℗ 2017 Metier
| Released | March 17, 2017 |
| Duration | 1h 06m 36s |
| Record Label | Metier |
| Genre | Classical (Vocal) |
Arnold Schoenberg: Das Buch der hängenden Gärten, Op. 15 - Seóirse Bodley: A Girl
Aylish Kerrigan, Dearbhla Collins
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Das Buch der hängenden Gärten, Op. 15
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1.1
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No. 1. Unterm Schutz von dichten Blattergrunden
Arnold Schoenberg; Aylish Kerrigan; Dearbhla Collins |
2:17 | |||
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1.2
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No. 2. Hain in diesen Paradiesen
Arnold Schoenberg; Aylish Kerrigan; Dearbhla Collins |
1:26 | |||
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1.3
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No. 3. Als Neuling trat ich ein in dein Gehege
Arnold Schoenberg; Aylish Kerrigan; Dearbhla Collins |
1:48 | |||
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1.4
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No. 4. Da meine Lippen reglos sind und brennen
Arnold Schoenberg; Aylish Kerrigan; Dearbhla Collins |
1:26 | |||
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1.5
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No. 5. Saget mir, auf welchem Pfade
Arnold Schoenberg; Aylish Kerrigan; Dearbhla Collins |
1:10 | |||
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1.6
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No. 6. Jedem Werke bin ich furder tot
Arnold Schoenberg; Aylish Kerrigan; Dearbhla Collins |
1:13 | |||
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1.7
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No. 7. Angst und Hoffen wechselnd mich beklemmen
Arnold Schoenberg; Aylish Kerrigan; Dearbhla Collins |
1:00 | |||
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1.8
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No. 8. Wenn ich heut nicht deinen Leib beruhre
Arnold Schoenberg; Aylish Kerrigan; Dearbhla Collins |
0:50 | |||
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1.9
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No. 9. Streng ist uns das Gluck und sprode
Arnold Schoenberg; Aylish Kerrigan; Dearbhla Collins |
1:32 | |||
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1.10
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No. 10. Das schone Beet betracht ich mir im Harren
Arnold Schoenberg; Aylish Kerrigan; Dearbhla Collins |
2:23 | |||
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1.11
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No. 11. Als wir hinter dem bebluhmten Tore
Arnold Schoenberg; Aylish Kerrigan; Dearbhla Collins |
2:33 | |||
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1.12
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No. 12. Wenn sich bei heiliger Ruh in tiefen Matten
Arnold Schoenberg; Aylish Kerrigan; Dearbhla Collins |
2:08 | |||
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1.13
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No. 13. Du lehnest wider eine Silberweide
Arnold Schoenberg; Aylish Kerrigan; Dearbhla Collins |
1:46 | |||
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1.14
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No. 14. Sprich nicht immer von dem Laub
Arnold Schoenberg; Aylish Kerrigan; Dearbhla Collins |
0:53 | |||
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1.15
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No. 15. Wir bevolkerten die abend dustern Lauben
Arnold Schoenberg; Aylish Kerrigan; Dearbhla Collins |
5:12 | |||
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A Girl
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1.16
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No. 1. November Cloud
Seóirse Bodley; Aylish Kerrigan; Dearbhla Collins |
1:42 | |||
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1.17
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No. 2. The Room
Seóirse Bodley; Aylish Kerrigan; Dearbhla Collins |
1:42 | |||
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1.18
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No. 3. Familiar Things
Seóirse Bodley; Aylish Kerrigan; Dearbhla Collins |
2:34 | |||
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1.19
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No. 4. Lies
Seóirse Bodley; Aylish Kerrigan; Dearbhla Collins |
2:52 | |||
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1.20
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No. 5. Polka
Seóirse Bodley; Aylish Kerrigan; Dearbhla Collins |
1:53 | |||
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1.21
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No. 6. Evil
Seóirse Bodley; Aylish Kerrigan; Dearbhla Collins |
1:48 | |||
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1.22
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No. 7. Birds' Wings
Seóirse Bodley; Aylish Kerrigan; Dearbhla Collins |
1:56 | |||
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1.23
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No. 8. Are women the only beings who feel?
