | I. Allemande | -0.32 | -23.17 | -20.0 | 14 |
| 10 | II. Courante | -4.03 | -24.07 | -20.7 | 12 |
| 11 | III. Sarabande | -5.77 | -25.62 | -22.2 | 12 |
| 12 | IV. Gigue | -2.25 | -23.51 | -20.3 | 14 |
| 13 | V. Ciaccona | -1.45 | -23.39 | -20.1 | 14 |
| 14 | I. Preludio | -3.90 | -21.40 | -18.0 | 11 |
| 15 | II. Loure | -4.94 | -24.74 | -21.2 | 13 |
| 16 | III. Gavotte en Rondeau | -1.19 | -21.80 | -18.2 | 13 |
| 17 | IV. Menuet I | -5.17 | -23.44 | -20.1 | 12 |
| 18 | V. Menuet II | -4.22 | -24.30 | -20.4 | 12 |
| 19 | VI. Bourrée | -3.31 | -22.86 | -19.3 | 14 |
| 20 | VII. Gigue | -3.55 | -22.90 | -19.1 | 12 |