℗ 2021 Craft Recordings., Distributed by Concord.
Released | March 25, 2022 |
Duration | 1h 24m 44s |
Record Label | Craft Recordings |
Catalogue No. | CR03507 |
Genre | Jazz |
Genesis of Genius: The Contemporary Recordings
Ornette Coleman
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Invisible
Ornette Coleman |
4:12 | |||
1.2
|
The Blessing
Ornette Coleman |
4:45 | |||
1.3
|
Jayne
Ornette Coleman |
7:17 | |||
1.4
|
Chippie
Ornette Coleman |
5:37 | |||
1.5
|
The Disguise
Ornette Coleman |
2:48 | |||
1.6
|
Angel Voice
Ornette Coleman |
4:18 | |||
1.7
|
Alpha
Ornette Coleman |
4:12 | |||
1.8
|
When Will The Blues Leave?
Ornette Coleman |
4:56 | |||
1.9
|
The Sphinx
Ornette Coleman |
4:14 | |||
1.10
|
Tomorrow Is The Question!
Ornette Coleman |
3:09 | |||
1.11
|
Tears Inside
Ornette Coleman |
5:00 | |||
1.12
|
Mind And Time
Ornette Coleman |
3:08 | |||
1.13
|
Compassion
Ornette Coleman |
4:37 | |||
1.14
|
Giggin'
Ornette Coleman |
3:19 | |||
1.15
|
Rejoicing
Ornette Coleman |
4:04 | |||
1.16
|
Lorraine
Ornette Coleman |
5:55 | |||
1.17
|
Turnaround
Ornette Coleman |
7:55 | |||
1.18
|
Endless
Ornette Coleman |
5:18 |
Continuing Contemporary Records’ 70th anniversary celebration, Craft Recordings is proud to release the new box set, Ornette Coleman – Genesis of Genius: The Contemporary Albums. The sets feature two seminal releases, 1958’s Something Else!!!! The Music of Ornette Coleman and 1959’s Tomorrow Is the Question! The New Music of Ornette Coleman. These albums transformed an unknown jazz visionary from the hinterlands into the talk of the New York scene.
Both albums were originally recorded by legendary engineer Roy DuNann, the man responsible for the famously pristine sound quality of Contemporary albums, and have been newly mastered for this release by Bernie Grundman, who himself got his start at Contemporary, mentored by DuNann.
“These two recordings are the accessible gateway to Ornette Coleman’s music,” says Nick Phillips, the producer of Genesis of Genius. “He’s expanding on the bebop vocabulary and at this point he’s using traditional forms for most compositions, 12-bar blues and AABA song form, but doing something totally different. With Ornette and Don Cherry’s trumpet in the front line, the way they play and phrase and shift rhythms together, it sounds very loose but very tight.”
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Craft Recordings Studio Masters
Tracks 1-18 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-18 – contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.42 -1.66 to -0.20 | -20.91 -23.31 to -19.00 | -17.76 -19.90 to -15.80 | 14 12 to 16 | |
1 | Invisible | -0.90 | -19.46 | -16.2 | 12 |
2 | The Blessing | -0.21 | -20.90 | -18.1 | 14 |
3 | Jayne | -0.20 | -22.44 | -19.5 | 15 |
4 | Chippie | -1.04 | -20.98 | -18.1 | 14 |
5 | The Disguise | -0.20 | -19.00 | -15.8 | 13 |
6 | Angel Voice | -0.35 | -19.48 | -16.6 | 14 |
7 | Alpha | -0.20 | -19.77 | -16.6 | 14 |
8 | When Will The Blues Leave? | -0.20 | -19.50 | -16.7 | 13 |
9 | The Sphinx | -0.20 | -20.05 | -16.6 | 14 |
10 | Tomorrow Is The Question! | -0.20 | -20.18 | -17.2 | 14 |
11 | Tears Inside | -0.20 | -21.40 | -18.3 | 15 |
12 | Mind And Time | -0.20 | -19.96 | -17.2 | 14 |
13 | Compassion | -1.66 | -23.31 | -19.9 | 15 |
14 | Giggin' | -0.20 | -22.00 | -18.8 | 15 |
15 | Rejoicing | -0.99 | -21.81 | -19.0 | 15 |
16 | Lorraine | -0.20 | -22.68 | -18.2 | 16 |
17 | Turnaround | -0.20 | -22.92 | -19.2 | 16 |
18 | Endless | -0.20 | -20.58 | -17.7 | 15 |