℗ 2016 Naxos
 

Gioachino Rossini: Stabat Mater (1832 Version) - Giovanna d'Arco

Majella Cullagh, Marianna Pizzolato, José Luis Sola, Mirco Palazzi, Poznań Camerata Bach Choir, Württembergische Philharmonie Reutlingen, Antonino Fogliani

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Stabat Mater (1832 Version) (orch. by A. Fogliani)  
1
Introduction: Stabat Mater dolorosa (Soloists, Chorus)
Gioachino Rossini; Antonino Fogliani; Giovanni Tadolini; Majella Cullagh; Marianna Pizzolato; José Luis Sola; Mirco Palazzi; Poznań Camerata Bach Choir; Württembergische Philharmonie Reutlingen; Antonino Fogliani
8:35
2
Aria: Cujus animam gementem (Tenor)
Gioachino Rossini; Antonino Fogliani; Giovanni Tadolini; José Luis Sola; Württembergische Philharmonie Reutlingen; Antonino Fogliani
2:40
3
Duettino: O quam tristis et affl icta (Soprano, Mezzo-soprano)
Gioachino Rossini; Antonino Fogliani; Giovanni Tadolini; Majella Cullagh; Marianna Pizzolato; Württembergische Philharmonie Reutlingen; Antonino Fogliani
3:34
4
Aria: Quae moerebat et dolebat (Bass)
Gioachino Rossini; Antonino Fogliani; Giovanni Tadolini; Mirco Palazzi; Württembergische Philharmonie Reutlingen; Antonino Fogliani
2:51
5
Terzetto: Quis est homo qui non fl eret (Soprano, Tenor, Bass)
Gioachino Rossini; Antonino Fogliani; Giovanni Tadolini; Majella Cullagh; José Luis Sola; Mirco Palazzi; Württembergische Philharmonie Reutlingen; Antonino Fogliani
4:11
6
Aria: Vidit suum dulcem natum (Soprano)
Gioachino Rossini; Antonino Fogliani; Giovanni Tadolini; Majella Cullagh; Württembergische Philharmonie Reutlingen; Antonino Fogliani
4:30
7
Duettino: Eia, Mater, fons amoris (Tenor, Bass)
Gioachino Rossini; Antonino Fogliani; Giovanni Tadolini; José Luis Sola; Mirco Palazzi; Württembergische Philharmonie Reutlingen; Antonino Fogliani
2:10
8
Chorus and Recitative: Fac ut ardeat cor meum (Bass, Chorus)
Gioachino Rossini; Antonino Fogliani; Giovanni Tadolini; Mirco Palazzi; Poznań Camerata Bach Choir; Württembergische Philharmonie Reutlingen; Antonino Fogliani
4:14
9
Quartetto: Sancta Mater, istud agas (Soloists)
Gioachino Rossini; Antonino Fogliani; Giovanni Tadolini; Majella Cullagh; Marianna Pizzolato; José Luis Sola; Mirco Palazzi; Württembergische Philharmonie Reutlingen; Antonino Fogliani
6:02
10
Cavatina: Fac ut portem Christi mortem (Mezzo-soprano)
Gioachino Rossini; Antonino Fogliani; Giovanni Tadolini; Marianna Pizzolato; Württembergische Philharmonie Reutlingen; Antonino Fogliani
4:08
11
Aria with Chorus: Infl ammatus et accensus (Soprano, Chorus)
Gioachino Rossini; Antonino Fogliani; Giovanni Tadolini; Majella Cullagh; Poznań Camerata Bach Choir; Württembergische Philharmonie Reutlingen; Antonino Fogliani
4:22
12
Quartetto: Quando corpus morietur (Soloists a cappella)
Gioachino Rossini; Antonino Fogliani; Giovanni Tadolini; Majella Cullagh; Marianna Pizzolato; José Luis Sola; Mirco Palazzi; Antonino Fogliani
4:41
13
Chorus: Amen (Chorus)
Gioachino Rossini; Antonino Fogliani; Giovanni Tadolini; Poznań Camerata Bach Choir; Württembergische Philharmonie Reutlingen; Antonino Fogliani
4:09
Giovanna d'Arco (arr. by M. Taralli for Voice & Orchestra)  
14
Recitativo: È notte, e tutto addormentato è il mondo
Gioachino Rossini; Marco Taralli; Marianna Pizzolato; Württembergische Philharmonie Reutlingen; Antonino Fogliani
4:44
15
Aria: O mia madre, e tu frattanto la tua fi glia cercherai
Gioachino Rossini; Marco Taralli; Marianna Pizzolato; Württembergische Philharmonie Reutlingen; Antonino Fogliani
3:29
16
Recitativo: Eppur piange. Ah! repente qual luce balenò
Gioachino Rossini; Marco Taralli; Marianna Pizzolato; Württembergische Philharmonie Reutlingen; Antonino Fogliani
1:14
17
Aria: Ah, la fi amma che t’esce dal guardo già m'ha tocca
Gioachino Rossini; Marco Taralli; Marianna Pizzolato; Württembergische Philharmonie Reutlingen; Antonino Fogliani
5:46
Digital Booklet
Total Playing Time    71:20
A beloved and much-performed work of sacred music, Rossini’s Stabat Mater was completed with the help of his friend Giovanni Tadolini, whose contributions to the piece exist only in piano reductions. For this recording Antonino Fogliani has orchestrated these sections, allowing the work to be heard in its entirety for the first time since 1833.
48 kHz / 24-bit PCM – Naxos Studio Masters

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