℗ 2022 Deutsche Grammophon, Berlin
Released | April 8, 2022 |
Duration | 59m 15s |
Record Label | Deutsche Grammophon (DG) |
Genre | Classical |
Boulevard des Italiens
Benjamin Bernheim, Orchestra del Teatro Comunale di Bologna, Frédéric Chaslin
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Madama Butterfly, SC 74
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1.1
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Adieu, sejour fleuri
Giacomo Puccini; Giuseppe Giacosa; Luigi Illica; Benjamin Bernheim; Orchestra del Teatro Comunale di Bologna; Frédéric Chaslin |
2:19 | |||
La fille du régiment
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1.2
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Pour me rapprocher de Marie
Gaetano Donizetti; Jules-Henri Vernoy de Saint-Georges; Jean Francois Alfred Bayard; Benjamin Bernheim; Orchestra del Teatro Comunale di Bologna; Frédéric Chaslin |
3:21 | |||
La Favorite
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1.3
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Ange si pur
Gaetano Donizetti; Alphonse Royer; Eugène Scribe; Gustave Vaëz; Benjamin Bernheim; Orchestra del Teatro Comunale di Bologna; Frédéric Chaslin |
3:23 | |||
Don Carlos
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1.4
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Fontainebleau! Forêt immense
Giuseppe Verdi; Francois Joseph Méry; Camille Du Locle; Benjamin Bernheim; Orchestra del Teatro Comunale di Bologna; Frédéric Chaslin |
2:19 | |||
1.5
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Je l'ai vue
Giuseppe Verdi; Joseph Méry; Camille Du Locle; Friedrich von Schiller; Benjamin Bernheim; Orchestra del Teatro Comunale di Bologna; Frédéric Chaslin |
2:35 | |||
1.6
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Le voilà! ... Toi, mon Rodrigue
Giuseppe Verdi; Joseph Méry; Camille Du Locle; Friedrich von Schiller; Benjamin Bernheim; Florian Sempey; Orchestra del Teatro Comunale di Bologna; Frédéric Chaslin |
5:55 | |||
1.7
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Dieu, tu semas dans nos âmes
Giuseppe Verdi; Joseph Méry; Camille Du Locle; Friedrich von Schiller; Benjamin Bernheim; Florian Sempey; Orchestra del Teatro Comunale di Bologna; Frédéric Chaslin |
4:26 | |||
Dom Sébastien
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1.8
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Seul sur la terre
Gaetano Donizetti; Eugène Scribe; Paul Henri Foucher; Benjamin Bernheim; Orchestra del Teatro Comunale di Bologna; Frédéric Chaslin |
5:09 | |||
La vestale
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1.9
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Introduction
Gaspare Spontini; Étienne de Jouy; Orchestra del Teatro Comunale di Bologna; Frédéric Chaslin |
1:17 | |||
1.10
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Qu'ai-je vu! ... Julia va mourir!
Gaspare Spontini; Étienne de Jouy; Benjamin Bernheim; Orchestra del Teatro Comunale di Bologna; Frédéric Chaslin |
3:08 | |||
Jérusalem
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1.11
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L'Emir auprès de lui m'appelle
Giuseppe Verdi; Alphonse Royer; Gustave Vaëz; Benjamin Bernheim; Orchestra del Teatro Comunale di Bologna; Frédéric Chaslin |
2:39 | |||
1.12
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Je veux encore entendre ta voix
Giuseppe Verdi; Alphonse Royer; Gustave Vaëz; Benjamin Bernheim; Orchestra del Teatro Comunale di Bologna; Frédéric Chaslin |
3:12 | |||
Ali Baba
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1.13
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C’en est donc fait
Luigi Cherubini; Eugène Scribe; Anne-Honoré-Joseph Duveyrier de Mélesville; Benjamin Bernheim; Orchestra del Teatro Comunale di Bologna; Frédéric Chaslin |
2:39 | |||
1.14
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C’est de toi, ma Delie
Luigi Cherubini; Eugène Scribe; Anne-Honoré-Joseph Duveyrier de Mélesville; Benjamin Bernheim; Orchestra del Teatro Comunale di Bologna; Frédéric Chaslin |
4:38 | |||
Amica
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1.15
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(Amica!...) Vous restez á l’ècart
Pietro Mascagni; Paul De Choudens; Paul Collin; Benjamin Bernheim; Orchestra del Teatro Comunale di Bologna; Frédéric Chaslin |
1:48 | |||
1.16
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Pourquoi garder ce silence obstiné?
