Forever Beeler: Sonatas and soli
Aleš Janeček, Lucie Kaucká, Ladislav Bilan, Petr Hladík, Karolina Rojahn, Jennifer Slowik, Jan Dvořák, Dalibor Procházka, Jiří Král
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
Clarinet Sonata
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1.1
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I. —
Alan Beeler; Aleš Janeček; Lucie Kaucká |
3:03 | |||
1.2
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II. —
Alan Beeler; Aleš Janeček; Lucie Kaucká |
3:19 | |||
1.3
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III. —
Alan Beeler; Aleš Janeček; Lucie Kaucká |
2:16 | |||
Something More Cheerful Suite (Variations on a Well-Known Tune)
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1.4
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I. —
Alan Beeler; Ladislav Bilan |
1:07 | |||
1.5
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IIa. — - IIb. —
Alan Beeler; Ladislav Bilan |
2:36 | |||
1.6
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III. —
Alan Beeler; Ladislav Bilan |
0:31 | |||
1.7
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IV. —
Alan Beeler; Ladislav Bilan |
1:00 | |||
1.8
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V. —
Alan Beeler; Ladislav Bilan |
0:34 | |||
Flute Sonata
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1.9
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I. —
Alan Beeler; Petr Hladík; Lucie Kaucká |
2:00 | |||
1.10
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II. —
Alan Beeler; Petr Hladík; Lucie Kaucká |
2:27 | |||
1.11
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III. —
Alan Beeler; Petr Hladík; Lucie Kaucká |
1:45 | |||
My Identity Suite
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1.12
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I. —
Alan Beeler; Karolina Rojahn |
0:44 | |||
1.13
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II. —
Alan Beeler; Karolina Rojahn |
1:51 | |||
1.14
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III. —
Alan Beeler; Karolina Rojahn |
1:34 | |||
English Horn Sonata
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1.15
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I. —
Alan Beeler; Jennifer Slowik; Karolina Rojahn |
2:01 | |||
1.16
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II. —
Alan Beeler; Jennifer Slowik; Karolina Rojahn |
3:09 | |||
1.17
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III. —
Alan Beeler; Jennifer Slowik; Karolina Rojahn |
1:07 | |||
Multi-Tonal Suite
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1.18
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I. Arpeggios and Cords Using Conflicting Major Triads
Alan Beeler; Karolina Rojahn |
0:54 | |||
1.19
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II. Waltz
Alan Beeler; Karolina Rojahn |
1:08 | |||
1.20
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III. Turns, Triads and the Octatonic Scale
Alan Beeler; Karolina Rojahn |
0:55 | |||
1.21
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IV. Meandering Major and Augmented Triads
Alan Beeler; Karolina Rojahn |
0:34 | |||
1.22
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V. Major and Minor Triads Together
Alan Beeler; Karolina Rojahn |
1:05 | |||
1.23
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VI. Arpeggiated Non-Dominant Seventh Chords
Alan Beeler; Karolina Rojahn |
1:43 | |||
1.24
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VII. Expanding Chromatic Neighboring Tones
Alan Beeler; Karolina Rojahn |
1:12 | |||
1.25
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VIII. Contracting Minor Triads
Alan Beeler; Karolina Rojahn |
1:33 | |||
Oboe Sonata
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1.26
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I. —
Alan Beeler; Jennifer Slowik; Karolina Rojahn |
2:27 | |||
1.27
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II. —
Alan Beeler; Jennifer Slowik; Karolina Rojahn |
2:07 | |||
1.28
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III. —
Alan Beeler; Jennifer Slowik; Karolina Rojahn |
0:57 | |||
3 Early Pieces for Solo Piano
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1.29
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Piano Piece No. 1
Alan Beeler; Lucie Kaucká |
0:49 | |||
1.30
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Piano Piece No. 2
Alan Beeler; Lucie Kaucká |
1:34 | |||
1.31
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Piano Piece No. 3
Alan Beeler; Lucie Kaucká |
1:08 | |||
Sonata de camera
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1.32
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I. French Overture
Alan Beeler; Jan Dvořák; Lucie Kaucká |
2:05 | |||
1.33
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II. Chaconne
Alan Beeler; Jan Dvořák; Lucie Kaucká |
1:07 | |||
1.34
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III. Alla concerto
Alan Beeler; Jan Dvořák; Lucie Kaucká |
0:57 | |||
1.35
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Beeler's Fit '06
Alan Beeler; Karolina Rojahn |
0:39 | |||
Bass Trombone Sonata
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1.36
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I. —
Alan Beeler; Dalibor Procházka; Lucie Kaucká |
2:38 | |||
1.37
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II. Adagio
Alan Beeler; Dalibor Procházka; Lucie Kaucká |
5:12 | |||
1.38
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III. Finale
Alan Beeler; Dalibor Procházka; Lucie Kaucká |
1:45 | |||
Piano Sonata
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1.39
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I. —
Alan Beeler; Karolina Rojahn |
1:28 | |||
1.40
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II. —
Alan Beeler; Karolina Rojahn |
1:57 | |||
1.41
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III. —
Alan Beeler; Karolina Rojahn |
2:24 | |||
1.42
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IV. —
Alan Beeler; Karolina Rojahn |
1:41 | |||
Tuba Sonata "The Octatonic Tuba"
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1.43
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I. —
Alan Beeler; Jiří Král; Lucie Kaucká |
2:22 | |||
1.44
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II. —
Alan Beeler; Jiří Král; Lucie Kaucká |
0:53 | |||
1.45
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III. —
Alan Beeler; Jiří Král; Lucie Kaucká |
2:38 | |||
1.46
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IV. —
Alan Beeler; Jiří Král; Lucie Kaucká |
0:42 | |||
1.47
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12-Tone Quartal Etude
Alan Beeler; Karolina Rojahn |
0:54 | |||
Digital Booklet
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Forever Beeler collects a sampling of composer Alan Beeler’s prolific output that most represent his playfulness and commitment to compositional craft and structural clarity. The world-class musicians on this recording bring out Beeler’s adept manipulation of his musical materials, emphasizing his ear for melody, rhythm and texture.
