℗ 2016 Delphian Records
Released | July 29, 2016 |
Duration | 1h 16m 13s |
Record Label | Delphian Records |
Catalogue No. | DCD34181 |
Genre | Classical (Early) |
Ice and Longboats: Ancient Music of Scandinavia
Ensemble Mare Balticum
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
1.1
|
Drømde mik en drøm I
Anonymous; Ensemble Mare Balticum; Ute Goedecke |
1:14 | |||
1.2
|
Signals to the Aesir Gods
Anonymous; Ensemble Mare Balticum; Åke Egevad; Stefan Wikström; Jens Egevad; Cajsa S. Lund |
5:16 | |||
In the Village
|
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1.3
|
I. Musical Pastimes
Anonymous; Ensemble Mare Balticum; Åke Egevad; Jens Egevad |
1:31 | |||
1.4
|
II. Evening
Anonymous; Ensemble Mare Balticum; Åke Egevad; Jens Egevad |
2:25 | |||
1.5
|
Mith hierthæ brendher
Anonymous; Ensemble Mare Balticum; Ute Goedecke; Per Mattsson; Stefan Wikström; Aino Lund Lavoipierre |
2:39 | |||
Sequentia
|
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1.6
|
Lux illuxit
Anonymous; Ensemble Mare Balticum; Ute Goedecke; Aino Lund Lavoipierre; Per Mattsson |
5:53 | |||
Cantio
|
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1.7
|
Scribere proposui
Anonymous; Ensemble Mare Balticum; Ute Goedecke |
2:10 | |||
1.8
|
Drømde mik en drøm II
Anonymous; Ensemble Mare Balticum; Per Mattsson |
0:47 | |||
1.9
|
Ramus virens olivarum
Anonymous; Ensemble Mare Balticum; Per Mattsson |
6:13 | |||
1.10
|
Drømde mik en drøm III
Anonymous; Ensemble Mare Balticum; Ute Goedecke; Aino Lund Lavoipierre; Per Mattsson; Stefan Wikström |
1:26 | |||
1.11
|
Drømde mik en drøm IV
Anonymous; Ensemble Mare Balticum; Ute Goedecke; Aino Lund Lavoipierre |
1:21 | |||
1.12
|
Drømde mik en drøm V
Anonymous; Ensemble Mare Balticum; Ute Goedecke |
1:03 | |||
1.13
|
Nobis est natus hodie – In natali Domini
Anonymous; Ensemble Mare Balticum; Per Mattsson |
1:51 | |||
1.14
|
Estampie ‘Ferro transecuit’
Anonymous; Ensemble Mare Balticum; Ute Goedecke; Per Mattsson |
3:11 | |||
1.15
|
Estampie ‘Pax patrie’
Anonymous; Ensemble Mare Balticum; Ute Goedecke; Per Mattsson |
3:12 | |||
Rondellus
|
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1.16
|
Ad cantus laetitiae
Anonymous; Ensemble Mare Balticum; Ute Goedecke; Aino Lund Lavoipierre; Per Mattsson |
1:48 | |||
1.17
|
Mith hierthæ brendher II
Anonymous; Ensemble Mare Balticum; Ute Goedecke; Per Mattsson; Aino Lund Lavoipierre |
1:48 | |||
1.18
|
Melody from Hultebro
Anonymous; Ensemble Mare Balticum; Åke Egevad; Jens Egevad |
2:18 | |||
1.19
|
The Warrior with his Lyre
Anonymous; Ensemble Mare Balticum; Jens Egevad |
1:26 | |||
1.20
|
Gethornslåt
Anonymous; Ensemble Mare Balticum; Åke Egevad |
1:09 | |||
1.21
|
Grímur á Miðalnesi
Anonymous; Ensemble Mare Balticum; Jens Egevad |
1:13 | |||
1.22
|
Jesus Christus nostra salus
Anonymous; Ensemble Mare Balticum; Ute Goedecke; Aino Lund Lavoipierre |
6:00 | |||
1.23
|
Nobilis humilis
Anonymous; Ensemble Mare Balticum; Ute Goedecke; Aino Lund Lavoipierre; Per Mattsson |
4:53 | |||
1.24
|
Gaudet mater ecclesia
Anonymous; Ensemble Mare Balticum; Ute Goedecke; Per Mattsson |
3:36 | |||
Antiphona
|
|||||
1.25
|
Hostia grata Deo
Anonymous; Ensemble Mare Balticum; Aino Lund Lavoipierre; Per Mattsson |
1:16 | |||
1.26
|
Ferro transecuit
Anonymous; Ensemble Mare Balticum; Ute Goedecke; Per Mattsson |
1:12 | |||
1.27
|
Improvisation on ‘Gaudet mater ecclesia’
Anonymous; Ensemble Mare Balticum; Ute Goedecke |
1:09 | |||
1.28
|
Sancta Anna, moder Christ
Anonymous; Ensemble Mare Balticum; Ute Goedecke; Aino Lund Lavoipierre |
1:48 | |||
Sequentia
|
|||||
1.29
|
Diem festum veneremur
Anonymous; Ensemble Mare Balticum; Ute Goedecke; Aino Lund Lavoipierre |
6:25 |
Scandinavia’s archaeologically known prehistory encompasses around twelve thousand years, culminating in the Viking period (c.800–1050AD). The Middle Ages then followed, around six hundred years later than in continental Europe – a late development due to the long period in which ice still covered Europe’s northern parts.
