℗ 2022 BR-Klassik
| Released | April 1, 2022 |
| Duration | 53m 35s |
| Record Label | BR-Klassik |
| Catalogue No. | 900812 |
| Genre | Classical (Orchestral) |
Shostakovich: Symphony No. 7 in C Major, Op. 60 "Leningrad" (Rehearsal Excerpts)
Mariss Jansons, Bavarian Radio Symphony Orchestra, Friedrich Schloffer
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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Symphony No. 7 in C Major, Op. 60 "Leningrad" (Rehearsal Excerpts)
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1.1
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I. (Dirigenten bei der Probe - Einleitung)
Dmitri Shostakovich; Mariss Jansons; Friedrich Schloffer; Mariss Jansons; Bavarian Radio Symphony Orchestra; Friedrich Schloffer |
0:48 | |||
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1.2
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Für mich ist er ein Genie des 20. Jahrhunderts
Mariss Jansons; Mariss Jansons |
0:30 | |||
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1.3
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Mariss Jansons` Beziehung zu Dmitrij Schostakowitsch
Friedrich Schloffer; Mariss Jansons; Friedrich Schloffer; Mariss Jansons |
1:17 | |||
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1.4
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Die "Leningrader" - Das Werk
Friedrich Schloffer; Friedrich Schloffer |
1:15 | |||
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1.5
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Mariss Jansons Worte über die Symphonie
Mariss Jansons; Mariss Jansons |
3:24 | |||
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1.6
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I. Allegretto (Beginn der Probe)
Mariss Jansons; Dmitri Shostakovich; Mariss Jansons; Bavarian Radio Symphony Orchestra |
4:26 | |||
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1.7
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I. Allegretto (Das ist eine sehr laute Symphonie)
Mariss Jansons; Dmitri Shostakovich; Mariss Jansons; Bavarian Radio Symphony Orchestra |
5:37 | |||
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1.8
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I. Allegretto (Bitte ein herzliches Wiegenlied)
Mariss Jansons; Dmitri Shostakovich; Mariss Jansons; Bavarian Radio Symphony Orchestra |
3:40 | |||
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1.9
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Das Invasionsthema
Friedrich Schloffer; Friedrich Schloffer |
0:32 | |||
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1.10
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I. Allegretto (Fortsetzung der Probe)
Dmitri Shostakovich; Mariss Jansons; Mariss Jansons; Bavarian Radio Symphony Orchestra |
6:47 | |||
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1.11
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I. Allegretto (Das letzte mal, bitte)
Dmitri Shostakovich; Mariss Jansons; Mariss Jansons; Bavarian Radio Symphony Orchestra |
1:50 | |||
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1.12
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Gnadenlos wiederholt Schostakowitsch diese Melodie
Friedrich Schloffer; Friedrich Schloffer |
0:47 | |||
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1.13
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II. Moderato (Der zweite Satz)
Mariss Jansons; Dmitri Shostakovich; Mariss Jansons; Bavarian Radio Symphony Orchestra |
2:50 | |||
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1.14
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II. Moderato (Aas ist das für eine Musik?)
Mariss Jansons; Dmitri Shostakovich; Mariss Jansons; Bavarian Radio Symphony Orchestra |
2:18 | |||
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1.15
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II. Moderato (Warum habe ich aufgehört)
Mariss Jansons; Dmitri Shostakovich; Mariss Jansons; Bavarian Radio Symphony Orchestra |
4:18 | |||
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1.16
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II. Moderato (Ein trauriger Weg)
Mariss Jansons; Dmitri Shostakovich; Mariss Jansons; Bavarian Radio Symphony Orchestra |
4:01 | |||
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1.17
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Erinnerung
Friedrich Schloffer; Friedrich Schloffer |
0:34 | |||
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1.18
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III. Adagio (Das muss wie eine Orgel klingen)
Dmitri Shostakovich; Mariss Jansons; Mariss Jansons; Bavarian Radio Symphony Orchestra |
4:34 | |||
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1.19
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Die sowjetische Propaganda nutzte zunächst die Leningrader wirkungsvoll für sich
Friedrich Schloffer; Friedrich Schloffer |
1:36 | |||
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1.20
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IV. Allegro non troppo (Probe letzter Satz)
Dmitri Shostakovich; Mariss Jansons; Mariss Jansons; Bavarian Radio Symphony Orchestra |
2:31 | |||
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Digital Booklet
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What does the work of a conductor actually involve? He moves his hands, arms, his whole body, he makes use of his eyes and facial expressions - and he also sings and speaks, but only during rehearsals, of course. Being able to follow a conductor's interpretation makes for an exciting process, and conveys the basic idea behind a work far more vividly at the same time.