44.1 kHz / 24-bit PCM – Navona Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.27 -13.62 to -0.50 | -23.85 -31.46 to -19.18 | -20.48 -28.10 to -16.10 | 13 9 to 16 | |
1 | I. — | -0.50 | -24.31 | -21.3 | 13 |
2 | II. — | -1.44 | -22.77 | -19.6 | 11 |
3 | III. — | -1.34 | -21.97 | -18.8 | 14 |
4 | I. — | -0.50 | -19.69 | -16.1 | 11 |
5 | IIa. — - IIb. — | -13.62 | -31.15 | -27.8 | 11 |
6 | III. — | -5.78 | -22.72 | -19.4 | 11 |
7 | IV. — | -11.89 | -27.74 | -24.9 | 10 |
8 | V. — | -3.26 | -21.97 | -18.0 | 10 |
9 | I. — | -1.48 | -21.74 | -18.7 | 12 |
10 | II. — | -0.50 | -22.38 | -18.4 | 13 |
11 | III. — | -0.67 | -20.68 | -17.6 | 13 |
12 | I. — | -4.68 | -24.50 | -21.1 | 11 |
13 | II. — | -7.36 | -31.46 | -28.1 | 13 |
14 | III. — | -0.50 | -22.79 | -19.6 | 14 |
15 | I. — | -0.50 | -19.18 | -16.4 | 12 |
16 | II. — | -7.14 | -24.29 | -21.2 | 11 |
17 | III. — | -2.43 | -20.59 | -17.6 | 11 |
18 | I. Arpeggios and Cords Using Conflicting Major Triads | -1.19 | -23.63 | -20.0 | 15 |
19 | II. Waltz | -3.19 | -26.32 | -23.1 | 15 |
20 | III. Turns, Triads and the Octatonic Scale | -1.61 | -24.54 | -20.1 | 12 |
21 | IV. Meandering Major and Augmented Triads | -6.16 | -24.24 | -20.6 | 10 |
22 | V. Major and Minor Triads Together | -0.50 | -24.62 | -20.6 | 14 |
23 | VI. Arpeggiated Non-Dominant Seventh Chords | -6.13 | -27.05 | -23.5 | 13 |
24 | VII. Expanding Chromatic Neighboring Tones | -2.05 | -22.07 | -17.9 | 12 |
25 | VIII. Contracting Minor Triads | -1.44 | -24.17 | -20.7 | 15 |
26 | I. — | -0.50 | -21.00 | -17.7 | 13 |
27 | II. — | -4.41 | -24.48 | -20.8 | 12 |
28 | III. — | -1.42 | -21.06 | -17.7 | 11 |
29 | Piano Piece No. 1 | -0.50 | -24.73 | -20.8 | 16 |
30 | Piano Piece No. 2 | -4.91 | -29.05 | -25.4 | 14 |
31 | Piano Piece No. 3 | -4.51 | -24.13 | -21.1 | 13 |
32 | I. French Overture | -1.88 | -21.96 | -18.9 | 12 |
33 | II. Chaconne | -7.40 | -25.11 | -22.3 | 10 |
34 | III. Alla concerto | -0.50 | -21.31 | -18.3 | 14 |
35 | Beeler's Fit '06 | -0.50 | -21.41 | -17.1 | 13 |
36 | I. — | -3.67 | -26.18 | -23.2 | 14 |
37 | II. Adagio | -11.22 | -30.19 | -27.3 | 11 |
38 | III. Finale | -0.50 | -21.24 | -18.2 | 14 |
39 | I. — | -0.50 | -22.80 | -19.1 | 15 |
40 | II. — | -6.29 | -28.70 | -24.8 | 15 |
41 | III. — | -2.75 | -23.64 | -20.1 | 13 |
42 | IV. — | -0.66 | -21.96 | -18.9 | 14 |
43 | I. — | -3.24 | -23.66 | -20.6 | 11 |
44 | II. — | -6.24 | -22.91 | -19.9 | 9 |
45 | III. — | -5.33 | -24.63 | -21.4 | 10 |
46 | IV. — | -0.50 | -21.81 | -18.9 | 13 |
47 | 12-Tone Quartal Etude | -0.50 | -22.54 | -19.1 | 14 |