Pietro Mascagni; Paul De Choudens; Paul Collin; Benjamin Bernheim; Orchestra del Teatro Comunale di Bologna; Frédéric Chaslin |
3:46 | |||
Les vêpres siciliennes
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1.17
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Ô toi que j'ai chérie
Giuseppe Verdi; Eugène Scribe; Charles Duveyrier; Benjamin Bernheim; Orchestra del Teatro Comunale di Bologna; Frédéric Chaslin |
3:45 | |||
Tosca, SC 69
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1.18
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O de beautés égales
Giacomo Puccini; Giuseppe Giacosa; Luigi Illica; Victorien Sardou; Benjamin Bernheim; Orchestra del Teatro Comunale di Bologna; Frédéric Chaslin |
2:56 |
Benjamin Bernheim’s new album Boulevard des Italiens documents more than a hundred years of Italian operatic music in France. Music stretching from Spontini’s La Vestale to Mascagni’s Amica – all sung in French – receives gold-star treatment from Bernheim, a tenor ideally placed to sing this repertoire in his native language. As he explains, “The aim was really to show the history of the French language in opera houses in Paris by way of these Italian composers who brought their pieces there. With the Opéra Garnier at one end, and the Opéra-Comique at the other, the Boulevard des Italiens is where it all happened.”
Throughout the nineteenth century and into the twentieth, Paris was the operatic capital of Europe. From Cherubini to Mascagni, Italian composers in particular were drawn to the city with its cosmopolitan outlook and opera-loving audiences. This resulted in an exciting and productive mutual exchange between the French and Italian theatrical traditions. Almost without exception, works were staged in French, whatever their country of origin, and in adapting their music to work with the sonorities of the French language, Italian composers rose to new levels of melodic creativity.
On Boulevard des Italiens, Bernheim performs a representative selection of their operatic calling cards, having turned to the Venice-based Palazzetto Bru Zane – Centre de musique romantique française for advice on repertoire. As he explains, in addition to giving inspired ideas and suggestions, the organisation also “helped us enormously, doing amazing work on editing not just the vocal scores, but the orchestral ones as well”.
The recording sessions with conductor Frédéric Chaslin and the Orchestra del Teatro Comunale di Bologna took place in April 2021 – “just as the world was opening up again”, recalls Bernheim. “It was a wonderful feeling, both personally and musically,” he adds. “We were literally immersed in Italian sonorities.”
96 kHz / 24-bit PCM – Deutsche Grammophon (DG) Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.71 -8.97 to -1.34 | -25.96 -31.81 to -20.25 | -21.44 -28.20 to -15.80 | 13 11 to 15 | |
1 | Adieu, sejour fleuri | -1.34 | -22.33 | -17.4 | 12 |
2 | Pour me rapprocher de Marie | -5.01 | -28.05 | -23.1 | 13 |
3 | Ange si pur | -7.09 | -28.76 | -24.8 | 14 |
4 | Fontainebleau! Forêt immense | -8.97 | -31.81 | -26.5 | 15 |
5 | Je l'ai vue | -4.38 | -27.33 | -22.7 | 13 |
6 | Le voilà! ... Toi, mon Rodrigue | -1.34 | -23.44 | -18.5 | 14 |
7 | Dieu, tu semas dans nos âmes | -1.34 | -20.25 | -15.8 | 11 |
8 | Seul sur la terre | -1.87 | -24.98 | -20.4 | 14 |
9 | Introduction | -7.92 | -30.97 | -28.2 | 12 |
10 | Qu'ai-je vu! ... Julia va mourir! | -1.98 | -22.22 | -18.4 | 12 |
11 | L'Emir auprès de lui m'appelle | -6.58 | -29.50 | -24.3 | 14 |
12 | Je veux encore entendre ta voix | -3.04 | -25.69 | -21.4 | 14 |
13 | C’en est donc fait | -3.17 | -25.34 | -20.5 | 12 |
14 | C’est de toi, ma Delie | -2.51 | -25.71 | -21.4 | 14 |
15 | (Amica!...) Vous restez á l’ècart | -5.16 | -28.56 | -24.4 | 13 |
16 | Pourquoi garder ce silence obstiné? | -1.34 | -23.23 | -19.2 | 13 |
17 | Ô toi que j'ai chérie | -2.33 | -25.99 | -21.0 | 13 |
18 | O de beautés égales | -1.34 | -23.18 | -18.0 | 12 |