
℗ 2022 Claves Records
Released | May 13, 2022 |
Duration | 58m 09s |
Catalogue No. | CD-3051 |
Genre | Classical (Keyboard) |
Opus 1 feminin
Kathrin Schmidlin
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
Danza Criolla, Op. 1
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1.1
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Allegro
Alicia Terzian; Alicia Terzian (*1934); Kathrin Schmidlin |
2:42 | |||
Kobolde, Neun kleine Stücke, Op. 1
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1.2
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I. Lebhaft und zierlich
Hilda Kocher-Klein; Hilda Kocher-Klein (1894-1975); Kathrin Schmidlin |
2:43 | |||
1.3
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II. Einfach
Hilda Kocher-Klein; Hilda Kocher-Klein (1894-1975); Kathrin Schmidlin |
1:52 | |||
1.4
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III. Sehr rasch
Hilda Kocher-Klein; Hilda Kocher-Klein (1894-1975); Kathrin Schmidlin |
0:52 | |||
1.5
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IV. Ruhig
Hilda Kocher-Klein; Hilda Kocher-Klein (1894-1975); Kathrin Schmidlin |
1:14 | |||
1.6
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V. Singend, in ruhiger Bewegung
Hilda Kocher-Klein; Hilda Kocher-Klein (1894-1975); Kathrin Schmidlin |
1:10 | |||
1.7
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VI. Äusserst rasch und leicht
Hilda Kocher-Klein; Hilda Kocher-Klein (1894-1975); Kathrin Schmidlin |
1:45 | |||
1.8
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VII. Ruhig fliessend
Hilda Kocher-Klein; Hilda Kocher-Klein (1894-1975); Kathrin Schmidlin |
1:31 | |||
1.9
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VIII. Getragen, nicht zu langsam
Hilda Kocher-Klein; Hilda Kocher-Klein (1894-1975); Kathrin Schmidlin |
1:03 | |||
1.10
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IX. Im Walzertempo
Hilda Kocher-Klein; Hilda Kocher-Klein (1894-1975); Kathrin Schmidlin |
1:44 | |||
Étude printanière, Op. 1
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1.11
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Vivace
Cécile Chaminade; Cécile Chaminade (1857-1944); Kathrin Schmidlin |
1:40 | |||
Tre Etuder for Piano, Op. 1
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1.12
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I. Étude mélodique. Allegretto
Mathilde Berendsen-Nathan; Mathilde Berendsen-Nathan (1857-1926); Kathrin Schmidlin |
2:10 | |||
1.13
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II. Studie. Allegro
Mathilde Berendsen-Nathan; Mathilde Berendsen-Nathan (1857-1926); Kathrin Schmidlin |
0:58 | |||
1.14
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III. Octav-Étude. Allegro
Mathilde Berendsen-Nathan; Mathilde Berendsen-Nathan (1857-1926); Kathrin Schmidlin |
1:38 | |||
Fantasie-Stück, Op. 1, No. 1
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1.15
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Mässig bewegt
Luise Adolpha Le Beau; Luise Adolpha Le Beau (1850-1927); Kathrin Schmidlin |
2:26 | |||
Lied, Op. 1, No. 2
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1.16
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Einfach
Luise Adolpha Le Beau; Luise Adolpha Le Beau (1850-1927); Kathrin Schmidlin |
1:55 | |||
Melodie, Op. 1, No. 3
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1.17
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Lebhaft, aber nicht zu schnell
Luise Adolpha Le Beau; Luise Adolpha Le Beau (1850-1927); Kathrin Schmidlin |
2:10 | |||
Quatre Polonaises, Op. 1
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1.18
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I. -
Clara Schumann-Wieck; Clara Schumann-Wieck (1819-1896); Kathrin Schmidlin |
3:03 | |||
1.19
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II. -
Clara Schumann-Wieck; Clara Schumann-Wieck (1819-1896); Kathrin Schmidlin |
2:38 | |||
1.20
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III. -
