℗ 2022 Louise Bessette
| Released | April 15, 2022 |
| Duration | 1h 14m 27s |
| Record Label | Groupe Analekta, Inc |
| Catalogue No. | AN29298 |
| Genre | Classical (20th/21st Century) |
Astor Piazzolla - Port of Call: Buenos Aires
Louise Bessette, Marc Djokic, Chloé Dominguez
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Oblivion (Arr. for violin, cello and piano by José Bragato)
Astor Piazzolla; Marc Djokic; Chloé Dominguez; Louise Bessette |
4:10 | |||
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Histoire du Tango
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1.2
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I. Bordel 1900 (Arr. for violin and piano by Dmitriy Varelas)
Astor Piazzolla; Louise Bessette; Marc Djokic |
4:20 | |||
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1.3
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II. Café 1930 (Arr. for violin and piano by Dmitriy Varelas)
Astor Piazzolla; Louise Bessette; Marc Djokic |
8:04 | |||
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1.4
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III. Nightclub 1960 (Arr. for violin and piano by Dmitriy Varelas)
Astor Piazzolla; Louise Bessette; Marc Djokic |
5:34 | |||
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1.5
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IV. Concert d'aujourd'hui (Arr. for violin and piano by Dmitriy Varelas)
Astor Piazzolla; Louise Bessette; Marc Djokic |
3:16 | |||
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1.6
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Le grand tango
Astor Piazzolla; Louise Bessette; Chloé Dominguez |
12:14 | |||
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1.7
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Adios Nonino
Astor Piazzolla; Louise Bessette |
11:35 | |||
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Las cuatro estaciones porteñas
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1.8
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I. Primavera porteño (Arr. for violin, cello and piano by José Bragato)
Astor Piazzolla; Louise Bessette; Marc Djokic; Chloé Dominguez |
4:42 | |||
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1.9
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II. Verano porteño (Arr. for violin, cello and piano by José Bragato)
Astor Piazzolla; Louise Bessette; Marc Djokic; Chloé Dominguez |
7:29 | |||
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1.10
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III. Otoño porteño (Arr. for violin, cello and piano by José Bragato)
Astor Piazzolla; Louise Bessette; Marc Djokic; Chloé Dominguez |
5:30 | |||
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1.11
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IV. Invierno porteño (Arr. for violin, cello and piano by José Bragato)
Astor Piazzolla; Louise Bessette; Marc Djokic; Chloé Dominguez |
7:33 | |||
After Wim Statius Muller’s Caribbean, pianist Louise Bessette turns to Astor Piazzolla’s Argentina for the second part of her Piano Around the World series, which explores sophisticated music with popular roots.
The work of Argentine composer and bandoneon player Astor Piazzolla is a fine example of the cultural cross-fertilisation typical of 20th century music as it moves from modernism to postmodernism, or, put more simply, as it perpetually redefines itself, ever striving to make something new out of something old.
96 kHz / 24-bit PCM – Groupe Analekta, Inc Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.09 -5.51 to -0.71 | -24.79 -28.77 to -22.65 | -21.50 -25.10 to -19.60 | 14 12 to 16 | |
| 1 | Oblivion (Arr. for violin, cello and piano by José Bragato) | -5.51 | -25.48 | -22.6 | 12 |
| 2 | I. Bordel 1900 (Arr. for violin and piano by Dmitriy Varelas) | -0.78 | -25.28 | -21.8 | 16 |
| 3 | II. Café 1930 (Arr. for violin and piano by Dmitriy Varelas) | -4.10 | -28.77 | -25.1 | 15 |
| 4 | III. Nightclub 1960 (Arr. for violin and piano by Dmitriy Varelas) | -0.98 | -25.49 | -22.0 | 15 |
| 5 | IV. Concert d'aujourd'hui (Arr. for violin and piano by Dmitriy Varelas) | -2.09 | -22.69 | -19.6 | 13 |
| 6 | Le grand tango | -0.71 | -22.71 | -20.0 | 14 |
| 7 | Adios Nonino | -2.01 | -25.36 | -21.4 | 14 |
| 8 | I. Primavera porteño (Arr. for violin, cello and piano by José Bragato) | -1.36 | -22.65 | -19.7 | 13 |
| 9 | II. Verano porteño (Arr. for violin, cello and piano by José Bragato) | -2.17 | -25.83 | -22.8 | 15 |
| 10 | III. Otoño porteño (Arr. for violin, cello and piano by José Bragato) | -2.55 | -24.39 | -20.8 | 13 |
| 11 | IV. Invierno porteño (Arr. for violin, cello and piano by José Bragato) | -0.71 | -24.01 | -20.7 | 15 |