℗ 2020 CPO
Released | April 1, 2022 |
Duration | 1h 15m 41s |
Record Label | CPO |
Catalogue No. | 555403-2 |
Genre | Classical (Orchestral) |
Müller: Flute Concertos Nos. 5, 7 & 8
Tatjana Ruhland, Südwestdeutsches Kammerorchester Pforzheim, Timo Handschuh
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
Flute Concerto No. 5 in E Minor, Op. 19
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1.1
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I. Allegro
August Eberhard Müller; Tatjana Ruhland; Südwestdeutsches Kammerorchester Pforzheim; Timo Handschuh |
11:19 | |||
1.2
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II. Adagio
August Eberhard Müller; Tatjana Ruhland; Südwestdeutsches Kammerorchester Pforzheim; Timo Handschuh |
3:56 | |||
1.3
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III. Allegretto con variazioni
August Eberhard Müller; Tatjana Ruhland; Südwestdeutsches Kammerorchester Pforzheim; Timo Handschuh |
5:44 | |||
Flute Concerto No. 7 in D Minor, Op. 22
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1.4
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I. Allegro moderato
August Eberhard Müller; Tatjana Ruhland; Südwestdeutsches Kammerorchester Pforzheim; Timo Handschuh |
17:47 | |||
1.5
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II. Andante grazioso
August Eberhard Müller; Tatjana Ruhland; Südwestdeutsches Kammerorchester Pforzheim; Timo Handschuh |
4:54 | |||
1.6
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III. Allegro
August Eberhard Müller; Tatjana Ruhland; Südwestdeutsches Kammerorchester Pforzheim; Timo Handschuh |
5:39 | |||
Flute Concerto No. 8 in F Major, Op. 24
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1.7
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I. Allegro con spirito
August Eberhard Müller; Tatjana Ruhland; Südwestdeutsches Kammerorchester Pforzheim; Timo Handschuh |
14:41 | |||
1.8
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II. Adagio cantabile
August Eberhard Müller; Tatjana Ruhland; Südwestdeutsches Kammerorchester Pforzheim; Timo Handschuh |
3:44 | |||
1.9
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III. Allegro molto
August Eberhard Müller; Tatjana Ruhland; Südwestdeutsches Kammerorchester Pforzheim; Timo Handschuh |
7:57 | |||
Digital Booklet
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Opus Klassik prizewinner Tatjana Ruhland has been described as “the Paganini of the flute,” and in December 2018 the Tagesspiegel, commenting on her interpretation of Debussy’s Prélude à l’après-midi d’un faune with the Berlin Philharmonic, termed her »a fabulous faun« and declared: “Already the first measures justify the jubilation at the end.” Now she once again is heard as an interpreter on cpo, this time with more flute concertos by August Eberhard Müller. The critics showered her with praise for Vol. 1, for her rendering of the concertos with »inexhaustible musicality« (klassik-heute.com). The three new Flute Concertos Nos. 5, 7, and 8 show once again that the composer, who dedicated himself to this genre or instrumentation throughout his life, was a great admirer of Mozart. As in the case of almost all his concerto compositions, Müller himself was the soloist in these three works, which enjoyed great popularity and soon numbered among the repertoire pieces for traveling flute virtuosos. His seventh concerto receives tonal reinforcement lending it a special character: trumpets and timpani enhance the overall sound picture. Magnificent!
88.2 kHz / 24-bit PCM – CPO Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.38 -9.17 to -1.00 | -24.08 -30.06 to -21.05 | -20.27 -26.70 to -16.70 | 13 11 to 15 | |
1 | I. Allegro | -1.00 | -21.87 | -17.9 | 13 |
2 | II. Adagio | -4.59 | -27.48 | -23.9 | 13 |
3 | III. Allegretto con variazioni | -1.00 | -22.31 | -18.1 | 13 |
4 | I. Allegro moderato | -1.00 | -21.69 | -17.9 | 12 |
5 | II. Andante grazioso | -1.62 | -25.96 | -22.2 | 15 |
6 | III. Allegro | -1.00 | -21.05 | -16.7 | 11 |
7 | I. Allegro con spirito | -1.00 | -22.49 | -19.0 | 14 |
8 | II. Adagio cantabile | -9.17 | -30.06 | -26.7 | 13 |
9 | III. Allegro molto | -1.00 | -23.83 | -20.0 | 15 |