Kathrin Schmidlin, Opus 1 feminin in High-Resolution Audio

℗ 2022 Claves Records

Released	May 13, 2022
Duration	58m 09s
Record Label	Claves Records
Catalogue No.	CD-3051
Genre	Classical (Keyboard)

Opus 1 feminin

Kathrin Schmidlin

Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats

Tracks
Editor's Notes
Technical Notes
Measurements

Danza Criolla, Op. 1
1.1	Allegro Alicia Terzian; Alicia Terzian (*1934); Kathrin Schmidlin	2:42
Kobolde, Neun kleine Stücke, Op. 1
1.2	I. Lebhaft und zierlich Hilda Kocher-Klein; Hilda Kocher-Klein (1894-1975); Kathrin Schmidlin	2:43
1.3	II. Einfach Hilda Kocher-Klein; Hilda Kocher-Klein (1894-1975); Kathrin Schmidlin	1:52
1.4	III. Sehr rasch Hilda Kocher-Klein; Hilda Kocher-Klein (1894-1975); Kathrin Schmidlin	0:52
1.5	IV. Ruhig Hilda Kocher-Klein; Hilda Kocher-Klein (1894-1975); Kathrin Schmidlin	1:14
1.6	V. Singend, in ruhiger Bewegung Hilda Kocher-Klein; Hilda Kocher-Klein (1894-1975); Kathrin Schmidlin	1:10
1.7	VI. Äusserst rasch und leicht Hilda Kocher-Klein; Hilda Kocher-Klein (1894-1975); Kathrin Schmidlin	1:45
1.8	VII. Ruhig fliessend Hilda Kocher-Klein; Hilda Kocher-Klein (1894-1975); Kathrin Schmidlin	1:31
1.9	VIII. Getragen, nicht zu langsam Hilda Kocher-Klein; Hilda Kocher-Klein (1894-1975); Kathrin Schmidlin	1:03
1.10	IX. Im Walzertempo Hilda Kocher-Klein; Hilda Kocher-Klein (1894-1975); Kathrin Schmidlin	1:44
Étude printanière, Op. 1
1.11	Vivace Cécile Chaminade; Cécile Chaminade (1857-1944); Kathrin Schmidlin	1:40
Tre Etuder for Piano, Op. 1
1.12	I. Étude mélodique. Allegretto Mathilde Berendsen-Nathan; Mathilde Berendsen-Nathan (1857-1926); Kathrin Schmidlin	2:10
1.13	II. Studie. Allegro Mathilde Berendsen-Nathan; Mathilde Berendsen-Nathan (1857-1926); Kathrin Schmidlin	0:58
1.14	III. Octav-Étude. Allegro Mathilde Berendsen-Nathan; Mathilde Berendsen-Nathan (1857-1926); Kathrin Schmidlin	1:38
Fantasie-Stück, Op. 1, No. 1
1.15	Mässig bewegt Luise Adolpha Le Beau; Luise Adolpha Le Beau (1850-1927); Kathrin Schmidlin	2:26
Lied, Op. 1, No. 2
1.16	Einfach Luise Adolpha Le Beau; Luise Adolpha Le Beau (1850-1927); Kathrin Schmidlin	1:55
Melodie, Op. 1, No. 3
1.17	Lebhaft, aber nicht zu schnell Luise Adolpha Le Beau; Luise Adolpha Le Beau (1850-1927); Kathrin Schmidlin	2:10
Quatre Polonaises, Op. 1
1.18	I. - Clara Schumann-Wieck; Clara Schumann-Wieck (1819-1896); Kathrin Schmidlin	3:03
1.19	II. - Clara Schumann-Wieck; Clara Schumann-Wieck (1819-1896); Kathrin Schmidlin	2:38
1.20	III. - Clara Schumann-Wieck; Clara Schumann-Wieck (1819-1896); Kathrin Schmidlin	3:55
1.21	IV. Moderato Clara Schumann-Wieck; Clara Schumann-Wieck (1819-1896); Kathrin Schmidlin	2:36
Trois Morceaux, Op. 1, No. 3
1.22	Berceuse. Andante Maria Parczewska-Mackiewicz; Maria Parczewska-Mackiewicz (1862-1918); Kathrin Schmidlin	2:24
Pět klavírních skladeb, Op. 1
1.23	I. Maestoso (Five Piano Compositions) Vítězslava Kaprálová; Vítězslava Kaprálová (1915-1940); Kathrin Schmidlin	2:04
1.24	II. Cantabile-moderato (Five Piano Compositions) Vítězslava Kaprálová; Vítězslava Kaprálová (1915-1940); Kathrin Schmidlin	1:17
1.25	III. Andante con moto (Five Piano Compositions) Vítězslava Kaprálová; Vítězslava Kaprálová (1915-1940); Kathrin Schmidlin	1:49
1.26	IV. Tempo di menuetto (Five Piano Compositions) Vítězslava Kaprálová; Vítězslava Kaprálová (1915-1940); Kathrin Schmidlin	2:23
1.27	V. Alla marcia funebre (Five Piano Compositions) Vítězslava Kaprálová; Vítězslava Kaprálová (1915-1940); Kathrin Schmidlin	6:27

