℗ 2022 Navona
| Released | April 8, 2022 |
| Duration | 1h 15m 57s |
| Record Label | Navona |
| Catalogue No. | NV6413 |
| Genre | Classical (Piano) |
Piano Spectrums
Anna Kislitsyna
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Prelude for Piano
Michael Cohen; Anna Kislitsyna |
3:22 | |||
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5 Mise-en-scènes for Piano, Book 2 (Excerpts)
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1.2
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No. 6, —
Richard Vella; Anna Kislitsyna |
1:53 | |||
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1.3
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No. 9, Harmony
Richard Vella; Anna Kislitsyna |
6:26 | |||
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Piano Sonata
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1.4
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I. Blue Andante
Tara Guram; Anna Kislitsyna |
1:30 | |||
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1.5
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II. Green Sunny Day
Tara Guram; Anna Kislitsyna |
1:44 | |||
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1.6
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III. Black Finale
Tara Guram; Anna Kislitsyna |
5:24 | |||
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1.7
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Etude for Concert for Piano
Zhiyi Wang; Anna Kislitsyna |
6:38 | |||
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1.8
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Variations on a Theme of Beethoven
Jacob E. Goodman; Anna Kislitsyna |
11:56 | |||
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9 Preludes, Op. 31 (Excerpts)
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1.9
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No. 5, Allegro
John Robertson; Anna Kislitsyna |
2:57 | |||
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1.10
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No. 6, Andante con moto
John Robertson; Anna Kislitsyna |
3:42 | |||
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1.11
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No. 2, Summer Night (A Tango)
John Robertson; Anna Kislitsyna |
2:38 | |||
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9 Piano Pieces, Op. 51
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1.12
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No. 7, Haydenesque
John Robertson; Anna Kislitsyna |
4:20 | |||
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1.13
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Prelude No. 7 in F-Sharp Minor
David Nisbet Stewart; Anna Kislitsyna |
1:39 | |||
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1.14
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Rough Trick
Carla Lucero; Anna Kislitsyna |
3:17 | |||
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1.15
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The Capture
Carla Lucero; Anna Kislitsyna |
1:50 | |||
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1.16
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Place in Landscape (Taormina)
Eric Chapelle; Anna Kislitsyna |
5:54 | |||
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Time and Again
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1.17
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I. Disquietude
Bruce Babcock; Anna Kislitsyna |
3:00 | |||
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1.18
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II. Tarantism
Bruce Babcock; Anna Kislitsyna |
2:55 | |||
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1.19
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III. Resolve
Bruce Babcock; Anna Kislitsyna |
2:29 | |||
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1.20
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IV. Post-Haste
Bruce Babcock; Anna Kislitsyna |
2:23 | |||
96 kHz / 24-bit PCM – Navona Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.21 -10.10 to -0.60 | -24.81 -34.29 to -19.52 | -21.05 -29.10 to -16.60 | 14 11 to 16 | |
| 1 | Prelude for Piano | -1.91 | -22.00 | -18.7 | 12 |
| 2 | No. 6, — | -10.10 | -34.29 | -29.1 | 14 |
| 3 | No. 9, Harmony | -2.89 | -26.39 | -22.2 | 14 |
| 4 | I. Blue Andante | -2.63 | -22.47 | -19.2 | 12 |
| 5 | II. Green Sunny Day | -0.76 | -19.52 | -16.6 | 12 |
| 6 | III. Black Finale | -4.58 | -25.96 | -22.2 | 13 |
| 7 | Etude for Concert for Piano | -1.02 | -22.70 | -18.6 | 13 |
| 8 | Variations on a Theme of Beethoven | -0.69 | -25.05 | -21.7 | 15 |
| 9 | No. 5, Allegro | -2.26 | -22.77 | -20.0 | 14 |
| 10 | No. 6, Andante con moto | -5.48 | -29.42 | -26.0 | 15 |
| 11 | No. 2, Summer Night (A Tango) | -2.36 | -23.68 | -20.4 | 13 |
| 12 | No. 7, Haydenesque | -2.73 | -24.32 | -21.3 | 15 |
| 13 | Prelude No. 7 in F-Sharp Minor | -6.08 | -23.39 | -20.2 | 11 |
| 14 | Rough Trick | -1.46 | -24.39 | -19.4 | 14 |
| 15 | The Capture | -0.60 | -20.96 | -16.7 | 13 |
| 16 | Place in Landscape (Taormina) | -8.45 | -29.37 | -25.5 | 12 |
| 17 | I. Disquietude | -3.78 | -25.79 | -21.7 | 14 |
| 18 | II. Tarantism | -1.42 | -21.80 | -17.9 | 13 |
| 19 | III. Resolve | -4.25 | -30.14 | -24.9 | 16 |
| 20 | IV. Post-Haste | -0.76 | -21.89 | -18.7 | 15 |