℗ 2022 Lakeshore Records
| Released | April 1, 2022 |
| Duration | 49m 16s |
| Record Label | Lakeshore Records |
| Catalogue No. | LKS36216 |
| Genre | Soundtracks (Film Soundtracks) |
The Guest 2 (Original Soundtrack)
Various Artists
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Ident / Swerve and Steer
OGRE Sound |
2:54 | |||
|
1.2
|
The Guest Returns
Steve Moore |
4:35 | |||
|
1.3
|
Love, Extended
Majeure |
4:31 | |||
|
1.4
|
Old Habits
Makeup and Vanity Set |
4:08 | |||
|
1.5
|
Hardwired
Jordan F |
4:30 | |||
|
1.6
|
Just Run
Ghost Cop |
5:13 | |||
|
1.7
|
Grim Showdown
Adam Wingard |
2:52 | |||
|
1.8
|
Carver’s War Machine
John Bergin |
4:56 | |||
|
1.9
|
The Core of the Night
Ainoma |
3:53 | |||
|
1.10
|
You’ve Got The Armory, I’ve Got The Time
Xander Harris |
3:31 | |||
|
1.11
|
Heatflow
Lone Runner |
3:53 | |||
|
1.12
|
David vs. The Splinters of the Cross
Steve Moore |
4:20 |
OGRE Sound, Steve Moore, Majeure, Makeup and Vanity Set, Jordan F, Ghost Cop, and many more grace the track-listing for the Original Soundtrack to The Guest 2... the soundtrack to an imagined sequel that does not exist.
2014’s The Guest, directed by Adam Wingard, written by Simon Barrett, and starring Dan Stevens as “David,” tells the story of a kind soldier who befriends a grieving family. After a series of mysterious deaths, the teen family members discover the soldier who seems so warm and caring is actually an unstoppable killing machine.
For the imagined sequel, Wingard sketched-out story details and enlisted 11 bands to tell the story through the medium of music. Through a wide range of song styles and tones—coupled with very specific song titles and a stunning album cover illustration—we learn what became of David, Anna, Brendan and Major Carver after the events of The Guest.
96 kHz / 24-bit PCM – Lakeshore Records Studio Masters
Tracks 1, 4-8, 10 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 2, 3, 9, 11, 12 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1, 4-8, 10 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Tracks 2, 3, 9, 11, 12 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.11 -0.11 to -0.11 | -9.32 -11.23 to -7.81 | -7.71 -8.90 to -6.40 | 4 3 to 6 | |
| 1 | Ident / Swerve and Steer | -0.11 | -8.38 | -6.9 | 3 |
| 2 | The Guest Returns | -0.11 | -11.11 | -8.6 | 5 |
| 3 | Love, Extended | -0.11 | -9.50 | -7.3 | 5 |
| 4 | Old Habits | -0.11 | -11.23 | -8.9 | 5 |
| 5 | Hardwired | -0.11 | -10.31 | -8.4 | 6 |
| 6 | Just Run | -0.11 | -8.30 | -7.1 | 3 |
| 7 | Grim Showdown | -0.11 | -8.83 | -7.5 | 4 |
| 8 | Carver’s War Machine | -0.11 | -8.27 | -6.4 | 4 |
| 9 | The Core of the Night | -0.11 | -8.14 | -6.7 | 4 |
| 10 | You’ve Got The Armory, I’ve Got The Time | -0.11 | -7.81 | -7.4 | 4 |
| 11 | Heatflow | -0.11 | -9.86 | -8.7 | 5 |
| 12 | David vs. The Splinters of the Cross | -0.11 | -10.11 | -8.6 | 4 |