Opus 1 feminin presents a series of first works by international women composers performed by the young Swiss pianist Kathrin Schmidlin. From the Liner Notes: "Opus 1: Listen to me, here I am! As a Firstling, I want to go public, I want to be printed, played, understood and appreciated. What came before me no longer counts. I lead a life of my own and stand at the beginning of my further development. After its first performance, Opus 1 attracts more than academic interest. Most of the time, it already has considerable artistic value, like the works by eight female composers from six countries that are brought together here."

88.2 kHz / 24-bit PCM – Claves Records Studio Masters

	Track title	Peak (dB FS)	RMS (dB FS)	LUFS (integrated)	DR
	Album average Range of values	-1.57 -6.61 to -0.90	-19.67 -24.49 to -16.01	-16.70 -21.40 to -12.90	11 9 to 13
1	Allegro	-0.90	-18.81	-16.0	12
2	I. Lebhaft und zierlich	-0.90	-19.64	-16.9	12
3	II. Einfach	-3.34	-21.88	-19.2	12
4	III. Sehr rasch	-3.01	-21.77	-18.6	12
5	IV. Ruhig	-6.61	-24.49	-21.4	10
6	V. Singend, in ruhiger Bewegung	-3.82	-23.37	-20.5	11
7	VI. Äusserst rasch und leicht	-0.94	-19.26	-16.6	13
8	VII. Ruhig fliessend	-3.73	-23.43	-20.6	11
9	VIII. Getragen, nicht zu langsam	-0.90	-19.98	-17.2	12
10	IX. Im Walzertempo	-0.90	-19.58	-16.9	12
11	Vivace	-0.90	-17.59	-14.6	11
12	I. Étude mélodique. Allegretto	-0.90	-19.06	-16.4	11
13	II. Studie. Allegro	-0.90	-16.61	-13.2	9
14	III. Octav-Étude. Allegro	-0.90	-16.01	-12.9	10
15	Mässig bewegt	-0.90	-19.16	-16.6	12
16	Einfach	-2.20	-18.51	-15.8	10
17	Lebhaft, aber nicht zu schnell	-0.90	-19.60	-16.8	12
18	I. -	-0.90	-17.92	-15.1	11
19	II. -	-0.90	-19.02	-16.1	12
20	III. -	-0.90	-18.79	-15.9	12
21	IV. Moderato	-0.90	-17.88	-15.0	11
22	Berceuse. Andante	-1.54	-20.58	-17.3	12
23	I. Maestoso (Five Piano Compositions)	-0.90	-20.36	-17.2	12
24	II. Cantabile-moderato (Five Piano Compositions)	-0.90	-21.77	-18.2	10
25	III. Andante con moto (Five Piano Compositions)	-0.90	-21.61	-17.5	11
26	IV. Tempo di menuetto (Five Piano Compositions)	-0.90	-17.71	-14.9	10
27	V. Alla marcia funebre (Five Piano Compositions)	-0.90	-16.81	-13.6	9

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Opus 1 feminin