Seóirse Bodley; Aylish Kerrigan; Dearbhla Collins |
1:49 | |||
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1.24
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No. 9. The moment I found I was nothing
Seóirse Bodley; Aylish Kerrigan; Dearbhla Collins |
1:11 | |||
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1.25
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No. 10. The Puzzle
Seóirse Bodley; Aylish Kerrigan; Dearbhla Collins |
1:12 | |||
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1.26
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No. 11. The Dogs of Darkness
Seóirse Bodley; Aylish Kerrigan; Dearbhla Collins |
1:15 | |||
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1.27
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No. 12. Summer
Seóirse Bodley; Aylish Kerrigan; Dearbhla Collins |
1:07 | |||
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1.28
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No. 13. Darkness
Seóirse Bodley; Aylish Kerrigan; Dearbhla Collins |
2:48 | |||
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1.29
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No. 14. Sweetest Postures of the Heart
Seóirse Bodley; Aylish Kerrigan; Dearbhla Collins |
1:29 | |||
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1.30
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No. 15. All things move towards peace
Seóirse Bodley; Aylish Kerrigan; Dearbhla Collins |
1:40 | |||
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1.31
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No. 16. Solitude
Seóirse Bodley; Aylish Kerrigan; Dearbhla Collins |
1:35 | |||
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1.32
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No. 17. Possession
Seóirse Bodley; Aylish Kerrigan; Dearbhla Collins |
1:16 | |||
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1.33
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No. 18. The Slaughterer
Seóirse Bodley; Aylish Kerrigan; Dearbhla Collins |
2:18 | |||
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1.34
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No. 19. Killers
Seóirse Bodley; Aylish Kerrigan; Dearbhla Collins |
0:59 | |||
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1.35
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No. 20. Strength
Seóirse Bodley; Aylish Kerrigan; Dearbhla Collins |
0:50 | |||
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1.36
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No. 21. Emptiness
Seóirse Bodley; Aylish Kerrigan; Dearbhla Collins |
1:10 | |||
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1.37
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No. 22. I am going out …
Seóirse Bodley; Aylish Kerrigan; Dearbhla Collins |
3:53 | |||
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Digital Booklet
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Mezzo-soprano Aylish Kerrigan is accompanied by pianist Dearhbla Collins on two major song cycles, each extensive in duration and exceptionally powerful. Arnold Schoenberg's Das Buch der hängenden Gärten is a seminal, revolutionary work, written in the early 1900s and considered by many to be the first truly modernist composition, certainly in vocal music. Today it still sounds exploratory and adventurous. In some ways, the song cycle A Girl by Seoírse Bodley is a modern equivalent, though in no way does it lack in complete originality. Premiered in 1978, its tragic story of a girl exiled from society was not uncommon in Ireland until very recently.
96 kHz / 24-bit PCM – Metier Studio Masters