Volume 2 in Delphian Records’ groundbreaking collaboration with the European Music Archaeology Project constructs a soundscape of these two periods, featuring both music improvised on Viking instruments, and notated songs and instrumental items from the early centuries of Christianity in Scandinavia.
48 kHz / 24-bit PCM – Delphian Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -8.26 -20.05 to -1.00 | -28.88 -37.90 to -19.60 | -24.67 -33.30 to -15.50 | 13 6 to 20 | |
1 | Drømde mik en drøm I | -16.13 | -29.07 | -25.1 | 6 |
2 | Signals to the Aesir Gods | -1.21 | -21.29 | -18.3 | 12 |
3 | I. Musical Pastimes | -4.22 | -29.02 | -24.8 | 17 |
4 | II. Evening | -12.68 | -34.27 | -31.6 | 15 |
5 | Mith hierthæ brendher | -4.32 | -27.22 | -23.8 | 13 |
6 | Lux illuxit | -2.81 | -25.90 | -22.1 | 14 |
7 | Scribere proposui | -6.88 | -34.06 | -28.6 | 20 |
8 | Drømde mik en drøm II | -15.02 | -33.55 | -27.6 | 11 |
9 | Ramus virens olivarum | -2.60 | -25.31 | -21.2 | 13 |
10 | Drømde mik en drøm III | -13.60 | -32.16 | -28.6 | 10 |
11 | Drømde mik en drøm IV | -12.91 | -37.34 | -31.9 | 16 |
12 | Drømde mik en drøm V | -20.05 | -37.11 | -31.3 | 11 |
13 | Nobis est natus hodie – In natali Domini | -11.48 | -34.57 | -27.6 | 13 |
14 | Estampie ‘Ferro transecuit’ | -11.48 | -27.20 | -24.4 | 9 |
15 | Estampie ‘Pax patrie’ | -9.94 | -31.31 | -28.2 | 13 |
16 | Ad cantus laetitiae | -5.79 | -25.72 | -21.9 | 13 |
17 | Mith hierthæ brendher II | -5.35 | -25.96 | -21.0 | 14 |
18 | Melody from Hultebro | -1.00 | -19.60 | -15.5 | 13 |
19 | The Warrior with his Lyre | -10.27 | -30.71 | -27.3 | 15 |
20 | Gethornslåt | -3.18 | -20.99 | -16.9 | 9 |
21 | Grímur á Miðalnesi | -16.27 | -32.96 | -29.1 | 11 |
22 | Jesus Christus nostra salus | -6.00 | -27.33 | -23.2 | 14 |
23 | Nobilis humilis | -4.51 | -25.36 | -21.7 | 13 |
24 | Gaudet mater ecclesia | -3.32 | -24.56 | -20.2 | 14 |
25 | Hostia grata Deo | -4.09 | -25.68 | -20.9 | 11 |
26 | Ferro transecuit | -2.50 | -25.48 | -20.8 | 12 |
27 | Improvisation on ‘Gaudet mater ecclesia’ | -18.19 | -37.90 | -33.3 | 14 |
28 | Sancta Anna, moder Christ | -7.67 | -27.64 | -23.9 | 12 |
29 | Diem festum veneremur | -6.18 | -28.09 | -24.5 | 14 |