Conductors in Rehearsal is a BR-KLASSIK series that takes a closer look at the “orchestral workshop”. One can experience first-hand how the conductor's wishes and instructions are implemented, how his explanations and his temperament change the resulting sound, and what concepts lie behind the interpretation of the work. Thanks to this series - which also now being released on album - the special collaboration between Mariss Jansons and the Bavarian Radio Symphony Orchestra can be documented. The first set presented by BR-KLASSIK documents four rehearsals for concerts in the Munich Philharmonie im Gasteig, taken from different phases of the collaboration between Mariss Jansons’ work with the BRSO.
48 kHz / 24-bit PCM – BR-Klassik Studio Masters
Tracks 2-4, 9, 12, 17, 19 – contains material which has been processed by a perceptual audio coding algorithm
Tracks 2-4, 9, 12, 17, 19 – contains material which has been processed by a perceptual audio coding algorithm
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.10 -7.42 to -0.59 | -26.46 -33.66 to -19.66 | -22.51 -29.60 to -15.60 | 15 11 to 19 | |
| 1 | I. (Dirigenten bei der Probe - Einleitung) | -0.59 | -20.02 | -15.6 | 12 |
| 2 | Für mich ist er ein Genie des 20. Jahrhunderts | -4.21 | -23.11 | -20.2 | 14 |
| 3 | Mariss Jansons` Beziehung zu Dmitrij Schostakowitsch | -4.07 | -25.47 | -22.3 | 16 |
| 4 | Die "Leningrader" - Das Werk | -5.06 | -28.01 | -24.2 | 16 |
| 5 | Mariss Jansons Worte über die Symphonie | -3.75 | -27.54 | -24.0 | 16 |
| 6 | I. Allegretto (Beginn der Probe) | -0.75 | -21.71 | -18.2 | 12 |
| 7 | I. Allegretto (Das ist eine sehr laute Symphonie) | -2.20 | -24.50 | -20.3 | 13 |
| 8 | I. Allegretto (Bitte ein herzliches Wiegenlied) | -3.09 | -26.08 | -21.9 | 15 |
| 9 | Das Invasionsthema | -7.42 | -27.30 | -23.4 | 15 |
| 10 | I. Allegretto (Fortsetzung der Probe) | -2.92 | -26.85 | -21.0 | 15 |
| 11 | I. Allegretto (Das letzte mal, bitte) | -2.93 | -22.95 | -19.1 | 12 |
| 12 | Gnadenlos wiederholt Schostakowitsch diese Melodie | -5.40 | -27.60 | -23.8 | 14 |
| 13 | II. Moderato (Der zweite Satz) | -5.63 | -30.70 | -27.0 | 17 |
| 14 | II. Moderato (Aas ist das für eine Musik?) | -6.95 | -33.66 | -29.6 | 17 |
| 15 | II. Moderato (Warum habe ich aufgehört) | -6.48 | -33.04 | -29.1 | 19 |
| 16 | II. Moderato (Ein trauriger Weg) | -6.24 | -31.21 | -27.2 | 17 |
| 17 | Erinnerung | -5.66 | -27.92 | -24.0 | 17 |
| 18 | III. Adagio (Das muss wie eine Orgel klingen) | -4.23 | -23.87 | -19.1 | 11 |
| 19 | Die sowjetische Propaganda nutzte zunächst die Leningrader wirkungsvoll für sich | -3.81 | -28.07 | -24.2 | 18 |
| 20 | IV. Allegro non troppo (Probe letzter Satz) | -0.65 | -19.66 | -15.9 | 12 |