Clara Schumann-Wieck; Clara Schumann-Wieck (1819-1896); Kathrin Schmidlin |
3:55 | |||
1.21
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IV. Moderato
Clara Schumann-Wieck; Clara Schumann-Wieck (1819-1896); Kathrin Schmidlin |
2:36 | |||
Trois Morceaux, Op. 1, No. 3
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1.22
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Berceuse. Andante
Maria Parczewska-Mackiewicz; Maria Parczewska-Mackiewicz (1862-1918); Kathrin Schmidlin |
2:24 | |||
Pět klavírních skladeb, Op. 1
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1.23
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I. Maestoso (Five Piano Compositions)
Vítězslava Kaprálová; Vítězslava Kaprálová (1915-1940); Kathrin Schmidlin |
2:04 | |||
1.24
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II. Cantabile-moderato (Five Piano Compositions)
Vítězslava Kaprálová; Vítězslava Kaprálová (1915-1940); Kathrin Schmidlin |
1:17 | |||
1.25
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III. Andante con moto (Five Piano Compositions)
Vítězslava Kaprálová; Vítězslava Kaprálová (1915-1940); Kathrin Schmidlin |
1:49 | |||
1.26
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IV. Tempo di menuetto (Five Piano Compositions)
Vítězslava Kaprálová; Vítězslava Kaprálová (1915-1940); Kathrin Schmidlin |
2:23 | |||
1.27
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V. Alla marcia funebre (Five Piano Compositions)
Vítězslava Kaprálová; Vítězslava Kaprálová (1915-1940); Kathrin Schmidlin |
6:27 |
Opus 1 feminin presents a series of first works by international women composers performed by the young Swiss pianist Kathrin Schmidlin. From the Liner Notes:
"Opus 1: Listen to me, here I am! As a Firstling, I want to go public, I want to be printed, played, understood and appreciated. What came before me no longer counts. I lead a life of my own and stand at the beginning of my further development.
After its first performance, Opus 1 attracts more than academic interest. Most of the time, it already has considerable artistic value, like the works by eight female composers from six countries that are brought together here."
88.2 kHz / 24-bit PCM – Claves Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.57 -6.61 to -0.90 | -19.67 -24.49 to -16.01 | -16.70 -21.40 to -12.90 | 11 9 to 13 | |
1 | Allegro | -0.90 | -18.81 | -16.0 | 12 |
2 | I. Lebhaft und zierlich | -0.90 | -19.64 | -16.9 | 12 |
3 | II. Einfach | -3.34 | -21.88 | -19.2 | 12 |
4 | III. Sehr rasch | -3.01 | -21.77 | -18.6 | 12 |
5 | IV. Ruhig | -6.61 | -24.49 | -21.4 | 10 |
6 | V. Singend, in ruhiger Bewegung | -3.82 | -23.37 | -20.5 | 11 |
7 | VI. Äusserst rasch und leicht | -0.94 | -19.26 | -16.6 | 13 |
8 | VII. Ruhig fliessend | -3.73 | -23.43 | -20.6 | 11 |
9 | VIII. Getragen, nicht zu langsam | -0.90 | -19.98 | -17.2 | 12 |
10 | IX. Im Walzertempo | -0.90 | -19.58 | -16.9 | 12 |
11 | Vivace | -0.90 | -17.59 | -14.6 | 11 |
12 | I. Étude mélodique. Allegretto | -0.90 | -19.06 | -16.4 | 11 |
13 | II. Studie. Allegro | -0.90 | -16.61 | -13.2 | 9 |
14 | III. Octav-Étude. Allegro | -0.90 | -16.01 | -12.9 | 10 |
15 | Mässig bewegt | -0.90 | -19.16 | -16.6 | 12 |
16 | Einfach | -2.20 | -18.51 | -15.8 | 10 |
17 | Lebhaft, aber nicht zu schnell | -0.90 | -19.60 | -16.8 | 12 |
18 | I. - | -0.90 | -17.92 | -15.1 | 11 |
19 | II. - | -0.90 | -19.02 | -16.1 | 12 |
20 | III. - | -0.90 | -18.79 | -15.9 | 12 |
21 | IV. Moderato | -0.90 | -17.88 | -15.0 | 11 |
22 | Berceuse. Andante | -1.54 | -20.58 | -17.3 | 12 |
23 | I. Maestoso (Five Piano Compositions) | -0.90 | -20.36 | -17.2 | 12 |
24 | II. Cantabile-moderato (Five Piano Compositions) | -0.90 | -21.77 | -18.2 | 10 |
25 | III. Andante con moto (Five Piano Compositions) | -0.90 | -21.61 | -17.5 | 11 |
26 | IV. Tempo di menuetto (Five Piano Compositions) | -0.90 | -17.71 | -14.9 | 10 |
27 | V. Alla marcia funebre (Five Piano Compositions) | -0.90 | -16.81 | -13.6 | 9 |