Recorded at the Royal Irish Academy of Music, Dublin, July 21 - 25, 2014 Produced by Aylish Kerrigan Engineered and mastered by Johannnes Kammann Design and packaging: Stephen Sutton Schoenberg notes and biography by Aylish Kerrigan Bodley notes and biography by Seóirse Bodley Texts of A Girl by Brendan Kennelly, Familiar Strangers, Familiar Strangers: New & Selected Poems 1960-2004 (Bloodaxe Books, 2004) reprinted by kind permission www.bloodaxeboks.com Schoenberg: Universal Edition Bodley: Copyright Control Photos of Seóirse Bodley and Dearbhla Collins: Frances Marshall Photo of Aylish Kerrigan: Frank Gavin Photo of Arnold Schoenberg taken in 1903 (photographer unknown) Cover images: Blauen Selbsportrait (front) and Gehendes Selbsportrait (back) by Arnold Schoenberg used by kind permission of Belmont Music Publishers, Los Angeles
Recorded at the Royal Irish Academy of Music, Dublin, July 21 - 25, 2014 Produced by Aylish Kerrigan Engineered and mastered by Johannnes Kammann Design and packaging: Stephen Sutton Schoenberg notes and biography by Aylish Kerrigan Bodley notes and biography by Seóirse Bodley Texts of A Girl by Brendan Kennelly, Familiar Strangers, Familiar Strangers: New & Selected Poems 1960-2004 (Bloodaxe Books, 2004) reprinted by kind permission www.bloodaxeboks.com Schoenberg: Universal Edition Bodley: Copyright Control Photos of Seóirse Bodley and Dearbhla Collins: Frances Marshall Photo of Aylish Kerrigan: Frank Gavin Photo of Arnold Schoenberg taken in 1903 (photographer unknown) Cover images: Blauen Selbsportrait (front) and Gehendes Selbsportrait (back) by Arnold Schoenberg used by kind permission of Belmont Music Publishers, Los Angeles
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.24 -13.46 to -0.18 | -27.68 -37.30 to -21.14 | -22.90 -33.20 to -16.60 | 13 11 to 15 | |
| 1 | No. 1. Unterm Schutz von dichten Blattergrunden | -3.60 | -28.68 | -22.2 | 15 |
| 2 | No. 2. Hain in diesen Paradiesen | -10.65 | -32.83 | -29.0 | 11 |
| 3 | No. 3. Als Neuling trat ich ein in dein Gehege | -0.82 | -22.41 | -17.8 | 12 |
| 4 | No. 4. Da meine Lippen reglos sind und brennen | -1.19 | -22.83 | -16.9 | 11 |
| 5 | No. 5. Saget mir, auf welchem Pfade | -4.69 | -26.44 | -22.1 | 12 |
| 6 | No. 6. Jedem Werke bin ich furder tot | -0.82 | -22.26 | -16.6 | 12 |
| 7 | No. 7. Angst und Hoffen wechselnd mich beklemmen | -0.58 | -24.51 | -19.7 | 14 |
| 8 | No. 8. Wenn ich heut nicht deinen Leib beruhre | -1.48 | -21.14 | -16.8 | 12 |
| 9 | No. 9. Streng ist uns das Gluck und sprode | -0.18 | -24.73 | -19.2 | 13 |
| 10 | No. 10. Das schone Beet betracht ich mir im Harren | -6.07 | -28.55 | -24.9 | 13 |
| 11 | No. 11. Als wir hinter dem bebluhmten Tore | -9.79 | -36.18 | -31.2 | 15 |
| 12 | No. 12. Wenn sich bei heiliger Ruh in tiefen Matten | -5.13 | -28.46 | -24.1 | 13 |
| 13 | No. 13. Du lehnest wider eine Silberweide | -10.42 | -35.01 | -31.6 | 14 |
| 14 | No. 14. Sprich nicht immer von dem Laub | -8.53 | -31.97 | -27.5 | 12 |
| 15 | No. 15. Wir bevolkerten die abend dustern Lauben | -3.79 | -29.52 | -24.1 | 14 |
| 16 | No. 1. November Cloud | -7.60 | -29.21 | -24.4 | 12 |
| 17 | No. 2. The Room | -4.71 | -29.21 | -24.4 | 15 |
| 18 | No. 3. Familiar Things | -2.84 | -26.94 | -20.9 | 13 |
| 19 | No. 4. Lies | -1.94 | -26.62 | -21.2 | 14 |
| 20 | No. 5. Polka | -0.29 | -23.07 | -18.3 | 12 |
| 21 | No. 6. Evil | -5.25 | -28.87 | -24.4 | 13 |
| 22 | No. 7. Birds' Wings | -1.30 | -26.26 | -20.9 | 14 |
| 23 | No. 8. Are women the only beings who feel? | -5.27 | -27.50 | -22.8 | 12 |
| 24 | No. 9. The moment I found I was nothing | -3.60 | -27.53 | -23.0 | 14 |
| 25 | No. 10. The Puzzle | -5.19 | -29.40 | -25.0 | 13 |
| 26 | No. 11. The Dogs of Darkness | -2.84 | -27.65 | -22.1 | 14 |
| 27 | No. 12. Summer | -5.43 | -28.86 | -24.4 | 13 |
| 28 | No. 13. Darkness | -1.57 | -26.62 | -20.2 | 14 |
| 29 | No. 14. Sweetest Postures of the Heart | -4.91 | -28.21 | -24.0 | 12 |
| 30 | No. 15. All things move towards peace | -4.85 | -26.63 | -22.0 | 13 |
| 31 | No. 16. Solitude | -3.04 | -27.16 | -22.9 | 12 |
| 32 | No. 17. Possession | -4.43 | -24.95 | -21.4 | 14 |
| 33 | No. 18. The Slaughterer | -1.60 | -26.99 | -22.2 | 14 |
| 34 | No. 19. Killers | -6.13 | -27.14 | -23.1 | 12 |
| 35 | No. 20. Strength | -2.05 | -24.17 | -18.9 | 11 |
| 36 | No. 21. Emptiness | -13.46 | -37.30 | -33.2 | 13 |
| 37 | No. 22. I am going out … | -0.84 | -28.44 | -23.9 | 15 |